Join all your DC favorites as they take on eight classic holiday stories! From Constantine and Lex Luthor’s Dickensian tale to Batwoman’s puzzling Hanukkah hijinks to your classic cocoa-swilling Christmas romance switch with Harley and Amethyst, this book is a perfect companion for cookies by the fire and extra sour cream on your latkes.
The year is 2084 and the world has changed. Wracked by calamities and crawling with mon-sters, the last remaining humans face a dangerous existence. And now, the Earth has been sent a message from the deepest reaches of space – a dark count-down to the extinction of all humanity. But there is hope! Five thousand children will be rescued by these mysterious message-senders. This is the journey of Hototo, one of the lucky five thousand – but only if his teenage sister, Tala, can safely deliver him to the nearest Beacon before time runs out
Epic Comics, an imprint of Marvel Comics, began publishing a series of comic book spin-offs for the Hellraiser franchise. The comics contained a set of short stories, with Clive Barker acting as a consultant on all of the comics. Between 1989 and 1992, Epic published twenty regular series comics.
Suzie, a librarian, and Jon, an actor, meet at a party and end up sleeping together. Later shocked to discover that they share the ability to freeze time when they orgasm. As their relationship develops and their sexual histories are explored, they decide to rob the bank where Jon works in order to save Suzie’s endangered library.
The citizens in a retro-futuristic vision of the world of tomorrow struggle to come to terms with a variety of bizarre characters and their unusual schemes. Written by Dean Motter with art by Michael Lark.
Famous Monsters of Filmland was originally conceived as a one-shot publication by Warren and Ackerman, published in the wake of the widespread success of the Shock Theater package of old horror movies syndicated to American television in 1957. But the first issue, published in February 1958, was so successful that it required a second printing to fulfill public demand. Its future as part of American culture was immediately obvious to both men. The success prompted spinoff magazines such as Spacemen, Favorite Westerns of Filmland, Screen Thrills Illustrated, Creepy, Eerie, and Vampirella.
Controversy erupts as War Machine picks a target on U.S. soil in “Homeland.” When Jim Rhodes returns home he comes face-to-face with American Eagle, last seen in the pages of Thunderbolts, as two visions of America clash with earth-shattering results that may irrevocably change War Machine – and the nation he loves!
Doom 2099 first appeared in Marvel Comics Presents #118, in a preview of Doom 2099 #1. Doom 2099 would run for 44 issues (January 1993 – August 1996), with Doom making notable appearances in 2099 Unlimited, 2099: World of Tomorrow, Ghost Rider 2099, Hulk 2099, Punisher 2099, Ravage 2099, Spider-Man 2099, and X-Men 2099. Doom also received his own special one-shot after conquering the United States, titled 2099 A.D.
In a hospital filled with hungry souls and evil spirits, a nun forms an unholy obsession with a confused patient. Their bizarre journey leads them deep into a religious madness, where the symbol of blood takes on a dark reality. Experience the forbidden realm of Feeders in this prequel to the film Eyes to Heaven. Guaranteed to disturb–so absolutely not for the squeamish. Written by Eyes to Heaven screenwriter and director Shane Hawks, with art by Michael Allred, in two-color widescreen format.
In Volume 1 Machine Man entering the mainstream Marvel Universe. Jack Kirby wrote and drew the first nine issues, which dealt with the title character’s status as a fugitive from the military after the death of his creator, and his first interactions with mankind. The book was canceled at the end of 1978 with X-51 finally standing up to the military. Machine Man appeared next in a three issue story arc within the pages of The Incredible Hulk vol. 2 #235–237, battling the Hulk within the suburban setting of his human friend, Dr. Peter Spaulding. By the end of the storyline, he incurred a complete system shutdown, leading to the events portrayed in his relaunched monthly series. The title was relaunched in issue #10 after a nine-month hiatus. Status quo in the book changed with Machine Man now living amongst humanity, and dealing with his own new-found emotions. Marv Wolfman came aboard as the new writer, partnered with artist Steve Ditko, which helped set a different tone from Kirby’s previous stories. Issue #15 saw a new writer, Tom DeFalco, taking over the writing chores. The title lasted until issue #19, ending in Feb. 1980.
