Category: DC Bronze Age

Shazam (1973)

Posted on by EHT Comics

When superhero comics became popular again in the mid-1960s in what is now called the “Silver Age of Comic Books“, Fawcett was unable to revive Captain Marvel, having agreed to never publish the character again as part of their 1953 settlement. Looking for new properties to introduce to the DC Comics line, DC publisher Carmine Infantino decided to bring the Captain Marvel property back into print. On June 16, 1972, DC entered into an agreement with Fawcett to license the Captain Marvel and Marvel Family characters. Because Marvel Comics had by this time established Captain Marvel as a comic book trademark for their own character, created and first published in 1967, DC published their book under the name Shazam! Infantino attempted to give the Shazam! book the subtitle The Original Captain Marvel, but a cease and desist letter from Marvel Comics forced them to change the subtitle to The World’s Mightiest Mortal, starting with Shazam! #15 (December 1974). As all subsequent toys and other merchandise featuring the character have also been required to use the “Shazam!” label with little to no mention of the name “Captain Marvel”, the title became so linked to Captain Marvel that many people took to identifying the character as “Shazam” instead of “Captain Marvel”

Batman (1970’s)

Posted on by EHT Comics

Starting in 1969, writer Dennis O’Neil and artist Neal Adams made a deliberate effort to distance Batman from the campy portrayal of the 1960s TV series and to return the character to his roots as a “grim avenger of the night”. O’Neil said his idea was “simply to take it back to where it started. I went to the DC library and read some of the early stories. I tried to get a sense of what Kane and Finger were after.”

O’Neil and Adams first collaborated on the story “The Secret of the Waiting Graves” (Detective Comics #395, January 1970). Few stories were true collaborations between O’Neil, Adams, Schwartz, and inker Dick Giordano, and in actuality these men were mixed and matched with various other creators during the 1970s; nevertheless the influence of their work was “tremendous”. Giordano said: “We went back to a grimmer, darker Batman, and I think that’s why these stories did so well…” While the work of O’Neil and Adams was popular with fans, the acclaim did little to improve declining sales; the same held true with a similarly acclaimed run by writer Steve Englehart and penciler Marshall Rogers in Detective Comics #471–476 (August 1977 – April 1978), which went on to influence the 1989 movie Batman and be adapted for Batman: The Animated Series, which debuted in 1992. Regardless, circulation continued to drop through the 1970s and 1980s, hitting an all-time low in 1985.

Omega Men V1 (1980’s)

Posted on by EHT Comics

The Omega Men are a team of extraterrestrial superheroes who have appeared in various comic book series published by DC Comics. They first appeared in Green Lantern #141 (June 1981), and were created by Marv Wolfman and Joe Staton.

After appearances in Green Lantern, Action Comics and The New Teen Titans, the Omega Men were featured in their own comics series which ran for 38 issues from April 1983 to May 1986. During its run, writer Roger Slifer and artist Keith Giffen created the mercenary anti-hero Lobo.

The Omega Men were assembled as a group of renegades and representatives of conquered Vegan worlds to fight Citadelian aggression. Pre-Infinite Crisis the team was based on the planet Kuraq. The Omega Men are important peacekeepers in their sector because the Green Lantern Corps is not allowed into Vegan space, due to a long standing agreement with the Psions.

The Sandman V1 (1970’s)

Posted on by EHT Comics

The Sandman of the 1970s was created by Joe Simon and Jack Kirby. Issue #1 was intended as a one-shot, but five more issues and an additional story followed. After the first issue, the stories were written by Michael Fleisher. The second and third issues were illustrated by Ernie Chua. Inks were by Kirby, Mike Royer and, in the sixth issue, Wally Wood. All covers were by Kirby, and the fourth issue noted his return to the interior artwork on the cover.

