In the 2006–2007 company-wide story arc “Civil War“, Rogers opposes the new mandatory federal registration of super-powered beings, and leads the underground anti-registration movement. After significant rancor and danger to the public as the two sides clash, Captain America voluntarily surrenders and orders the Anti-Registration forces to stand down, feeling that the fight has reached a point where the principle originally cited by the anti-registration forces has been lost.
In this future, it is possible to obtain robot assassins out of vending machines at the cost of 3 Franks. After terminating their target, the robot self-destructs for easy clean-up. During his first mission, the Scud we follow sees his self-destruct warning in a mirror during an 18-page fight scene. Programmed for self-preservation for the sake of winning fights, Scud doesn’t want to die, so only wounds Jeff bad enough to be put on life support at a nearby hospital, ensuring their mutual survival.
The main plot of Scud: The Disposable Assassin follows Scud’s career as a freelance mercenary and assassin, working to pay off Jeff’s medical bills.
The ‘Nam was a war comic book series detailing the U.S. War in Vietnam from the perspective of active-duty soldiers involved in the conflict. It was written by Doug Murray, initially illustrated by Michael Golden, edited by Larry Hama and published by Marvel Comics for seven years beginning in 1986, which was originally intended to roughly parallel the analogous events of the period of major American military involvement in Vietnam from 1965 to 1973.
The initial storylines were close adaptations of the 1987 Teenage Mutant Ninja Turtles television series, but by the fifth issue the creators handed the series over to Ryan Brown and Stephen Murphy. In their hands the comic immediately diverged from the cartoon series into unique new story arcs, often incorporating social, environmentalist, and animal-rights themes. It also introduced several new characters of various races and backgrounds, including humans, mutants, aliens, and other anthropomorphic creatures. Additionally, the series added new layers to established players such as April O’Neil, who began training with a katana, and the Shredder, who gradually revealed a sense of honor. The stories were often seen as ‘deeper’ and more ‘serious’ than the cartoon. As the new tales and characters were explored, original antagonists Krang, Bebop and Rocksteady were eventually phased out early, making later appearances during stories involving alien worlds. Shredder would remain a recurring adversary.
After the events of Flashpoint as part of The New 52, Nightwing was relaunched with issue #1. Grayson resumes the role of Nightwing following the return of Bruce Wayne. The new series, written by Kyle Higgins, opens with Grayson having returned to Gotham, when Haly’s Circus comes to town. Through a series of events, Grayson inherits the circus and is working through internal struggles with his past as he investigates the secrets the circus has brought about.
During the events of Death of the Family (a bat-family crossover) Haly’s circus is targeted by the Joker. As a result, the circus is burnt down and the circus members leave. Dick is left feeling depressed and lost as a result of this and the death of Damian Wayne (Robin) and is at a loss for what to do with his life. However, when Sonia Branch reveals to him that she believes her father, Tony Zucco, is alive and living in Chicago, Dick makes the decision take him down. Therefore, in 2013 Nightwing relocated to Chicago to hunt down Tony Zucco and also take down The Prankster, a new supervillain hacker in Chicago.
The Punisher ongoing series premiered in 1987. Initially by writer Mike Baron and artist Klaus Janson, it eventually ran 104 issues (July 1987 – July 1995) and spun off two additional ongoing series — The Punisher War Journal (80 issues, November 1988 – July 1995) and The Punisher War Zone (41 issues, March 1992 – July 1995), as well as the black-and-white comics magazine The Punisher Magazine(16 issues, November 1989 – September 1990) and The Punisher Armory (10 issues, no cover dates, starting 1990), a fictional diary detailing “His thoughts! His feelings! His weapons!” (as stated on the cover of issue #1). The Punisher also appeared in numerous one-shots and miniseries, and made frequent guest appearances in other Marvel comics, ranging from superhero series to the Vietnam War-era comic The ‘Nam.
During this era, the Punisher was assisted by his then-partner, Microchip. Serving as a Q type figure, he would supply the Punisher with high-tech vehicles and equipment such as armored combat “battle vans” specially built and customized.
Moon Knight returns to New York after faking his death with Jake Lockley as his dominant personality, but still struggles against his violent nature and is hounded by Khonshu in the form of a small imaginary tormentor resembling a man in the Moon Knight costume with a bird skull who goads him to kill. While trying to walk the path of a hero he makes a bold return taking on many criminals but killing none of them; now the people of New York begin to see him as a hero and not a murderous vigilante much to Norman Osborn’s disdain. Jake’s personality has been one of struggle against the inner demon trying to get him to kill while juggling sobriety.
In 1988, DC Comics would release a Doctor Fate ongoing series focusing on 2 characters acting simultaneously as Doctor Fate, the first twenty-four issues written and drawn by J.M. DeMatteis and Shawn McManus. The series focused on magically aged up Eric and Linda acting as Doctor Fate under the guidance of Nabu, whom has inhabited and taken the identity of Kent Nelson. Despite their differences in personality and both Eric’s immaturity and true age, Linda is portrayed as having feelings for Erica which are mutual. The Eric Stauss character was seemingly killed off later in the run, making the Linda Strauss character the sole Doctor Fate for a time.
With the Celestial embryo gone, the Earth’s mass is reduced, causing a shift in orbit and polarity as well as drastic worldwide climate changes. One-fourth of New York’s population dies as temperatures plummet. The Tong of Creel, a cult dedicated to reassembling the Absorbing Man, begins killing those who hold his fragments. Under Mephisto‘s influence, Pope Immortus founds a church advocating mutant dominance of the galaxy and the destruction of Reed’s Human Torches. Meanwhile, Mar-Vell is reincarnated as the child of the synthetic Him and Her, though his soul remains in the Realm of the Dead. Captain America becomes the Mar-Vell child’s guardian and embarks on a worldwide quest with his new ward to obtain various items in order to deal with Earth’s restless mutant population and prepare for an impending war in the Realm of the Dead. Arriving at Zero Street, the duo is attacked by the Night People, and Captain America sacrifices his life to save the Mar-Vell child.
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