The original title ran for 12 years and 124 issues. It was an anthology series that told war stories with horror, mystery, fantasy and science fiction elements. Changes in the Comics Code Authority made the use of horror elements possible. The first seven issues were reprinted material. Each issue beginning with issue #8 was hosted by Death, usually depicted as a skeleton dressed in a different military uniform each issue. The title’s name was inspired by editor Joe Orlando.Walt Simonson‘s first professional published comic book work appeared in Weird War Tales #10 (January 1973).Roger McKenzie and Frank Miller‘s first collaboration was on a two-page story published in Weird War Tales #68 (October 1978). Recurring characters began to appear late in the series run, notably the G.I. Robot, and the return of “The War that Time Forgot” which originally ran in Star Spangled War Stories. Writer J. M. DeMatteis and penciler Pat Broderick created the Creature Commandos in Weird War Tales #93 (November 1980).
Nathaniel Dusk is a private investigator from New York City whose adventures in the 1930s are portrayed in the stories. He served in the United States armed forces in World War I and was hired by the New York City police force. Dusk fell deeply in love with Joyce Gulino, a beautiful young saleswoman with two children, Jennie and Anthony. Gulino’s ex-husband was a gangster named Joseph Costilino. Costilino later killed his family.
The 2017-2019 miniseries Doomsday Clock, by Geoff Johns and Gary Frank features Nathaniel Dusk in the DC Universe as a noir film character portrayed by a fictional actor named Carver Colman. Colman plays a key role in the story.
The Swamp Thing character first appeared in House of Secrets #92 (June–July 1971). After the success of the short story in the House of Secrets comic, the original creators were asked to write an ongoing series, depicting a more heroic, more contemporary creature. InSwamp Thing #1 (October–November 1972) Wein and Wrightson updated the time frame to the 1970s and featured a new version character: Alec Holland, a scientist working in the Louisiana swamps on a secret bio-restorative formula “that can make forests out of deserts”. Holland is killed by a bomb planted by agents of the mysterious Mr. E (Nathan Ellery), who wants the formula. Splashed with burning chemicals in the massive fire, Holland runs from the lab and falls into the muck-filled swamp, after which a creature resembling a humanoid plant appears. Roy Thomas and Gerry Conway, who co-created Man-Thing for Marvel Comics a year and a half earlier, thought that this origin was too similar to that of their character, and Wein himself had written a Man-Thing story that was published with a June 1972 cover date, but he refused to change the origin in spite of some cajoling by Conway, who was his roommate at the time. Marvel, however, never took the issue to court, realizing the similarity of both characters to The Heap.
Supergirl (Volume 2) was published from November of 1982 until September of 1984, spanning a total of 23 issues. The series was initially entitled, the Daring New Adventures of Supergirl, but shortened the title to simply, Supergirl, with issue #13. This was the last regular comic series to feature the Pre-CrisisKara Zor-El as Supergirl.
With issue #174, EC Comics veteran Joe Orlando was hired by DC to take over as editor of House of Mystery. As the Comics Code Authority was now being challenged by both DC and Marvel over content restrictions, the series returned to its overt horror themes. The first issue under Orlando would be a reprint issue of old horror/suspense stories, as the new direction would truly begin with #175 (July–August 1968). The issue would introduce a new figure to the series, Cain, the “able care taker” of the House of Mystery who would introduce nearly all stories that would run in the series before its cancellation. Cain would also host the spin-off humor series Plop! and later become a recurring character in Blue Devil and The Sandman.
Artist Bernie Wrightson‘s first professional comic work was the story “The Man Who Murdered Himself” which appeared in issue #179 (March–April 1969)
House of Mystery was in the Dollar Comics format for issues #251 (March–April 1977) to #259 (July–August 1978). House of Mystery featured stories by writers T. Casey Brennan (#260, 267, 268 and 274) and Scott Edelman (#257, 258, 260, 264, 266, 270, 272, 273). Orlando’s tenure as editor ended with #257 (March–April 1978).
Paul Levitz returned to write the series with #284. Pat Broderick and Bruce Patterson illustrated the title for a short time before Keith Giffen began on pencils, with Patterson, and then Larry Mahlstedt, on inks. The creative team received enhanced popularity following “The Great Darkness Saga“, which ran from #287; #290–294; and Annual #3, featuring a full assault on the United Planets by Darkseid. Comics historian Les Daniels observed that “Working with artist Keith Giffen, Levitz completed the transformation of Legion into a science-fiction saga of considerable scope and depth.”
The Legion celebrated issue #300 (June 1983) by revisiting the “Adult Legion” storyline through a series of parallel world short stories illustrated by a number of popular Legion artists from previous years. The story served to free up Legion continuity from following the “Adult Legion” edict of previous issues.