This Sandman was originally intended to be the actual Sandman of popular myth, “eternal and immortal”, despite his superhero-like appearance and adventures. The Sandman is assisted by two living nightmares named Brute and Glob, whom he releases from domed cells with the help of a magic whistle. They are nuisances who beg for release, who are intent on hand-to-hand combat, but are implied to be relatively harmless and well-intentioned once freed. Using security monitoring devices, the Sandman can enter the “Dream Stream” or the “Reality Stream” (in which he acts like the superhero he looks like), and he carries a pouch of dream dust with which he can cause anyone to sleep and dream. The Sandman’s main task is protecting children from nightmare monsters within their dreams, especially one young boy named Jed, who lives with his grandfather, Ezra Paulsen, as well as to ensure that children have an appropriate level of nightmares rather than dealing with such anxieties in real life.

Blue Devil (1984)

Posted on by EHT Comics

Blue Devil (Dan Cassidy) first appeared in a special insert published in Fury of Firestorm #24 (June 1984). That story led directly into Blue Devil #1, also cover dated June 1984. He was created by Dan Mishkin, Gary Cohn, and Paris Cullins. The Blue Devil comic book ran for 32 issues with Blue Devil later appearing as a regular character in Shadowpact that ran for 25 issues.

Dan Cassidy was working as a stuntman and special effects specialist in Hollywood when he created the Blue Devil full body suit, complete with a built in exoskeleton, specifically designed for the Blue Devil movie being produced by Verner Brothers Studios.

During filming on The Blue Devil, the demon Nebiros was accidentally unleashed from within an ancient temple and, thinking Cassidy was an actual demon, tried to drain his demonic powers with blasts of magic. Instead, the blasts permanently bonded the suit to Cassidy. This unnatural fusion of magic and technology caused Cassidy to experience unusual events and draw the attention of otherworldly beings, a condition known in occult circles as a “weirdness magnet”.

Forbidden Tales of Dark Mansion (1971)

Posted on by EHT Comics

After four issues as The Dark Mansion Of Forbidden Love, the romance angle was abandoned and the title changed to Forbidden Tales of Dark Mansion. Very much in the same vein as House of Mystery and House of Secrets, Forbidden Tales of Dark Mansion was “hosted” by Charity (the character debuted in issue #7).

The character of Charity later became part of the supporting cast in the Starman series and at some point after the last issue married the policeman Mason O’Dare and is pregnant with his child.

Action Comics (1980’s)

Posted on by EHT Comics

The superheroine Vixen made her first appearance in Action Comics #521 (July 1981). To mark the 45th anniversary of the series, Lex Luthor and Brainiac were both given an updated appearance in issue #544 (June 1983). Lex Luthor dons his war suit for the first time in the story “Luthor Unleashed!” and Brainiac’s appearance changes from the familiar green-skinned android to the metal skeletal-like robot in the story “Rebirth!”. Schwartz ended his run as editor of the series with issue #583 (September 1986) which featured the second part of the “Whatever Happened to the Man of Tomorrow?” story by Alan Moore and Curt Swan.

Following the events of Crisis on Infinite Earths, writer/artist John Byrne relaunched the Superman franchise in The Man of Steel limited series in 1986. Action Comics became a team-up title with issue #584 (January 1987).  The first Action Comics Annual was published in 1987 and featured Superman teaming with Batman in a story written by Byrne and drawn by Arthur Adams. A DC Comics Bonus Book was included in issue #599 (April 1988).

From May 24, 1988 – March 14, 1989, the publication frequency was changed to weekly, the title changed to Action Comics Weekly, and the series became an anthology. Prior to its launch, DC cancelled its ongoing Green Lantern Corps title, and made Green Lantern and his adventures exclusive to Action Comics Weekly.

Justice League of America (1970’s)

Posted on by EHT Comics

In need of a new secure headquarters, the Justice League moved into an orbiting satellite headquarters in Justice League of America #78 (February 1970). The Elongated Man, the Red Tornado, Hawkwoman, Zatanna, and Firestorm joined the team, and Wonder Woman returned during this period.

