The ALL-NEW Michael Morbius? Morbius, is back, but on the run and desperate to quell his vampiric tendencies. But has the midnight son really changed? As Morbius tries to stay under the radar, a new threat arises, and they want Morbius dead.
Author: EHT Comics
Resurrection Man (1997)
Mitch Shelley made his debut in Resurrection Man #1 (1997). The monthly series was structured to follow a grand story arc planned by Abnett and Lanning, with stories following Shelley as he wandered America, having adventures while searching for the truth behind his past and his transformation. During this, he is pursued by “the Lab”, its former director Hooker, and the bounty hunters known as the Body Doubles.
Godzilla, King of the Monsters (1995)
In 1987, Dark Horse Comics acquired the rights to Godzilla and for the next 12 years published various comic books and trade paperbacks based on the character. These ran the gamut from back-up stories in anthology titles, to one-shots, to miniseries, to an ongoing series, as well as various reprints in the trade paperback format.
In 1993, Godzilla was featured in the anthology series Dark Horse Comics in issues #10 and #11 (parts of Dark Horse Comics #10’s story and artwork would be slightly altered twice in both Godzilla, King of the Monsters #0 and the trade paperback Godzilla: Age of Monsters).
Deadpool V1 (1997)
In 1997, Deadpool was given his own ongoing title, initially written by Joe Kelly, with then-newcomer Ed McGuinness as an artist. Deadpool became an action comedy parody of the cosmic drama, antihero-heavy comics of the time. The series firmly established his supporting cast, including his prisoner/den mother Blind Al and his best friend Weasel. The ongoing series gained cult popularity for its unorthodox main character and its balance of angst and pop culture slapstick and the character became less of a villain, though the element of his moral ambiguity remained. The writer Joe Kelly noted, “With Deadpool, we could do anything we wanted because everybody just expected the book to be cancelled every five seconds, so nobody was paying attention. And we could get away with it.”
The series was taken over by Christopher Priest who noted that he found Kelly’s issues to be “complex and a little hostile to new readers like me” and that by issue 37, he realized that “it was okay to make Deadpool look stupid.”
Web of Evil (1952)
From the people who brought you Captain Marvel comes horror. Web of Evil was an anthology horror comic published by Quality Comics, and was acquired by DC Comics when DC bought Quality in 1956. It rivaled EC’s horror comics, often considered the measuring stick for greatness in this genre. With its smart writing, consistently high-end artwork, and willingness to push-the-envelope with its, violent, graphic depiction of scenes of the macabre, Web Of Evil, as with several EC horror titles, ended up getting Quality Comics in hot water, metaphorically.
Witchblade V1 (1990’s)
Witchblade is a comic book series published by Top Cow Productions, an imprint of Image Comics, which ran from November 1995 to October 2015. The series was created by Top Cow founder and owner Marc Silvestri, editor David Wohl, writers Brian Haberlin and Christina Z, and artist Michael Turner.
The Witchblade comic was adapted into a television series in 2001, as well as an anime, a manga and a novel in 2006. A feature film based on the comic, titled The Witchblade, was announced for a 2009 release, but was never produced. A second Witchblade television series was announced for development in January 2017.
The Thing from Another World (1991)
The Thing from Another World is the first of the comic series published by Dark Horse Comics. The series acted as a continuation of the 1982 film The Thing, with three stories (The Thing from Another World, The Thing from Another World: Climate of Fear and The Thing from Another World: Eternal Vows) directly following its events, and a serialized visual novel (The Thing from Another World: Questionable Research) which ignored the preceding stories and acted as a separate stand-alone sequel to the film.
Superman (Golden Age)
The major event many cite as marking the beginning of the Golden Age was the 1938 debut of Superman in Action Comics #1, published by the predecessor of modern-day DC Comics. The creation of Superman made comic books into a major industry. Some date the start to earlier events in the 1930s: The Overstreet Comic Book Price Guide‘s regular publication The Golden Age Quarterly lists comic books from 1933 onwards (1933 saw the publication of the first comic book in the size that would subsequently define the format); some historians, such Roger Sabin, date it to the publication of the first comic books featuring entirely original stories rather than re-prints of comic strips from newspapers (1935) by the company that would become DC Comics.
Giant Size Creatures/Werewolf (1974)
The Werewolf by Night character (birth name Jacob Russoff, legal name Jacob Russell, nicknamed Jack) first appeared in Marvel Spotlight #2 (Feb. 1972) and was based on an idea by Roy Thomas. The series name was suggested by Stan Lee and the debut story was crafted by Gerry Conway and Mike Ploog. The character made additional appearances in Marvel Spotlight #3 and #4 and then graduated to his own eponymous series in September 1972. Jack Russell co-starred with Tigra in Giant Size Creatures #1 (July 1974), which was the first appearance of Greer Grant as Tigra instead of the Cat. That series was retitled Giant-Size Werewolf with its second issue.
Seduction of the Innocent (1985)
In homage to the great pre-Code horror comics, Eclipse Comics presented its own Seduction of the Innocent, reprinting classics from now-forgotten National Comics and Toby Publishing.





















































