With the publication of issue #226 (April 2006), the series was canceled as part of the company-wide Infinite Crisis event. The Adventures of Superman was returned to its original title, Superman, with issue #650 the following month.
In November 2011, a third volume of Superman was launched with issue #1 as part of The New 52 company-wide reboot.
Hillbilly is a fantasy adventure series by Eric Powell (creator of The Goon), set in a fantasy realm drawing less from Tolkien and more from the myths and folklore of rural Appalachia. Unlike The Goon, it’s more-or-less kid-friendly, if still reasonably dark. Rondel is a wanderer, travelling from place to place.
Moon Knight vol. 5, was launched in April 2006, written by Charlie Huston with art by David Finch. The series revises Marc Spector’s history by saying he fought in the Gulf War. Starting with issue #14 of this series,Mike Benson took over writing duties while Huston acted as a story/plot adviser according to Benson. The 2006 series ended with #30 (July 2009), and only one Annual issue for the series was printed in 2008. Peter Milligan wrote a 2008 seasonal one-shot titled Moon Knight: Silent Knight with artist Laurence Campbell.
Writer Brian K. Vaughan conceived Saga in his childhood, calling it “a fictional universe that I created when I was bored in math class. I just kept building it.” He was inspired by such influences as Star Wars,Flash Gordon and children’s books, and has also invoked the awe and wonder of first seeing the Silver Surfer, which seemed an “incredible and different” concept to him. It was not until his wife became pregnant with his second daughter, however, that he conceived of the protagonists, the winged Alana and the horned Marko, two lovers from warring extraterrestrial races who struggle to survive with their newborn daughter, Hazel, who occasionally narrates the series. It was also at this point that the central theme that Vaughan wanted for the book emerged. Vaughan explains, “I wanted to write about parenthood, but I wanted to Trojan-horse it inside some sort of interesting genre story, to explore the overlap between artistic creation and the creation of a child.”] Vaughan, who intended to return to writing a comics series following the 2010 conclusion of his previous series, Ex Machina, and who notes that the publication of Saga #1 coincided with the birth of his daughter, saw parallels between the caution advised by colleagues against launching a new book in the poor economy and those who cautioned against bringing a new child into the world.
When the series was relaunched in late 1986 under its new title, the creative team initially was writer Marv Wolfman and artist Jerry Ordway.John Byrne replaced Wolfman with issue #436 (January 1988) and Ordway became both writer and artist with issue #445 (October 1988). Writer/artist Dan Jurgens worked on the title from 1989–1991. Hank Henshaw, a character who would later become the Cyborg Superman, first appeared in issue #466 (May 1990). By the late 1980s, the plots of the Superman books were often linked. To coordinate the storyline and sequence of event, from January 1991 to January 2002, “triangle numbers” (or “shield numbers”) appeared on the cover of each Superman comic book. During these years, the Superman storylines ran with the story continuing through the titles Superman, Action Comics and later in two further series, Superman: The Man of Steel and Superman: The Man of Tomorrow.
Lobo starred in his own DC title for 64 issues, from 1993 to 1999. Lobo was first introduced as a hardened villain in the 1980s, but soon fell out of use with writers. He remained in limbo until his revival as an anti-hero biker with his own comic in the early 1990s. Writers attempted to use Lobo as a parody of the 1990s trend towards “grim and gritty” superhero stories, epitomized by such Marvel Comics characters as Cable, Wolverine, and Punisher, but he was instead enthusiastically accepted by fans of the trend. This popularity led to the character having a much higher profile in DC Comics stories from then on, as well as starring roles in various series in the decades since.
IT IS WINTER IN AMERICA. For over 70 years, he has stood in stalwart defense of our country and its people. But in the aftermath of Hydra’s takeover of the nation, Captain America is a figure of controversy, carrying a tarnished shield…and a new enemy is rising! Who are the Power Elite? And how do they intend to co-opt and corrupt the symbol that is Captain America?
Captain America V9 #3 1:100 Variant CGC 9.8 White Pages $249
Hollis Mason, the original Nite Owl, recounts his exploits with The Minutemen during the 1940s, while in the midst of his retirement, he faces opposition to the publication of his tell-all autobiography, Under the Hood in the early 1960s. Although it heavily retconned certain characters’ backstories by suggesting that a large part of Under the Hood was dirty lies and cover ups, it debuted to positive reviews.
Marvels is a four-issue limited series comic book written by Kurt Busiek, painted by Alex Ross and edited by Marcus McLaurin, and published by Marvel Comics in 1994. It was collected into a limited edition hardcover signed by both Busiek and Ross (shown below).
Set from 1939 to 1974, the series examines the Marvel Universe, the collective setting of most of Marvel’s superhero series, from the perspective of an Everyman character: news photographer Phil Sheldon. The street-level series portrayed ordinary life in a world full of costumed supermen, with each issue featuring events well known to readers of Marvel comics as well as a variety of minute details and retelling the most famous events in the Marvel universe.
Marvels – Ltd. Ed. Signed and Numbered Hardcover – Sealed NM $99
The comic was originally going to be canon, but James Tynion IV, who took over the writing duties on Batman (Volume 3) from Tom King, said that Batman/Catwoman was moving away from the “bounds of continuity” per his understanding and it would have no effect on the main Batman title.
King later stated it was a standalone series and was his version of how Batman and Catwoman’s ending should be. He also hoped it would lead to “breaking the mold” in DC about Batman’s status quo. The series follows the duo’s romance through multiple eras, unlike the current Prime Earth continuity.