The series featured two or more Marvel characters in one story. The series was originally published from March 1972 through February 1985, and featured Spider-Man as the lead “team-up” character in all but ten of its 150 issues, and in six of its seven Annuals. It was the first major ongoing spin-off series for Spider-Man, being preceded only by the short-lived The Spectacular Spider-Man magazine.
I, Lusiphur (December 1991-December 1992) – Poison Elves (February 1993-February 1995) Hayes originally self-published the series during the early 90s under his company Mulehide Graphics under the title of I, Lusiphur. The title was changed to Poison Elves because the similarity of Lusiphur to Lucifer led to the misconception that the series was Satanic in nature. Sales were reported to have increased significantly after the name change. Drew claimed in one of his Starting Notes that the name change was prompted by a letter from a teen-aged fan whose mother had thrown out his comics after finding I, Lusiphur comics amongst his collection.
The first ten issues of the Mulehide series were published in a larger magazine size format. In 1995, Drew Hayes signed on with Sirius Entertainment, a move that increased his exposure, fan base, and publishing rate. To date, ten trade paperbacks have been released, but the last issue of the main series published by Sirius was #79. Hayes died in 2007, thus bringing the series to an abrupt end. A commemorative issue #80 was released to give fans a look at sketches and plans Drew Hayes had for the future of the series before his death.
Death: The High Cost of Living is written by Neil Gaiman with art by Chris Bachalo and Mark Buckingham. It is a spin-off from Gaiman’s best-selling Vertigo Comics series The Sandman, featuring the Sandman (Dream)’s elder sister, Death of the Endless in a self-contained story based around the fable that Death takes human form once a century, to remain grounded and in touch with humanity, an idea touched upon in several other media, for example in the 1934 film Death Takes a Holiday and in the Terry Pratchett novel Reaper Man.
A movie based on this series has been in the works for several years in various stages of development and until recently was in the works at New Line Cinema. Gaiman had previously confirmed that this movie was in progress and that he was planning on writing the script and directing it, with Guillermo del Toro as executive producer. The film, which is currently on hold, was operating under the title Death and Me.
A year or so before Image began publishing Sam Kieth’s most famous work, Maxx, Fantagraphics produced two volumes of Kieth’s drawings and short stories as I Before E. With creepy aliens, prowling tigers, and visual treats like the short story “Max the Hare,” these two comic-sized volumes make a fine companion to any Sam Kieth collection.
Batman: White Knight is set in a different continuity to the prime DC Universe/The New 52, though several common arcs are still present; most notably, Jason Todd is believed to be dead at the Joker’s hands. The story follows Jack Napier, a reformed Joker, who has been cured of his insanity and now views Batman as the greatest villain of Gotham City and the source of the city’s endless crime cycle. Additionally, the series reworks Harley Quinn as two individuals: her initial jester design is the original Harleen Quinzel, whereas her Suicide Squad design is an equally obsessed doppelgänger named Marian Drews who took her place in her absence.
In 2005, the Sentry received a second miniseries, written by Paul Jenkins and drawn by John Romita, Jr., which ran for eight issues. The Sentry also appeared in The Mighty Avengers as a member of that team, and later in Dark Avengers in a similar capacity, and as protagonist in The Age of the Sentry miniseries. He appeared as a regular character in the Dark Avengers series from issue #1 (March 2009) until the time of his death in the Siege limited series.
Makoma (or A Tale Told by a Mummy in the New York City Explorers’ Club on August 16, 1993) tells the story of a legendary African king, told to Hellboy by a mummy. At the same time Makoma’s story parallels Hellboy’s own life.
A spin-off of the X-Men, the team was created by writer Scott Lobdell and artist Chris Bachalo. Generation X debuted during the 1994 “Phalanx Covenant” storyline, and appeared in their own monthly series in September 1994 with Generation X #1 (November 1994).
Generation X consisted of teenage mutants designed to reflect the cynicism and complexity of the series’ namesake demographic. Unlike its predecessor the New Mutants, the team was not mentored by X-Men founder Charles Xavier at his New York estate, but by Banshee and former supervillainess Emma Frost at a splinter school in western Massachusetts.
Negative Burn is a black-and-white anthology comic book published beginning in 1993 by Caliber Press, and subsequently by Image Comics and Desperado Publishing. Edited by Joe Pruett, Negative Burn is noted for its eclectic range of genres, mixture of established comics veterans and new talents, and promotion of creative experimentation.
his series was published by DC Comics from January of 1980, until June of 1984, branching off from Superboy and the Legion of Super-Heroes, which also split into Legion of Super-Heroes (Volume 2) and from the Superman Family Vol 1. Like its predecessor, Volume 1, this title focused on the adventures of young Clark Kent before he became Superman. The majority of his adventures took place in his home town of Smallville, Kansas. The title contains the final appearances of the Earth-One Superboy prior to the eradication of the Earth-One continuity during the Crisis on Infinite Earths. Between 1984 and the 1986 Post-Crisis continuity relaunch, the only Superboy to appear in DC Comics was Superboy-Prime.
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