Len Wein wrote issues #100–114, in which he and Dillin re-introduced the Seven Soldiers of Victory in issues #100-102 and the Freedom Fighters in issues #107-108. In the fall of 1972, Wein and writers Gerry Conway and Steve Englehart crafted a metafiction an unofficial crossover spanning titles from both Marvel and DC. Each comic featured Englehart, Conway, and Wein, as well as Wein’s first wife Glynis, interacting with Marvel or DC characters at the Rutland Halloween Parade in Rutland, Vermont.

Beginning in Amazing Adventures #16 (by Englehart with art by Bob Brown and Frank McLaughlin), the story continued in Justice League of America #103 (by Wein, Dillin and Dick Giordano), and concluded in Thor #207 (by Conway and penciler John Buscema). As Englehart explained in 2010, “It certainly seemed like a radical concept and we knew that we had to be subtle (laughs) and each story had to stand on its own, but we really worked it out. It’s really worthwhile to read those stories back to back to back — it didn’t matter to us that one was at DC and two were at Marvel — I think it was us being creative, thinking what would be really cool to do.” Justice League of America #103 also featured the Justice League offering membership to the Phantom Stranger. Len Wein commented on the Phantom Stranger’s relationship with the JLA in a 2012 interview stating that the character “only sort of joined. He was offered membership but vanished, as per usual, without actually accepting the offer. Over the years, other writers have just assumed [he] was a member, but in my world, he never really said yes.” Libra, a supervillain created by Wein and Dillin in Justice League of America #111 (May–June 1974), would play a leading role in Grant Morrison‘s Final Crisis storyline in 2008.

Detective Comics (1970’s)

Posted on by EHT Comics

Writer Dennis O’Neil and artist Neal Adams had their first collaboration on Batman on the story “The Secret of the Waiting Graves” in issue #395 (Jan. 1970). The duo, under the direction of Schwartz, would revitalize the character with a series of noteworthy stories reestablishing Batman’s dark, brooding nature and taking the books away from the campy look and feel of the 1966–68 ABC TV series. Comics historian Les Daniels observed that “O’Neil’s interpretation of Batman as a vengeful obsessive-compulsive, which he modestly describes as a return to the roots, was actually an act of creative imagination that has influenced every subsequent version of the Dark Knight.” Adams introduced the Man-Bat with writer Frank Robbins in Detective Comics #400 (June 1970). O’Neil and artist Bob Brown crafted Batman’s first encounter with the League of Assassins in Detective Comics #405 (Nov. 1970) and created Talia al Ghul in issue #411 (May 1971).

After publishing on a monthly schedule throughout its run, Detective Comics became a bi-monthly book from issues #435 (June–July 1973) to #445 (Feb.-March 1975). Issues #438 (Dec. 1973-Jan. 1974) to #445 (Feb.–March 1975) of the series were in the 100 Page Super Spectacular format. O’Neil and artist Dick Giordano created the Batman supporting character Leslie Thompkins in the story “There Is No Hope in Crime Alley” appearing in issue #457 (March 1976). Writer Steve Englehart and artist Marshall Rogers produced an acclaimed run of Batman stories in Detective Comics #471–476 (Aug. 1977 – April 1978), and provided one of the definitive interpretations that influenced the 1989 Batman movie and would be adapted for the 1990s animated series. The Englehart and Rogers pairing, was described in 2009 by comics writer and historian Robert Greenberger as “one of the greatest” creative teams to work on the Batman character. In their story “The Laughing Fish”, the Joker is brazen enough to disfigure fish with a rictus grin, then expects to be granted a federal trademark on them, only to start killing the bureaucrats who try to explain to him that obtaining such a claim on a natural resource is legally impossible. Writer Len Wein and Rogers co-created the third version of the supervillain Clayface in Detective Comics #478 (July–Aug. 1978). The original Katherine Kane also known as “Batwoman” was killed in the lead story in issue #485 (Aug.–Sept. 1979) by the League of Assassins.

Green Lantern V1 (1980’s)

Posted on by EHT Comics

Green Lantern would know a number of revivals and cancellations. Its title would change to Green Lantern Corps at one point as the popularity rose and waned. During a time there were two regular titles, each with a Green Lantern, and a third member in the Justice League.