Superboy became Superboy starring the Legion of Super-Heroes with issue #197 (August 1973). Crafted by Bates and Cockrum, the feature proved popular and saw such events as the wedding of Bouncing Boy and Duo Damsel in Superboy #200 (Feb 1974). Cockrum was replaced on art by Mike Grell as of issue #203 (August 1974) which featured the death of Invisible Kid. With #231 (September 1977), the book’s title officially changed to Superboy and the Legion of Super-Heroes and also became a “giant-size” title. At this point, the book was written by longtime fan Paul Levitz and drawn by James Sherman, although Gerry Conway frequently wrote as well. Saturn Girl and Lightning Lad were married in All-New Collectors’ Edition #C-55 (1978), a treasury-sized special written by Levitz and drawn by Grell. In #241–245 (July–December 1978) Levitz and Sherman (and then Joe Staton) produced what was at that time the most ambitious Legion storyline: “Earthwar“, a galactic war between the United Planets and the Khunds, with several other villains lurking in the background. During this period, Karate Kid was spun off into his own 20th Century-based self-titled series, which lasted 15 issues. Levitz left the book, to be replaced full-time by Gerry Conway.
Superboy departed from the Legion due to a plot of a villain, and the book was renamed simply Legion of Super-Heroes starting with issue #259 (January 1980). Editor Jack C. Harris hired Steve Ditko as guest artist on several issues, a decision which garnered a mixed reaction from the title’s readership. Jimmy Janes became the regular artist in a lengthy tale by Conway (and later Roy Thomas) involving Ultra Boy’s disappearance during a mission, and his long odyssey to rejoin the team. This story told the tale of the Legionnaire Reflecto (only glimpsed during the “Adult Legion” stories in Adventure Comics), featured villainy by the Time Trapper and Grimbor the Chainsman, and saw Superboy rejoin the team.
Superboy and the Legion of Super-Heroes #204 FN $5
Superboy and the Legion of Super-heroes #218 VF- $5
Superboy and the Legion of Super-heroes #219 NM- $12
Superboy and the Legion of Super-Heroes #233 VF $6
Superboy and the Legion of Super-Heroes #237 VF+ $8
Superboy and the Legion of Super-Heroes #245 VF+ $7
Superboy and the Legion of Super-Heroes #247 VF+ $7
Superboy and the Legion of Super-Heroes #250 VF-NM $8
Ragman first appeared in the short-lived comic-book series named after him. He is one of a number of Jewish superheroes, and his continuity is tied to that of DC Comics‘ Golem, derived from the Golem of Prague of Jewish folklore. Ragman was created by writer Robert Kanigher and artist Joe Kubert. Ragman is sometimes compared to the other nighttime defender of Gotham City, Batman.
A Vietnam veteran, Rory had grown up helping his father, a junk man who owned a pawn shop named Rags’n’Tatters. His father always dreamed of making a better life for Rory and constantly promised that someday he would make Rory rich. While drinking with his friends one night, his father discovered 2 million dollars stuffed inside an old mattress that had been pawned just recently. He and his friends decided to hide the money for Rory, since they were too old to truly benefit from it. The money turned out to be the loot from an armored car heist and when the hoods came to the shop one night to get it, they shot down some electrical wires and used them to torture Rory’s father and his friends into revealing where the money was hidden. Rory arrived soon after and seeing his father in agony attempted to pull him free from the wires. A final shock of power ran though the old men and grounded out at Rory, knocking him unconscious. When he woke his father and friends were dead and the hoods responsible were gone. Using a costume made out of old rags (his father had bought it from a stranger before he died and left a note saying Rory could wear it to a costume party) he became Ragman, “The Tatterdemalion of Justice”.
After four issues as The Sinister House of Secret Love, which featured Gothic romance/horror stories written by Michael Fleisher and others, the title changed to Secrets of Sinister House, and the original format and romance angle were abandoned the following issue.
In the same vein as House of Mystery and House of Secrets (as well as its successor, Secrets of Haunted House), Secrets of Sinister House was “hosted” by Eve (the character debuted in issue #6) and included guest appearances by Eve’s cousins Cain and Abel. In issue #16, Eve was removed as host — as editor Joe Orlando departed from the title, replaced by Jack C. Harris — to focus on the concept of the “sinister houses”. The following month, she began nudging Destiny out of Weird Mystery Tales.
DC editor Carmine Infantino had tried to acquire the license to publish Planet of the Apes comic books. When this failed to happen, he asked Jack Kirby for a series with a similar concept. Kirby had not seen the films but he knew the rough outline and he had also created a very similar story, “The Last Enemy!”, in Harvey Comics‘ Alarming Tales that predated the original Planet of the Apes novel. He also had an unused comic strip he created in 1956, titled Kamandi of the Caves. Kirby brought all those elements together to create Kamandi. Although his initial plan was to not work on the comic books themselves, the cancellation of Forever People freed him up to do so.
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