An Elseworlds tale! In the year 2083, the legend of the Batman sparks a strange and deadly religion based on the Dark Knight. As the annual death race between the religion’s leader and a group of sacrificial “lambs” surgically altered to resemble Batman’s greatest foes approaches, one would-be Joker tries to break the cycle and become the true inheritor of the heroic mantle of the Bat.
A three-part series published between November 1993 and January 1994, the series introduces attorney Beck as a love interest for Brock. When Beck pursues a lawsuit against Scarmore Industries for employees poisoned by a sentient liquid-mercury virus, Venom is injured trying to protect her from the Juggernaut‘s kidnap attempt. The symbiote is submerged and infected with the sentient virus (which heals Brock), bonding with the pair and introducing a third mind into their relationship. The virus drives Brock insane (causing him to murder a cleaning lady), and he is physically transported to the realm of insanity to confront its avatars: Paranoia, Dusk and the Necromancer. The symbiote overcomes the virus; Brock regains his senses, and Venom is returned to earth. Beck later insists on only being Brock’s friend, because his romantic feelings for her make him more violent.
X-Men: The End is a 2004-2006 trilogy of miniseries published by Marvel Comics, detailing the last days of the X-Men and their adventures in an alternative future. The series, which was part of Marvel’s The End line of books, was written by Chris Claremont and drawn by Sean Chen, with cover art by Greg Land and Gene Ha.
The first part of the miniseries is titled Dreamers and Demons, the second Heroes and Martyrs, and the third Men and X-Men. As it was originally conceived, several years before its actual debut, this series would have re-teamed Chris Claremont and John Byrne, with Byrne providing plots and art and Claremont providing dialogue. Yet after a dispute with Marvel following the cancellation of Byrne’s ongoing series X-Men: The Hidden Years, Byrne left the publisher.
The story of X-Men: The End continues in the 2008 GeNext mini-series, then again in the 2009 mini-series, GeNext: United.
The original Caliber Presents anthology title was one of Caliber Comic’s inaugural releases in the 1990s and featured predominantly new creators, many of which went onto successful careers in the comics’ industry.
In the Detective Comics #759–762 (August–November 2001) backup storyline “Trail of the Catwoman”, by writer Ed Brubaker and artist Darwyn Cooke, private detective Slam Bradley attempts to find out what really happened to Selina Kyle. This storyline leads in to the Catwoman series of late 2001 (written by Brubaker initially with Cooke, later joined by artist Cameron Stewart). In this series, Selina Kyle, joined by new supporting cast members Holly and Slam Bradley (a character from the early Golden Age DC Comics), becomes protector of the residents of Gotham’s East End, while still carrying out an ambitious career as a cat burglar.
A bold new chapter for the greatest superhero of all time begins here as writer Brian Michael Bendis and artist Ivan Reis begin their run on the all-new SUPERMAN! The fallout from the Man of Steel miniseries has Clark Kent looking at the world through new eyes…with new ideas about what Superman could and should do for the city of Metropolis and the planet Earth. His first job? Getting the planet back out of the Phantom Zone!
Lobo was introduced as a regular character in Keith Giffen and Roger Slifer’s Green Lantern and Teen Titans spin-off Omega Men. At that time, he was a Velorpian whose entire race had been exterminated by Psions and was partnered with Bedlam, whom he later killed; his origin was later retconned.
After a well-received appearance in Justice League International, Lobo became a regular character in L.E.G.I.O.N. and its successor series R.E.B.E.L.S..
In 1990, he appeared in his four-issue own miniseries, Lobo: The Last Czarnian, plotted by Giffen, written by Alan Grant and with art by Simon Bisley, which changed his origin story: he became the last Czarnian after violently killing every other member of the species. That miniseries led to many subsequent miniseries and specials.
Marvel Comics announced Uncanny Avengers by the creative team of Rick Remender and John Cassaday in August 2012. Uncanny Avengers is a new team of Avengers that features a line-up of both classic Avengers and X-Men including Captain America (Steve Rogers), Havok, Rogue, the Scarlet Witch, Thor and Wolverine. The team is formed in response to the events of Avengers vs. X-Men.
Remender said, “There’s something that Cyclops said to (Captain America) on Utopia that’s ringing in his head. He didn’t do enough to help. And Steve (Captain America) is taking that to heart. Coming out of AvX with the landscape shifted and changed as much as it is, there are events that lead Steve to recognizing that he needs to do more”.
Optic Nerve is a series by cartoonist Adrian Tomine. Originally self-published by Tomine in 1991 as a series of mini-comics (which have later been collected in a single volume,32 Stories), the series has been published by Drawn and Quarterly since 1995.
Tomine’s style and subject matter are restrained and realistic. Many are set in Northern California. Many of his stories for Optic Nerve feature Asian American characters, including “Hawaiian Getaway,” “Six-Day Cold,” “Layover,” and “Shortcomings.” Adrian Tomine is Asian American and lives in Brooklyn, New York. Many topics of his stories are at least partly autobiographical.
In the initial self-published issues, as well as the first eight Drawn & Quarterly issues (1995-2001), Optic Nerve was typically a collection of short stories. After an extended hiatus, Tomine resumed the comic in fall of 2004 and began his first multi-issue storyline, “Shortcomings,” with #9. The most recent issue, #13, was published in July 2013.
Nextwave is a humorous comic book series by Warren Ellis and Stuart Immonen, published by Marvel Comics between 2006 and 2007. Nextwave consistently features extreme violence and comedy, and simultaneously satirizes and celebrates Marvel’s superhero comics. The series frequently uses flashback scenes in which existing Marvel characters such as Captain America, Ulysses Bloodstone and the Celestials act grossly out of character for comedic purposes. In an interview, Ellis said, “I took The Authority and I stripped out all the plots, logic, character and sanity.” “It’s an absolute distillation of the superhero genre. No plot lines, characters, emotions, nothing whatsoever. It’s people posing in the street for no good reason. It is people getting kicked, and then exploding. It is a pure comic book, and I will fight anyone who says otherwise. And afterwards, they will explode.”
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