AMC Movie Theater Venom Premiere Exclusive by Szymon Kudranski & Sean Ryan. Cover by Skan.
Venom – AMC Exclusive (2018)
Tag: Iron Age
Identity Disk (2004)
The story opens with a younger Adrian Toomes, pre-Vulture, being captured by police as his wife takes his daughter from him. Years later, Deadpool, Bullseye, Juggernaut, Sandman, the Vulture, and Sabretooth are recruited by an agent working for underworld figure Tristram Silver, who knows a dark secret for each supervillain, (although at the time Juggernaut and, arguably, Deadpool, were not villains). The agent demonstrates that she can take any one of them down by killing the Sandman. She wants them to hunt down the Identity Disc, which contains every piece of information on Marvel’s Earthbound superheroes.
Heroes Reborn: The Return (1997)
The “Heroes Reborn” was followed by “Heroes Return”, which consisted of a central, four-issue miniseries, Heroes Reborn: The Return, by writer Peter David and artist Salvador Larocca (December 1997). In the story, the Celestials take notice of Franklin’s pocket universe and initially demand that he eliminate one of the two universes, but eventually relent on the condition that all beings native to Earth-616 evacuate the pocket universe and never return.
Wonder Woman 80th Anniversary (2021)
This oversize super spectacular features work from some of the very best in the comic industry along with bright young stars ready to share the spotlight with Diana. You won’t want to miss these new stories that capture timeless messages of hope and empowerment presented together in this gorgeous keepsake issue!
Terminator (1991)
This beautifully illustrated 48-page trade paperback spotlights writer James Robinson, who delivers a compelling and action-packed script which plays to Matt Wagner’s atmospheric and visually stunning renderings. Unknowingly, Kyle Reese went back in time to protect Sarah Conner from the second of two Terminators sent from the future to alter the past. In this one-shot special, we encounter the very first Terminator to be sent back through time, a female version of the 800-model, but just as deadly, if not more so. Her mission: to kill John Conner’s mother! The Sarah Conner that she finds has a mission of her own: to kill her new husband and take off with his vast wealth before ever having a baby!
Marvel (2021)
Thirty years ago, Alex Ross had a vision of a new series showing the Marvel heroes in a way they’d never been seen before. The first realization of that idea became the blockbuster MARVELS — but today Alex finally brings about his original vision: An anthology of stories by unique, exceptional talents, many of whom are doing Marvel characters for the very first time. Over this showcase series you’ll see work by such artists as Adam Hughes, Bill Sienkiewicz, Dan Brereton and more, linked together by an overarching story by Alex and Steve Darnall.
Haunted Love – IDW (2016)
Haunted Love features rotting tales of supernatural Pre-code romance from putrid horror comics from the vile horror comics of the 1950s. Lurid lust! Vicious violence! Creepy kisses! The zombie-fied Haunted Love is 3 throbbing issues that will set your horrid hearts afire. Haunted Love will make your Valentine’s Day massacre and gory gift giving to your vile Valentine unforgettable and unforgivable.
Ghost (1990’s)
Ghost first appeared in Comics’ Greatest World, week three, in 1993. After a popular special in 1994, a monthly title devoted to the character began publication in 1995. It ran for 36 issues, followed by a six-month break and a second series of 22 issues. The second series was a continuation of the first with a number of changes, including new details about Ghost’s origin. The stories in both series were based in (and around) the city of Arcadia, in a self-contained fictional universe outlined in Dark Horse’s Comics’ Greatest World.
Ghost continued appearing in her own titles (and others) into the 2000s, including several crossovers unrelated to Comics’ Greatest World. Most notable among these were a two-issue crossover with Dark Horse’s Hellboy (Ghost/Hellboy), and a four-issue crossover with DC Comics’ Batgirl (Ghost/Batgirl: The Resurrection Machine). Ghost was ranked 15th on the Comics Buyer’s Guide‘s “100 Sexiest Women in Comics” list.
Batgirl V4 – New 52 (2011)
In September, 2011, following the company-wide relaunch, Barbara Gordon stars in a new Batgirl series—one of The New 52 titles featuring the company’s most iconic characters. The conclusion of the limited series Flashpoint (2011) establishes a new continuity within the DC Universe, with all characters regressing to an earlier age and stage in their careers, while remaining in a modern timeline. DC Senior VP of Sales, Bob Wayne, explained that with each of their titles reverting to issue #1, “our creative teams have the ability to take a more modern approach—not only with each character, but with how the characters interact with one another and the universe as a whole, and focus on the earlier part of the careers of each of our iconic characters.” Wayne also stated that “The Killing Joke” still happened and she was Oracle. Now she will go through physical rehabilitation and become a more seasoned and nuanced character because she had these incredible and diverse experiences.
John Byrne’s 2112 (1991)
The Next Men characters made a prototypical appearance as “Freaks” in a lithography plate that was published within the History of the DC Universe Portfolio in 1986. Byrne had originally pitched the series to DC Comics, but the series never surfaced there. With some changes, Byrne changed the concept to fit in with his work on the graphic novel 2112, to become the John Byrne’s Next Men series. Two characters from the “Freaks” artwork somewhat retained their physical looks and became the lead characters of the Next Men series: heroine Jasmine and villain Aldus Hilltop.
The Next Men officially debuted in a four-part storyline in Dark Horse Presents #54-57 (later reprinted, in color, as John Byrne’s Next Men #0). The series ran until issue #30 and ended with a cliffhanger. According to Byrne, he intended the series to be science-fiction that had a “sort of smell” of being a super-hero book. In addition to exploring mature topics such as sex, abortion, and child abuse, Byrne also set aside some of the more-traditional conventions of the medium, such as “thought-bubbles” and sound-effects.
Byrne had intended to conclude the story in a second series after a six-month hiatus, but the collapse of the American comic-book industry in the mid-1990s made it financially unfeasible for him to do so, and he returned to working for hire at DC Comics and Marvel Comics.
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