Aliens: Earth War (1990)

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Aliens: Earth War was a continuation of the events from Aliens (series 1) (1988) and Aliens (series 2) (1989), originally featuring the continuing adventures of the characters Newt and Dwayne Hicks from the film Aliens, and also reintroducing Alien-film-franchise heroine Lt. Ellen Ripley.

For later printings, after the release of the film Alien³, the story was retitled Aliens: The Female War, and the names/identities of the lead characters were changed to Billie and Wilks, since Newt and Hicks were killed off at the start of the film, and the Ellen Ripley who appears in the story is said to be a synthetic version of Ripley, who was killed off at the film’s end. As such, the story, as Aliens: The Female War, the story still stands as part of Aliens comics/novel continuity; and Billie, Wilks, and the Ellen Ripley synthetic have all become completely separate characters.

The Terminator Special (1998)

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Written by Alan Grant. Art by Guy Davis. Cover by Geof Darrow. In a nightmarish future, John Connor will lead the remnants of humanity against the cybernetic killing machines known as Terminators. But as a boy in our present, he has his whole life ahead of him — unless the Terminators get to him first. In the unforgiving wastelands of Death Valley, a new chapter is about to unfold. A new pair of Terminators have been sent from the future to find the boy. What’s at stake for the lowlife bounty hunter named Van Dirk? And, can humanity’s future be saved, or does Skynet have another ace up its sleeve?

Twisted Tales (1982)

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Twisted Tales was published bi-monthly by Pacific Comics from November 1982 to May 1984 (eight issues). After Pacific went bankrupt, two final issues were published by Eclipse Comics in November and December 1984. In August 1986, Blackthorne Publishing released Twisted Tales 3-D #1 (#7 in their 3-D series), with reprints of stories taken from earlier issues. In November 1987 a Twisted Tales trade paperback was released by Eclipse Comics with a Dave Stevens cover, featuring previously unpublished stories and art.

Serenity (2005)

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Joss Whedon pens a three issue miniseries based on the film with Brett Matthews.

The crew of Serenity once again find themselves broke and on the wrong side of a number of very large firearms, making the first issue a case study in how to mix intense, Whedon-style character interaction with cinematic action and violence. Artist Will Conrad and colorist Laura Martin paint a rough and wild world of adventure across a strange and dangerous universe.

Cosmic Powers Unlimited (1995)

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Cosmic Powers Unlimited was part of Marvel’s mid 90’s line of ‘Unlimited’ books alongside Spider-Man, X-Men, Fantastic Four & 2099 Unlimited.  Each book was published quarterly, was giant-sized and was published on better quality paper stock.

Cosmic Powers Unlimited was an anthology series exclusively featuring Marvel’s Cosmic characters; each issue having a lead story then one or more shorter backups.  Each issue’s lead story featured either the Silver Surfer solo or the Surfer with Quasar and Beta Ray Bill as the Star Masters.  Characters featured in backup features included: Jack of Hearts, Ganymede, Sundragon, Drax the Destroyer, Moondragon, Pip the Troll, Thanos, Captain Mar-Vell and Her / Kismet.

 

Star Wars Legacy: War (2010)

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The Legacy saga ends here! It’s an all-out war as the Sith emperor returns from the dead – stronger, more evil, more determined, and prepared to unleash a new secret weapon upon the galaxy! Roan Fel”s loyalist Imperials, the Galactic Alliance, and the Jedi are all on the defensive – reeling from the attacks by the unified Sith. But Cade Skywalker has his own plans for this war – all this time spent running from his legacy has finally shown him that he can’t run… and he must stand alone against Darth Krayt!

Books of Magic V3 (2018)

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Timothy Hunter is destined to be the world’s most powerful magician–at least, that’s what he’s been told. In the meantime, though, he’s just a regular teenager trying to deal with distant parents, school bullies, and adolescent crushes–and magic isn’t helping with any of it.

The forces of the supernatural seem to have it in for him. There are more than a few shadowy figures who will stop at nothing to eliminate what they see as a deadly threat to the balance of power–and those are the good guys. In order for Tim to survive long enough to fulfill his destiny, he’ll have to learn how to control his burgeoning abilities as well as figure out whom he can trust–and who wants him dead.

This journey of discovery begins with a new teacher named Ms. Rose, a homeless woman named Mad Hettie, and an owl named Yo-Yo–and it will lead him from suburban London straight to the heart of the Dreaming.

The Dreaming V2 (2018)

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VThere is a place where stories are born. Today its walls lie slashed and bleeding. Dream has abandoned his realm, and until he is found, its residents must protect its broken borders alone. But the most senior storysmiths are tormented by invasive secrets, the warden Lucien is doubting his own mind—and beyond the gates something horrific waits with tooth and talon.

Only Dora, the monstress, finds opportunity in madness, stealing dreams for the highest bidder. But she has no idea how deep the danger lies.

Spawn’s Universe (2021)

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The official introduction to the long-awaited Spawn’s Universe. A double-sized issue that begins a storyline so huge that three new spawn-related monthly titles will spill out from it, including… King Spawn, Gunslinger Spawn and The Scorched. With this one-shot…the world of SPAWN changes forever! New heroes. New villains, and more importantly, new titles.

Danger Unlimited (1994)

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Danger Unlimited was intended as an ongoing series, but it ended abruptly after just four issues at Byrne’s decision, due to less-than-anticipated sales brought on in part by the mid-1990s collapse of the American comic industry. Byrne himself provided insight into this collapse (or Wall Street-like “normalization”) in the letter column to issue #4. Byrne had intended the series to capture a wider, younger audience with a lower cover price and no content that would require a “mature” warning. Low pre-sales and long lead times gave him less revenue, so he made the decision that it was unprofitable to continue work on the title.