Amazing Spider-Man (1970’s)

An early 1970s Spider-Man story led to the revision of the Comics Code. Previously, the Code forbade the depiction of the use of illegal drugs, even negatively. However, in 1970, the Nixon administration’s Department of Health, Education, and Welfare asked Stan Lee to publish an anti-drug message in one of Marvel’s top-selling titles. Lee chose the top-selling The Amazing Spider-Man; issues #96–98 (May–July 1971) feature a story arc depicting the negative effects of drug use. In the story, Peter Parker’s friend Harry Osborn becomes addicted to pills. When Spider-Man fights the Green Goblin (Norman Osborn, Harry’s father), Spider-Man defeats the Green Goblin, by revealing Harry’s drug addiction. While the story had a clear anti-drug message, the Comics Code Authority refused to issue its seal of approval. Marvel nevertheless published the three issues without the Comics Code Authority’s approval or seal. The issues sold so well that the industry’s self-censorship was undercut and the Code was subsequently revised.

Ka-Zar the Savage (1981)

Ka-Zar is having a midlife crisis. He’s wondering if he should give up the jungle life and head to the comforts of modern civilization. He parts ways from Shanna for a bit to try and find Zabu, who has uncharacteristically wandered off.

The trail leads him to a vast new section of the Savage Land. We’ll eventually learn that it’s called Pangea,. He meets a woman called Leanne who owns a femal pet saber-tooth . He rescues her from some savages, but it turns out that she is the queen of a a large medieval city called Lemuria. They have a brief affair, but she leaves him because he’s too uncivilized.

Thor (1970’s)

After Kirby left the title, Neal Adams penciled issues #180–181 (Sept.-Oct. 1970). John Buscema then became the regular artist the following issue. Buscema continued to draw the book almost without interruption until #278 (Dec. 1978). Lee stopped scripting soon after Kirby left, and during Buscema’s long stint on the book, the stories were mostly written by Gerry Conway, Len Wein, or Roy Thomas. Thomas continued to write the title after Buscema’s departure, working much of the time with the artist Keith Pollard; during this period Thomas integrated many elements of traditional Norse mythology into the title, with specific stories translated into comics form. Following Thomas’s tenure, Thor had a changing creative team.

In the mid-1970s, Marvel considered giving the character a second series as part of parent company Magazine Management‘s line of black-and-white comics magazines. A story written by Steve Englehart for the aborted project appeared in Thor Annual #5 (1976). A black-and-white Thor story appeared in Marvel Preview #10 (Winter 1977).

X-Men Red V2 (2022)

Who can save the red planet? The mutants of Arakko spent millennia scarred by war — but on what was once called Mars, they’re learning to live in peace. Storm knows the red planet needs something greater than a queen. But Abigail Brand has other plans, along with an unstable Vulcan on her side and Cable keeping his own secrets. Welcome to X-Men Red. It’s a new world…and someone has to fight for it.

Fantastic Four V6 (2018)

A new volume for the Fantastic Four was released in August 2018, written by Dan Slott, as part of Marvel’s Fresh Start event. The first issue of the new series was met with strong sales, and a positive critical reaction. When the Future Foundation is threatened by the Griever at the End of All Things, Mister Fantastic plays on her ego to convince her to provide him with equipment that will allow him to summon his teammates. When Human Torch and Thing are reunited with Mister Fantastic and Invisible Woman, the other superheroes that were part of the Fantastic Four at some point in their lives also arrived, including unexpectedly, X-Men‘s Iceman. With the gathered heroes assisted the Fantastic Four into causing so much damage to the Griever’s equipment, she is forced to retreat in her final telepod or be trapped in that universe. This left the heroes to salvage components from the broken ship to create their own teleport system to return to their universe.

Force Works (1994)

The first version of Force Works first appeared in the comic book series Force Works #1 (July 1994) where they were created by writers Dan Abnett and Andy Lanning and initially drawn by Tom Tenney.[1] The team was formed from the remains of the West Coast Avengers, after leader Iron Manleft the Avengers due to an internal dispute. Force Works maintained a different outlook than the Avengers, trying to preempt natural and man-made disasters.

The second version of Force Works was mentioned in Civil War #6.

Ultimate Origins (2008)

Ultimate Origins is a comic book limited series published by Marvel Comics, released in June 2008. It falls under Marvel’s Ultimate Marvel imprint. It is written by Brian Bendis and illustrated by Butch Guice. It is intended to be a chapter in the development of Ultimatum, a crossover event that begun in September 2008.

Jeph Loeb stated in an interview with Comic Book Resources: “What Ultimate Origin is going to do is sort of tell us how it all began. … The Ultimate Universe isn’t very old, so this isn’t a cosmic story. You’re not going to see the birth of a planet. What you’ll see is how the superhero community was introduced into the human population. So you’ll learn the importance of things like the Super Soldier program, which has been hinted at in Ultimate Spider-Man and Ultimates 1 and 2. Now, Brian is going to connect the dots.”

Moon Knight – Fist of Khonshu (1985)

In volume 2, Spector abandons his Moon Knight, Grant and Lockley identities after the effects of Russell’s bite (lunar cycle-based strength) fade away, and functions as an independently wealthy man opening art galleries around the world, with the help of art historian Spence. Spector’s estranged relationship with Marlene ends when she finally leaves him for her ex-husband when he becomes Moon Knight again.

The cult of Khonshu telepathically summons Spector to Egypt and supplies him with a new arsenal of moon-themed projectile weaponry, originally designed by a time-traveling Hawkeye in ancient Egypt. Khonshu himself appears to Spector and enters his body, giving him the same lunar abilities he previously had.

X-Force (1991)

X-Force was created by illustrator Rob Liefeld after he started penciling The New Mutants comic book in 1989 with #86. The popularity of Liefeld’s art led to him taking over the plotting duties on the book. With help from writer Fabian Nicieza, who provided the dialogue for Liefeld’s plots, Liefeld transformed the New Mutants into X-Force in New Mutants #100, the book’s final issue. Liefeld and Nicieza launched X-Force in August 1991. Rob Liefeld obtained the name for the series from an unknown artist at a convention a few months prior to its release. With the aid of a multiple-variant poly-bagged card, the book sold a record 5 million copies, and remains the second highest selling American comic book of all time, surpassed only by Jim Lee’s X-Men book that same summer with 8 million copies. The original line-up of the team included Boom Boom, Cable, Cannonball, Domino, Feral, Shatterstar and Warpath. In later issues, X-Force’s roster would include Siryn, Rictor and Sunspot.

The main opponents of X-Force during its first year were the terrorist Mutant Liberation Front, led by Stryfe, a masked mutant with a mysterious link to Cable. Early issues also featured the wise-cracking mercenary Deadpool, the immortal Externals, and a new version of the Brotherhood of Mutants.

Wolverines (2015)

The aftermath of Wolverine’s death is explored in the series Wolverines. Sharp, Skel, Neuro, Endo, Junk, and the “Wolverines” (a team formed from the fallout of his death by Daken, Lady Deathstrike, Mystique, Sabretooth, and X-23) try to find Logan’s adamantium-covered body, which is taken by Mister Sinister. The group infiltrate Mister Sinister’s fortress to retrieve the body, but it is taken by the X-Men after a battle.