Category: DC Bronze Age

Ghosts (1971)

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Each issue of Ghosts carried multiple stories of the supernatural. The stories were prefaced by a short description introducing the premise and ended with a summation of how a mysterious justice was dealt to the evildoers of the tale. The first issue of this series carried the singular title Ghost in its indicia, but everywhere else, including advance promotional house ads and even on its own cover, it was the plural Ghosts, as even the indicia would read from #2 on.  Limited Collectors’ Edition #C–32 (Dec. 1974–Jan. 1975) reprinted stories from Ghosts #1, 3–6 and featured new material by Leo Dorfman and artists Gerry Talaoc, E. R. Cruz, and Frank Redondo.

DC Treasury Editions (1970’s)

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Limited Collectors’ Edition was launched with a collection of Rudolph the Red-Nosed Reindeer stories which went on sale October 24, 1972. DC Comics vice president Sol Harrison had suggested the format stating that “We could create a tabloid size comic that would stand out on the newsstand.” Limited Collectors’ Edition shared its numbering with two other treasury format series, Famous First Edition and All-New Collectors’ Edition. The final issues of the latter two series were tie-ins to the release of Superman: The Movie. DC later published treasuries as part of DC Special Series in 1981 and as a number of one-shots from 1999 to 2003 primarily produced by Paul Dini and Alex Ross.

Rōnin (1983)

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Ronin (formally written as Rōnin) is a limited series published between 1983 and 1984, by DC Comics. The series was written and drawn by Frank Miller with artwork painted by Lynn Varley. It takes place in a dystopic near-future New York in which a ronin is reincarnated. The six-issue work shows some of the strongest influences of manga and bande dessinée on Miller’s style, both in the artwork and narrative style.

Ronin was in part inspired by Kazuo Koike and Goseki Kojima‘s manga series Kozure Okami. (Though Kozure Okami would receive an English localization several years later as Lone Wolf and Cub, at the time Miller could not read the text and had to rely on the artwork for his understanding of the story.) According to former Marvel Comics editor-in-chief Jim Shooter, Ronin was originally slated to be released as part of Marvel’s Marvel Graphic Novel series. Ultimately, however, Miller was persuaded by publisher Jenette Kahn that DC Comics would give him as much freedom as he desired for the series, and the first issue of Ronin was published by that company in 1983.

Superman’s Pal Jimmy Olsen (1970’s)

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Superman’s Pal, Jimmy Olsen is a series published by DC Comics from September–October 1954 until March 1974, spanning a total of 163 issues. Featuring the adventures of Superman supporting character Jimmy Olsen, it contains stories often of humorous nature.

The 1952 television series Adventures of Superman co-starred actor Jack Larson, who appeared regularly as Jimmy Olsen. Largely because of the popularity of Larson and his portrayal of the character, National Comics Publications (DC Comics) decided to create a regular title featuring Jimmy as the leading character. Curt Swan was the main artist on the series for its first decade.

Many of the issues include Jimmy undergoing a transformation of some form.

Infinity Inc. (1984)

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Roy Thomas and his wife, Dann Thomas, wrote the series throughout its run. Artists on the series included Jerry Ordway, Don Newton, Todd McFarlane, Michael Bair, and Vince Argondezzi.

The group was organized by Sylvester Pemberton, the original Star-Spangled Kid, in Infinity Inc. #1, when a number of JSA protégés were denied admission to the JSA. They instead formed their own group. Members of Infinity, Inc. were known as Infinitors.

The series ended in 1988 with the death of the Star-Spangled Kid (by then known as Skyman), and presumably the group disbanded shortly thereafter. Several members have gone on to supporting roles in other comics series. Fury filled a pivotal role in The Sandman and is the mother of Daniel Hall. Hourman, Obsidian, Nuklon (as Atom Smasher), Silver Scarab(as Doctor Fate), and Power Girl eventually joined the 21st century incarnation of the JSA.

Originally, the series took place on the parallel world of Earth-Two, but in 1986 it was merged with the rest of DC continuity following Crisis on Infinite Earths. From then on, they shared their spot as Los Angeles’ superteam with the Outsiders, and were involved in a crossover with the New Teen Titans.

Strange Adventures (1970’s)

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Strange Adventures ran for 244 issues and was DC Comics’ first science fiction title. It began with an adaptation of the film Destination Moon. The sales success of the gorilla cover-featured story in Strange Adventures #8 (May 1951) led DC to produce numerous comic book covers with depictions of gorillas.

With issue #217, the title gained another new logo and began reprinting stories of Adam Strange and the Atomic Knights, among other stories. Several Strange Adventure stories were also reprinted in some of DC Comics’ later anthologies such as From Beyond the Unknown.

