The year is 2084 and the world has changed. Wracked by calamities and crawling with mon-sters, the last remaining humans face a dangerous existence. And now, the Earth has been sent a message from the deepest reaches of space – a dark count-down to the extinction of all humanity. But there is hope! Five thousand children will be rescued by these mysterious message-senders. This is the journey of Hototo, one of the lucky five thousand – but only if his teenage sister, Tala, can safely deliver him to the nearest Beacon before time runs out
We Live #1 Momoko Kickstarter Variant CGC 9.8 White Pages $159
We Live #1 1:15 Nguyen Variant CGC 9.8 White Pages $95
Epic Comics, an imprint of Marvel Comics, began publishing a series of comic book spin-offs for the Hellraiser franchise. The comics contained a set of short stories, with Clive Barker acting as a consultant on all of the comics. Between 1989 and 1992, Epic published twenty regular series comics.
The citizens in a retro-futuristic vision of the world of tomorrow struggle to come to terms with a variety of bizarre characters and their unusual schemes. Written by Dean Motter with art by Michael Lark.
Controversy erupts as War Machine picks a target on U.S. soil in “Homeland.” When Jim Rhodes returns home he comes face-to-face with American Eagle, last seen in the pages of Thunderbolts, as two visions of America clash with earth-shattering results that may irrevocably change War Machine – and the nation he loves!
Lloyd Llewellyn (sometimes abbreviated LLLL) is a comic book by Daniel Clowes. The black-and-white series, published by Fantagraphics Books, ran for six issues from April 1986 to June 1987. A final “special” issue was published in December 1988.
The series’ title character is a detective who has humorous adventures inspired by film noir and stereotypical 1950s lounge culture. Llewellyn has a sidekick who goes by the name of Ernie Hoyle. The series’ police sergeant is called “Red” Hoerring. The series’ visual style is influenced by lowbrow art.
The story “The Nightmare” from Lloyd Llewellyn #6 foreshadowed the approach of Clowes’s next comic, Eightball, by breaking the conventions of the series’ crime setting and turning to social satire. Also in that issue, the author announces:
… And who knows … somewhere along that lonesome road we might see a new LLLL mag with a brand new format so dazzling, so breathtaking, so monumentally fantastic that I haven’t even thought of it yet!
Early issues of Eightball included several additional Lloyd Llewellyn episodes. The character also made various cameo appearances in other Eightball stories.
As Skrull warships fill the skies, and heroes battle for their very survival in the Savage Land, the citizens of New York struggle to survive the worst day of their lives. Brian Reed and Marco Castiello bring you a stunning ground-level look at Secret Invasion!
After the launch of the Superman/Batman comic book series, Executive Editor Dan DiDio had been looking for a way to simplify the Supergirl character from her convoluted post-crisis history; the simplest version of course, was Superman’s cousin. Jeph Loeb and editor Eddie Berganza found an opening to reintroduce the character following the conclusion of the first story arc of Superman/Batman.
The modern version of Kara Zor-El made her debut in Superman/Batman #8 (2004). Kara takes the mantle of Supergirl at the conclusion of the storyline. The Supergirl comic book series would later be relaunched, now starring Kara Zor-El as “The Girl of Steel”. The first arc of the new series was written by Jeph Loeb and illustrated by Ian Churchill.
The title’s 500th issue (March 1981) featured stories by several well-known creators including television writer Alan Brennert and Walter B. Gibson best known for his work on the pulp fiction character The Shadow. Also used during the 1980s was the use of serialization of the main Batman story, with stories from Detective Comics and Batman directly flowing from one book to another, with cliffhangers at the end of each book’s monthly story that would be resolved in the other title of that month. A single writer handled both books during that time beginning with Gerry Conway and followed up by Doug Moench. The supervillain Killer Croc made a shadowy cameo in issue #523 (Feb. 1983). Noted author Harlan Ellison wrote the Batman story in issue #567.
Edgar Wiggins, a disgraced former seminary student, is desperate to find a way to answer what he believes is his higher calling. He thinks he’s found it in a seminar hosted in a hotel conference room by the Soul Plumbers, who have a machine that could be the secret to delivering souls from Satan. Edgar’s too broke to buy in, but that’s not enough to stop this true devotee: he steals the blueprints and builds a pirated version with what components he can afford on his gas station attendant salary. Then he goes after a demon, misses… and ends up pulling out something much worse.
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