Tales to Astonish (Silver Age)

Tales to Astonish was published from January 1959 to March 1968 . It began as a science-finction anthology that served as a showcase for such artists as Jack Kirby and Steve Ditko. It became The Incredible Hulk with issue #102 (April 1968). Its sister title was Tales of Suspense.

Following his one-shot anthological story in #27 (Jan. 1962), scientist Henry Pym returned donning a cybernetic helmet and red costume, and using size-changing technology to debut as the insect-sized hero Ant-Man in #35 (Sept. 1962). The series was plotted by Lee and scripted by Lieber, with penciling first by Kirby and later by Heck and others. The Wasp was introduced as Ant-Man’s costar in issue #44 (June 1963). Ant-Man and Pym’s subsequent iteration, Giant-Man, introduced in #49 (Nov. 1963), starred in 10- to 13-page and later 18-page adventures,

The Hulk, whose original series The Incredible Hulk had been canceled after a six-issue run in 1962-63, returned to star in his own feature when Tales to Astonish became a split book at issue #60 (Oct. 1964),]after having guest-starred as Giant-Man’s antagonist in a full-length story the previous issue. The Hulk had proven a popular guest-star in three issues of Fantastic Four and an issue of The Amazing Spider-Man. His new stories here were initially scripted by Lee and illustrated by the seldom-seen team of penciler Steve Ditko and inker George Roussos. This early part of the Hulk’s run introduced the Leader, who would become the Hulk’s nemesis, and this run additionally made the Hulk’s identity known, initially only to the military and then later publicly.

Adventureman (2020)

Eighty years after Adventuremans apparent demise, single mother Claire and her Adventurefan son Tommy seem to be the only two people alive that remember the thrilling ADVENTUREMAN sagas…but from that memory burns the spark of resurrection! Where his story ended… her story begins!

Fantastic Four (1980’s)

John Byrne revitalized the slumping title with his run. Originally, Byrne was slated to write with Sienkiewicz providing the art. Sienkiewicz left to do Moon Knight, and Byrne subsequently became writer, artist, and inker. Various editors were assigned to the comic; eventually Bob Budiansky became the regular editor. Byrne told Jim Shooter that he could not work with Budiansky, although they ultimately continued to work together. In 2006, Byrne said “that’s my paranoia. I look back and I think that was Shooter trying to force me off the book”. Byrne left following issue #293 (Aug. 1986) in the middle of a story arc, explaining he could not recapture the fun he had previously had on the series. One of Byrne’s changes was making the Invisible Girl into the Invisible Woman: assertive and confident. During this period, fans came to recognize that she was quite powerful, whereas previously, she had been primarily seen as a superpowered mother and wife in the tradition of television moms like those played by Donna Reed and Florence Henderson.

Aliens – Predator: The Deadliest of the Species (1993)

The Story takes place in the futuristic Alien vs. Predator universe, where Earth has been overrun by Aliens, and the social elite have taken refuge in gigantic skyliners. Caryn Delacroix is the protagonist, with an unclear past regarding both the Aliens and Predators throughout most of the comic. An artificial intelligence serves as the primary antagonist, while the Xenomorphs and the Predator are many times in cooperation with Delacroix and her companions for parts of the series, in particular a Predator called “Big Mama”.

The House of Mystery (1970’s)

With issue #174, EC Comics veteran Joe Orlando was hired by DC to take over as editor of House of Mystery. As the Comics Code Authority was now being challenged by both DC and Marvel over content restrictions, the series returned to its overt horror themes. The first issue under Orlando would be a reprint issue of old horror/suspense stories, as the new direction would truly begin with #175 (July–August 1968). The issue would introduce a new figure to the series, Cain, the “able care taker” of the House of Mystery who would introduce nearly all stories that would run in the series before its cancellation. Cain would also host the spin-off humor series Plop! and later become a recurring character in Blue Devil and The Sandman.

Artist Bernie Wrightson‘s first professional comic work was the story “The Man Who Murdered Himself” which appeared in issue #179 (March–April 1969)

House of Mystery was in the Dollar Comics format for issues #251 (March–April 1977) to #259 (July–August 1978).  House of Mystery featured stories by writers T. Casey Brennan (#260, 267, 268 and 274) and Scott Edelman (#257, 258, 260, 264, 266, 270, 272, 273). Orlando’s tenure as editor ended with #257 (March–April 1978).

Marvel Comics Presents (1990’s)

Marvel Comics Presents was published from 1988 to 1995. The original plan was for the lead story to feature different members of the X-Men in solo adventures lasting between eight and ten episodes. The first ten issues featured Wolverine; others featured were Colossus, Cyclops, Havok, and Excalibur. From issue 39 onwards,Wolverine was featured as the lead story in all issues. Particularly notable was “Weapon X” in issues #72-84, which revealed Wolverine’s origin, with story and art by Barry Windsor-Smith.

Epitaphs from the Abyss (2024)

The most notorious name in terror is back with a vengeance! From the publisher that drove Tales from the Crypt, Vault of Horror, Haunt of Fear, and many more into the depraved hearts of an unsuspecting world, the immortal EC COMICS returns . . . with its first all-new series in nearly 70 years! What the Comics Code Authority couldn’t kill has only made it stronger . . . EC Comics lives again in Epitaphs from the Abyss!

Justice League of America (Silver Age)

The initial Justice League lineup included seven of DC Comics’ superheroes who were regularly published at that time: SupermanBatman, Aquaman, Flash, Green Lantern, Martian Manhunter, and Wonder Woman. Rarely featured in most of the stories, Superman and Batman did not even appear on the cover most of the time. Three of DC’s other surviving or revived characters, Green Arrow, the Atom, and Hawkman were added to the roster over the next four years.

The title’s early success was indirectly responsible for the creation of the Fantastic Four. In his autobiography Stan Lee relates how in 1961, during a round of golf, DC publisher Jack Liebowitz mentioned to Marvel-Timely owner Martin Goodman how well DC’s new book (Justice League) was selling. Later that day Goodman, a publishing trend-follower aware of the JLA’s strong sales, told Lee, his comics editor, to come up with a team of superheroes for Marvel.

The Infernal Man-Thing (2012)

Steve Gerber’s posthumous Man-Thing story “The Screenplay of the Living Dead Man”, with art by Kevin Nowlan, originally planned as a 1980s graphic novel before being left uncompleted by the artist, was revived in the 2010s and appeared as a three-issue miniseries cover-titled The Infernal Man-Thing (Early Sept.-Oct. 2012). The story was a sequel to Gerber’s “Song-Cry of the Living Dead Man” in Man-Thing #12 (Dec. 1974).

Reborn (2016)

Mark Millar & Greg Capullo join forces to create the smash hit sci-fi / fantasy story: REBORN. Where do you go when you die? Not heaven or hell; somewhere else. Somewhere you have to fight to survive. Somewhere the people from the past are waiting for you—the good and the bad.