Gizmo is a black and white comic book series created, written, and illustrated by Michael Dooney first published by Chance Enterprises, and later published by Mirage Studios in May 1986. It tells about the story of two space adventurers: Gizmo Sprocket, a robot with a cool attitude, and Fluffy Brockleton, an anthropomorphic dog. They are accompanied by Soto, a sentient, pan-dimensional space vehicle that resembles a trailer truck. Gizmo has crossed over with the character Fugitoid from Teenage Mutant Ninja Turtles.
Jim Scully was an adventurer whose plane went through a time warp in the Bermuda Triangle, marooning him and three companions in an alternate Earth where dinosaurs, primitives, and aliens co-existed. Scully and his three companions were eventually rescued and returned to their own world by the Thing of the Fantastic Four. He served in Doctor Druid‘s team of occult investigators the Shock Troop, alongside Sepulchre and N’Kantu, the Living Mummy.
Among the new titles and creative teams announced with Rebirth, volume 5 of Batgirl written by Hope Larson and volume 1 of Batgirl and the Birds of Prey written by Julie Benson and Shawna Benson were included. In the critically celebrated fifth volume of Batgirl, Barbara Gordon is a student attending Burnside College in the trendy Burnside neighborhood of Gotham City. The comic was praised for its fun, fresh approach to the character and for Batgirl’s realistic new costume design.
This series was a continuance of (vol. 1), with the creative team of Howard Mackie and John Romita Jr. having migrated to the new series. In June 2001, Marvel began a dual numbering system on all its titles that had been relaunched and renumbered. The first issue of Peter Parker: Spider-Man to be dual-numbered was listed as both #30 and #128 on the cover – the second figure achieved by adding the total of issues of the new volume (30) to the first volume’s 98. The comic’s legal indicia, printed on the title page, still listed the series as (vol. 2) #30.
Mackie and Romita Jr. remained through issue #20 (August 2000) when writer Paul Jenkins and artist Mark Buckingham became the new creative team. Jenkins would write the character over different titles for the next five years. Buckingham and Jenkins left Peter Parker: Spider-Man after issue #50 (Jan. 2003) and were briefly succeeded by writer Zeb Wells and an assortment of artists.
In a Victorian asylum full of grotesque inmates, sadistic guards, and a fanatical doctor, a young lady wakes to find her arms and legs have been replaced with mechanical limbs. But who among this gruesome menagerie is the true monster of the Ministry of Hell? The origins of the notorious adventuress known as Lady Mechanika!
Lady Mechanika – FCBD 2021 NM $3
Lady Mechanika – The Monster of the Ministry of Hell #1 Cover B NM $4
The Lobo character was created by Roger Slifer and Keith Giffen, and first appeared in Omega Men #3 (June 1983). Lobo is an alien, and works as an interstellar mercenary and bounty hunter. Lobo was introduced – although initially rarely used – as a hardboiled villain in the 1980s, and remained in limbo until his revival as an anti-hero biker with his own comic in the early 1990s.
The story takes place following the conclusion of the Secret Wars crossover event. In this comic series, mutants are again faced with possible extinction due to Terrigen Mist which causes exposed mutants to become sterile and possibly suffer from a fatal degenerative disease called “M-Pox”. The gas also prevents the activation of the X-Gene. The series ended with #20.
Clark Kent is gone, leaving a Superman-shaped hole behind. People gather in Smallville to celebrate their hero, little realizing that he is across the galaxy helping others. Superman has gone to Warworld, where he fights as a gladiator in the deadly pits of Mongul. But this is Superman we’re talking about-and his idea of a victory does not line up with the expectations of Mongul’s hordes!
The first two issues revolve around the efforts of Bill (Bill S. Preston, Esq.) and Ted (Theodore Logan) as they plan a party to celebrate their recent nuptials. Unfortunately the personification of mortality, Death, a more recent ally, becomes vastly out of sorts and steals the phone-booth time machine. Rufus, their old guide, helps by directing them to a prototype for the phone booth/time machine. Bill and Ted must take the device and find Death before he causes too much damage to the time stream. The two also must deal with jealous rivals, who do not accept that Bill and Ted’s wives had freely chosen to marry.
Nexus is a comic book series created by writer Mike Baron and penciler Steve Rude in 1981. The series is a combination of the superhero and science fiction genres, set 500 years in the future.
The series debuted as a three-issue black-and-white limited series (the third of which featured a 33 RPM flexi disc with music and dialogue from the issue), followed by an eighty-issue ongoing full-color series. The black-and-white issues and the first six color issues were published by Capital Comics; after Capital’s demise, First Comics took over publication.
On the creation of the series: Baron noted that they had originally pitched a series called Encyclopaedias to Capital Comics, but the company rejected this, saying they were looking for a superhero title. Over a drink at a restaurant, Baron outlined his ideas for Nexus to Rude.
Nexus was entirely Baron’s idea. He even came up with the lightning bolt for the costume. All that we needed then was a name… a few weeks passed. Baron calls, and, without preamble, just says “Nexus.” We finally had our name.”
EHT Comics 