Epic Comics, an imprint of Marvel Comics, began publishing a series of comic book spin-offs for the Hellraiser franchise. The comics contained a set of short stories, with Clive Barker acting as a consultant on all of the comics. Between 1989 and 1992, Epic published twenty regular series comics.
Suzie, a librarian, and Jon, an actor, meet at a party and end up sleeping together. Later shocked to discover that they share the ability to freeze time when they orgasm. As their relationship develops and their sexual histories are explored, they decide to rob the bank where Jon works in order to save Suzie’s endangered library.
Flames rise as a witch is burned at the stake. As Geralt searches for his next job, disturbing images of the fatal persecution appear before him, bringing an ominous warning.
The citizens in a retro-futuristic vision of the world of tomorrow struggle to come to terms with a variety of bizarre characters and their unusual schemes. Written by Dean Motter with art by Michael Lark.
Controversy erupts as War Machine picks a target on U.S. soil in “Homeland.” When Jim Rhodes returns home he comes face-to-face with American Eagle, last seen in the pages of Thunderbolts, as two visions of America clash with earth-shattering results that may irrevocably change War Machine – and the nation he loves!
Doom 2099 first appeared in Marvel Comics Presents #118, in a preview of Doom 2099 #1. Doom 2099 would run for 44 issues (January 1993 – August 1996), with Doom making notable appearances in 2099 Unlimited, 2099: World of Tomorrow, Ghost Rider 2099, Hulk 2099, Punisher 2099, Ravage 2099, Spider-Man 2099, and X-Men 2099. Doom also received his own special one-shot after conquering the United States, titled 2099 A.D.
In a hospital filled with hungry souls and evil spirits, a nun forms an unholy obsession with a confused patient. Their bizarre journey leads them deep into a religious madness, where the symbol of blood takes on a dark reality. Experience the forbidden realm of Feeders in this prequel to the film Eyes to Heaven. Guaranteed to disturb–so absolutely not for the squeamish. Written by Eyes to Heaven screenwriter and director Shane Hawks, with art by Michael Allred, in two-color widescreen format.
In Volume 1 Machine Man entering the mainstream Marvel Universe. Jack Kirby wrote and drew the first nine issues, which dealt with the title character’s status as a fugitive from the military after the death of his creator, and his first interactions with mankind. The book was canceled at the end of 1978 with X-51 finally standing up to the military. Machine Man appeared next in a three issue story arc within the pages of The Incredible Hulk vol. 2 #235–237, battling the Hulk within the suburban setting of his human friend, Dr. Peter Spaulding. By the end of the storyline, he incurred a complete system shutdown, leading to the events portrayed in his relaunched monthly series. The title was relaunched in issue #10 after a nine-month hiatus. Status quo in the book changed with Machine Man now living amongst humanity, and dealing with his own new-found emotions. Marv Wolfman came aboard as the new writer, partnered with artist Steve Ditko, which helped set a different tone from Kirby’s previous stories. Issue #15 saw a new writer, Tom DeFalco, taking over the writing chores. The title lasted until issue #19, ending in Feb. 1980.
In 1957, the USSR launched the dog, Laika, into Earth’s orbit. Two years later, the USA responded with two monkeys, Able and Baker. These animals never returned. But, unbeknownst to everyone, they did not die in orbit…they were taken. And now they are coming home.
Returned from their adventures on a secret island, Hellboy and the Professor move with the B.P.R.D. from New Mexico to Connecticut. The relocation is tough on Hellboy: is he just homesick, or have scrambled memories from the island gripped the supernatural whippersnapper? Meanwhile, word of Hellboy’s survival has also reached an unknown enemy, who failed to kill him once before but is determined not be foiled again . .
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EHT Comics 