In 1978, DC Comics intended to revive Strange Adventures. These plans were put on hold that year due to the DC Implosion, a line-wide scaling back of the company’s publishing output. When the project was revived a year later, the title was changed to Time Warp and the series was in the Dollar Comics format.

Time Warp (1979)

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In 1978, DC Comics intended to revive its science-fiction anthology series Strange Adventures. These plans were put on hold that year due to the DC Implosion, a line-wide scaling back of the company’s publishing output. When the project was revived a year later, the title was changed to Time Warp and the series was in the Dollar Comics format. The first issue was published with an October–November 1979 cover date. Michael Kaluta provided the cover art for the entire run.

The title featured a mixture of both established comics creators and new talent. The writing team of Dan Mishkin and Gary Cohn made their comics debut in issue #3 with the three-page short story “On the Day of His Return” which was drawn by Steve Ditko.

Time Warp was canceled with issue #5 (June–July 1980) and unused inventory originally intended for the series was published in a revival of the Mystery in Space title. Other Time Warp stories appeared in the mystery anthology The Unexpected.

A one-shot was published by DC’s Vertigo imprint in May 2013. It included a Rip Hunter story by writer Damon Lindelof and artist Jeff Lemire.

Crisis on Infinite Earths (1985)

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Crisis on Infinite Earths was published by DC Comics from 1985 to 1986, consisting of an eponymous 12-issue, limited series comic book and a number of tie-in books. It was produced by DC Comics to simplify its then-50-year-old continuity. The series was written by Marv Wolfman and illustrated by George Pérez (pencils and layouts), Mike DeCarlo, Dick Giordano and Jerry Ordway (inking and embellishing). The series removed the multiverse concept from the fictional DC Universe, depicting the death of long-standing characters Supergirl and the Barry Allen incarnation of the Flash. Continuity in the DC Universe is divided into pre-Crisis and post-Crisis periods. The Flash was later reborn.

The series’ title was inspired by earlier multiverse crossover stories of parallel Earths, such as “Crisis on Earth-Two” and “Crisis on Earth-Three“, and involves almost every significant character in every parallel universe of DC Comics history. It inspired the titles of three DC crossover series: Zero Hour: Crisis in Time! (1994), Infinite Crisis (2005–2006), and Final Crisis(2008).

Shazam (1973)

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When superhero comics became popular again in the mid-1960s in what is now called the “Silver Age of Comic Books“, Fawcett was unable to revive Captain Marvel, having agreed to never publish the character again as part of their 1953 settlement. Looking for new properties to introduce to the DC Comics line, DC publisher Carmine Infantino decided to bring the Captain Marvel property back into print. On June 16, 1972, DC entered into an agreement with Fawcett to license the Captain Marvel and Marvel Family characters. Because Marvel Comics had by this time established Captain Marvel as a comic book trademark for their own character, created and first published in 1967, DC published their book under the name Shazam! Infantino attempted to give the Shazam! book the subtitle The Original Captain Marvel, but a cease and desist letter from Marvel Comics forced them to change the subtitle to The World’s Mightiest Mortal, starting with Shazam! #15 (December 1974). As all subsequent toys and other merchandise featuring the character have also been required to use the “Shazam!” label with little to no mention of the name “Captain Marvel”, the title became so linked to Captain Marvel that many people took to identifying the character as “Shazam” instead of “Captain Marvel”

The Sandman V1 (1970’s)

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The Sandman of the 1970s was created by Joe Simon and Jack Kirby. Issue #1 was intended as a one-shot, but five more issues and an additional story followed. After the first issue, the stories were written by Michael Fleisher. The second and third issues were illustrated by Ernie Chua. Inks were by Kirby, Mike Royer and, in the sixth issue, Wally Wood. All covers were by Kirby, and the fourth issue noted his return to the interior artwork on the cover.

This Sandman was originally intended to be the actual Sandman of popular myth, “eternal and immortal”, despite his superhero-like appearance and adventures. The Sandman is assisted by two living nightmares named Brute and Glob, whom he releases from domed cells with the help of a magic whistle. They are nuisances who beg for release, who are intent on hand-to-hand combat, but are implied to be relatively harmless and well-intentioned once freed. Using security monitoring devices, the Sandman can enter the “Dream Stream” or the “Reality Stream” (in which he acts like the superhero he looks like), and he carries a pouch of dream dust with which he can cause anyone to sleep and dream. The Sandman’s main task is protecting children from nightmare monsters within their dreams, especially one young boy named Jed, who lives with his grandfather, Ezra Paulsen, as well as to ensure that children have an appropriate level of nightmares rather than dealing with such anxieties in real life.