based on Stephen King’s 1978 novel of the same name. Based on the 1990 Complete & Uncut version of the novel, the comic adaptation was written by Roberto Aguirre-Sacasa with art by Mike Perkins and Laura Martin. Its thirty-one issues, divided into six story arcs, completed the telling of the unabridged novel. Stephen King served as Creative and Executive Director of the project.
The series was launched with an April 1985 cover dated issue by writer Louise Simonson and penciller Greg LaRocque and featured the return of Spider-Man’s alien black costume, which attempted to rebond with Peter Parker. Peter managed to rid himself of the costume again using church bells and the alien was presumed to have died after that. The first issue featured a cover painting by artist Charles Vess.
In issue #18 (September 1986), Peter Parker is pushed in front of an oncoming train. He thinks to himself that this should not have happened, as his spider-sense would have warned him of the danger. Writer David Michelinie has said that he wrote this as the first “teaser” appearance of the characterVenom, whom he was planning to introduce at a later date. Venom is an amalgam of reporter Eddie Brock and the alien costume. The costume could nullify Spider-Man’s spider-sense, and this was the first clue of a puzzle that Michelinie was planning to weave to introduce Venom.
Web of Spider-Man Annual #2 (1986) featured stories drawn by Arthur Adams and Mike Mignola. A followup to the Spider-Man vs. Wolverine one-shot appeared in issue #29. The “Kraven’s Last Hunt” storyline by writer J.M. DeMatteis and artists Mike Zeck and Bob McLeod began in issue #31 (October 1987).
On two separate occasions – April 1996 and June 1997 – Marvel and DC co-published issues under the Amalgam Comics imprint. The issues were presented as if the imprint had existed for decades, with stories and editorial comments referring to a fictional history stretching back to the Golden Age of Comics, including retcons and reboots. For example, they referred to Secret Crisis of the Infinity Hour (an amalgamation of Marvel’s Secret Wars, DC’s Crisis on Infinite Earths, Marvel’s The Infinity Gauntlet, and DC’s Zero Hour), which featured the well-known cover of Crisis on Infinite Earths #7, but with Super-Soldier holding his sidekick’s body, instead of Superman holding Supergirl. Several issues included fake letter columns to provide the illusion of background to the stories, with the “fans'” hometowns formed by amalgamating the names of existing cities.
The heroes of the 1950s are back with big plans for the 21st Century! When Federal enforcers under the hand of Norman Osborn burst into an armory under the control of the Atlas Foundation, Jimmy Woo’s Agents go head-to-head with the new powers that be. How it all goes down will make the playing field of the modern Marvel Universe more volatile than ever!
The first team of New Mutants characters was created by Chris Claremont and artist Bob McLeod. They first appeared in 1982’s Marvel Graphic Novel #4 and are subsequently featured in their own title from 1983 until 1991. Like its parent title, The New Mutants highlighted interpersonal and group conflict as well as action and adventure, and featured a large ensemble cast, including the introduction of cult figure Deadpool. With the end of the first series, the characters were relaunched as X-Force in a new, eponymous series.
Fresh from returning from his travels in space, Black Panther receives an unexpected and urgent message from a Wakandan secret agent! Now T’Challa must race the clock not only to save his agent, but also to keep his true agenda under wraps. Because if the truth comes out, it could cost T’Challa everything…
“Fantastic Planet”. The Surfer has taken Dawn Greenwood to the end of the universe, and now he’s going to show her the most fantastic planet of them all: Earth! It’s your homeworld like you’ve never seen it before: with monsters, magic and…a secret that will change everything!
Stan Lee said he created a synopsis for the first Fantastic Four story that he gave to penciller Jack Kirby, who then drew the entire story. Kirby turned in his penciled art pages to Lee, who added dialogue and captions. This approach to creating comics, which became known as the “Marvel Method“, worked so well for Lee and Kirby that they used it from then on; the Marvel Method became standard for the company within a year.
Kirby recalled events somewhat differently. Challenged with Lee’s version of events in a 1990 interview, Kirby responded: “I would say that’s an outright lie”, although the interviewer, Gary Groth notes that this statement needs to be viewed with caution. Kirby claims he came up with the idea for the Fantastic Four in Marvel’s offices, and that Lee had merely added the dialogue after the story had been pencilled. Kirby has also sought to establish, more credibly and on numerous occasions, that the visual elements of the strip were his conceptions. He regularly pointed to a team he had created for rival publisher DC Comics in the 1950s, Challengers of the Unknown. “[I]f you notice the uniforms, they’re the same… I always give them a skintight uniform with a belt… the Challengers and the FF have a minimum of decoration. And of course, the Thing’s skin is a kind of decoration, breaking up the monotony of the blue uniform.” The characters wear no uniforms in the first two issues.
JIm Starlin took over as writer with issue #34 after several fill-in issues, and incorporated Thanos, Adam Warlock, and Drax the Destroyer into the series. Under Starlin and later Ron Marz, the series would receive acclaim and sales boost due to Silver Surfer’s involvement with Starlin’s Infinity Trilogy, with George Pérez and J. M. DeMatteis also having brief writing stints on the series as well. Additional artists included Tom Grindberg, Ron Garney, and Jon J. Muth, as well as periodic guest spots by John Buscema. The title experienced great initial success which allowed Marvel to push the character into other media, including a 1990 video game, 1992 trading card set, and 1998 animated series, as well as spinning off a variety of other comics series including Cosmic Powers, Cosmic Powers Unlimited, Captain Marvel vol. 2, and Star Masters. It ran 146 issues, through 1998.
In November 1988, Marvel launched an ongoing Wolverine solo book written by Claremont with art by John Buscema. It ran for 189 issues. Larry Hama later took over the series and had an extensive run. Other writers who wrote for the two Wolverine ongoing series include Peter David, Archie Goodwin, Erik Larsen, Frank Tieri, Greg Rucka, Mark Millar, and Gregg Hurwitz. Many artists have also worked on the series, including John Byrne, Gene Colan, Marc Silvestri, Mark Texeira, Adam Kubert, Leinil Francis Yu, Rob Liefeld, Sean Chen,Darick Robertson, John Romita, Jr., and Humberto Ramos. During the 1990s, the character was revealed to have bone claws, after his adamantium is ripped out by Magneto in X-Men #25, which was inspired by a passing joke of Peter David’s.
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