Creepy was an American horror-comics magazine launched by Warren Publishing in 1964. Like Mad, it was a black-and-white newsstand publication in a magazine format and thus did not require the approval or seal of the Comics Code Authority. The anthology magazine was initially published quarterly but later went bimonthly. Each issue’s stories were introduced by the host character, Uncle Creepy. Its sister publications were Eerie and Vampirella.
From 1974 to 1976, James Warren‘s Warren Publishing published 16 issues of The Spirit (also known as The Spirit Magazine), a large black-and-white magazine consisting of reprints with original covers (primarily by Eisner), concluding with a separate 1975 color issue, The Spirit Special, which includes an afterword by Bill DuBay. Kitchen Sink picked up the series beginning in 1977 with issue 17, eventually concluding with issue 41 (June 1983). Issue 30 of the Kitchen Sink series (July 1981) features “The Spirit Jam“, with a script from Eisner and a few penciled pages, plus contributions from 50 artists, including Fred Hembeck, Trina Robbins, Steve Leialoha, Frank Miller, Harvey Kurtzman, Howard Cruse, Brian Bolland, Bill Sienkiewicz, John Byrne, and Richard Corben.
Stray Bullets is an independent American comic book series published in black and white (with color covers) by El Capitan Books. It is written and drawn by David Lapham.
The story deals with the often criminal and sometimes tragic misadventures of a large cast of characters and takes place from the mid-1970s through the mid-1990s.
In March 2014, Image Comics ended the hiatus of Stray Bullets with the publication of the final issue of the HiJinks and Derring-Do arc, and the simultaneous launch of a new arc entitled Killers. A giant-sized softcover trade paperback edition (The Uber Alles Edition) collecting all forty-one issues of the original series was also released by Image Comics. Killers ran for 8 issues throughout 2014, then after a brief hiatus, Lapham returned in early 2015 with Stray Bullets: Sunshines & Roses. Lapham plans to continue publishing Stray Bullets in this fashion at Image, with each arc treated as a discrete miniseries.
The series has been nominated for numerous awards. Stray Bullets won the 1996 Eisner Award for Best Writer/Artist, Drama, and the trade paperback collection Stray Bullets: Innocence of Nihilism won the 1997 Eisner Award for “Best Graphic Album-Reprint” the Comic Book Awards Almanac and was a top votegetter for the Comics Buyer’s Guide Fan Award for Favorite Reprint Graphic Novel/Album for the same year.
It is 1576, and the legend of the Belmont family’s vampire-hunting prowess still echoes through the Romanian countryside. While Christopher Belmont celebrates his nuptials, dark forces conspire to raise Count Dracula from his unholy slumber. With this ancient evil unleashed once more, young Belmont must to prove he is worthy of the Belmont legacy. Based on the smash-hit Konami videogame series.
Step into the thrilling pages of Spellbound, a classic Atlas comics series that captivated readers in the 1950s. Through the expert craftsmanship of writer Sol Brodsky and talented artists, Spellbound brings to life unforgettable characters and stunning visuals that will linger in your mind long after you close the cover. Don’t miss out on this captivating series that defined the golden age of Atlas comics.
Faust is the lead superhero character and title of a collective series of comic books by Tim Vigil (art) and playwright David Quinn, released by American publishers Northstar Publishing, Avatar Press, and principally by Vigil and Quinn’s own Rebel Studios.
Alongside contemporaries Watchmen, The Crow, and The Dark Knight Returns, Faust was credited with popularizing the “deconstructed superheroes” genre and the notion that “comics aren’t just for kids.” One of the bestselling independent comics of the era, Faust issue 1 sold over 100,000 copies with later issues averaging 50,000 sales per issue, most of which sold through several printings and editions.
The series features strong graphic violence and sexual situations. The main series is known as Faust: Love of The Damned and debuted in 1988, with new issues published irregularly, roughly once a year, or sometimes every two years. David Quinn completed a script in 1996 (when writing the proposal to sell the film). The gap between issues grew wider with time. Issue 13 was published in 2005. It then took seven years for the authors to deliver the two last issues, 14 and 15, which concluded the story 25 years after the first episode.
Concurrently, Milligan, Ewins and Brendan McCarthy worked on the anthology title, Strange Days for Eclipse Comics. Strange Days featured three strips, “Paradax“, “Freakwave“, and “Johnny Nemo“. Milligan, McCarthy and Ewins produced three issues of this psychedelic comic, it was not a great seller but it picked up a small, loyal readership. The most conventional strip, “Johnny Nemo”, had its own series, while the more quirky “Paradax” had a two-issue series published by Vortex Comics in 1987.
Enter the Savage Dragon! The Dragon joins forces with the Turtles to battle his old foe Virago, who is terrorizing Chicago by bringing stone gargoyles to life. Story by Erik Larsen and Michael Dooney; art by Dooney and Robert Jones.
When Lone Wolf and Cub was first released in Japan in 1970, it became wildly popular (some 8 million copies were sold in Japan) for its powerful, epic samurai story and its stark and gruesome depiction of violence during Tokugawa era Japan.
Lone Wolf and Cub is one of most highly regarded manga due to its epic scope, detailed historical accuracy, masterful artwork and nostalgic recollection of the bushido ethos. The story spans 28 volumes of manga, with over 300 pages each (totaling over 8,700 pages in all). Many of the frames of the series are hauntingly beautiful depictions of nature, historical locations in Japan and traditional activities done in the classical ukiyo-e style.
Lone Wolf and Cub was initially released in North America in a translated English edition by First Comics in 1987, as a series of monthly, comic-book-sized, square-bound prestige-format black-and-white comics containing between 64 and 128 pages, with covers by Frank Miller, and later by Bill Sienkiewicz, Matt Wagner, Mike Ploog, and Ray Lago. Sales were initially strong, but fell sharply as the company went into a general decline. First Comics shut down in 1991 without completing the series, publishing less than a third of the total series in 45 prestige-format issues.
Starting in September 2000, Dark Horse Comics began to release the full series in 28 smaller-sized trade paperback volumes, similar to the volumes published in Japan, completing the series with the 28th volume in December 2002. Dark Horse reused all of Miller’s covers from the First Comics edition, as well as several done by Sienkiewicz, and commissioned Wagner, Guy Davis, and Vince Locke to produce new covers for several volumes of the collections. In October 2012, Dark Horse completed the release of all 28 volumes in digital format, as part of their “Dark Horse Digital” online service.
MAD is an American humor magazine founded in 1952 by editor Harvey Kurtzman and publisher William Gaines, launched as a comic book before it became a magazine. It was widely imitated and influential, affecting satirical media as well as the cultural landscape of the 20th century, with editor Al Feldstein increasing readership to more than two million during its 1974 circulation peak. As of January 2017, Mad has published 544 regular issues, as well as hundreds of reprint “Specials,” original material paperbacks, compilation books and other print projects.
EHT Comics 