Cletus Kasady has renewed his killing spree, and the FBI is following the trail of bodies. They think they’re ready: They have the latest sonic tech, and a specialist team including military hero/astronaut John Jameson and a reformed Eddie Brock! And when they pursue Carnage into an abandoned coal mine, the trap is set — but is it for him, or for them?
Comics-artist contemporary John Severin recalled in an interview conducted in the early 2000s that in the late 1950s, Kirby had approached him to be partners on a syndicated, newspaper comic strip “set in Europe during World War Two; the hero would be a tough, cigar-chomping sergeant with a squad of oddball GIs — sort of an adult Boy Commandos“, referring to a 1940s wartime “kid gang” comics series Kirby had co-created for DC Comics.
Sgt. Fury and his Howling Commandos followed an elite special unit, the First Attack Squad, nicknamed the “Howling Commandos”, which was stationed in a military base in England to fight missions primarily, but not exclusively, in the European theatre of World War II. Under Captain “Happy Sam” Sawyer, Fury was the cigar-chomping noncom who led the racially and ethnically integrated unit, unusual for the time.
The Shogun Warriors characters were licensed by Marvel Comics to create a comic book series written by Doug Moench and drawn by Herb Trimpe. The series was composed of 20 issues that were published from February 1979 to September 1980. In the comic book series, the Shogun Warriors were created by a mysterious group called the Followers of the Light, and human operators were chosen from all around the world to operate the massive robots in order to battle evil.
Moonshadow was originally a twelve-issue maxi-series by Marvel Comics under the Epic imprint. It was the first American comic book whose art was done entirely by painting. The series was subsequently reprinted as a single volume in 1989. Also in 1989, a limited edition hardcover was also released by Graphitti Designs. Only 1200 copies of this edition were published, each individually numbered and signed by DeMatteis and Muth.
The story takes the form of an eclectic and quirky fairy tale with satirical elements and dealing with philosophical concerns. It is told via the framing device of Moonshadow, now 120, looking back on his earlier life. The action concerns the events leading up to the “awakening” of Moonshadow, the child of a hippy mother and an enigmatic alien father. The alien, who resembles a glowing orb of light bearing a stylized human face, abducted Moonshadow’s mother from Earth in 1968 along with her black pet cat, Frodo. When the idealistic and naive Moonshadow is orphaned at approximately age 15, he becomes friends with a venal and opportunistic furry humanoid named Ira. Moonshadow and Ira and Frodo the cat set out to find a life for themselves in the stars.
In 1994, DC Comics, under their Vertigo imprint, republished the individual issues as a limited series. The Compleat Moonshadow followed in 1998. This edition also included Farewell, Moonshadow, a one-issue sequel, also published by Vertigo, which, set long after the action of the first miniseries, acts as a coda to the series. The Compleat Moonshadow included textual revisions to the original series.
The Hunger rounds out the Age of Ultron event, dealing with the implications of the changes in the Marvel Universe status quo. For example, The Hunger serves as a catalyst for the Cataclysm event in the Marvel Ultimate Comics universe, which involves that Universe’s war against Galactus.
Giant size reprint of classic Stan Lee and Jack Kirby backup stories from Journey into Mystery (Issues 97 thru 106).
The series mainly builds on the events of Ultimates 3, in which the villainous robot Ultron shoots and kills the Scarlet Witch. Ultron’s rebellion and Wanda’s death lead to a series of events which end with the apparent death of Wanda’s brother, Quicksilver, who is shot by Hawkeye when Quicksilver uses his super-speed to intercept the bullet meant for his father. Magneto vows revenge on the Ultimates. Before escaping the Ultimates, Magneto is able to steal Thor’s hammer which he uses, along with his magnetic abilities, to reverse the Earth’s polarity. It is further revealed that Doctor Doom was manipulating these events.
Giant Size Chillers V2 was publish in 1975 and lasted only 3 issues. They contained new Stories combined with 1950’s Atlas reprints. Some of the artists included, G.Kane, B.Everett, D.Heck, B.Wrightson, J.Kirby, G.Colan, BWSmith, A.Alcala & M.Severin.
Walt Simonson took over both writing and art as of #337 (Nov. 1983). His stories placed a greater emphasis on the character’s mythological origins. Simonson’s run as writer-artist lasted until #367 (May 1986), although he continued to write – and occasionally draw – the book until issue #382 (Aug. 1987). Simonson’s run, which introduced the character Beta Ray Bill, was regarded as a popular and critical success. Simonson’s later stories were drawn by Sal Buscema, who describes Simonson’s stories as “very stimulating. It was a pleasure working on his plots, because they were a lot of fun to illustrate. He had a lot of great ideas, and he took Thor in a totally new direction.” Asked why he was leaving Thor, Simonson said that he felt the series was due for a change in creative direction, and that he wanted to reduce his work load for a time. After Simonson’s departure, Marvel’s editor-in-chief at the time, Tom DeFalco, became the writer. Working primarily with artist Ron Frenz, DeFalco stayed on the book until #459 (Feb. 1993).
X-Factor was relaunched in July 2020 as part of Dawn of X written by Leah Williams and drawn by David Baldeon. The new team investigates cases of missing mutants and presumed deaths for Krakoa, confirming if they can be resurrected. The team works closely with The Five, a circuit of mutants introduced in House of X/Powers of X working in conjunction to resurrect fallen mutants.
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