The first series started in 1975 with two giant-size issues before starting as a regular series, and was mostly bi-monthly during its existence. It initially teamed up Doctor Doom and the Sub-Mariner, who had lost his own series, from which it picked up the unresolved plots, especially that of the comatose Atlanteans. After a succession of writers and artists and a crossover with The Avengers, the plot gets resolved in issue #13 when Dr. Doom revives the Atlanteans, thus dissolving his alliance with the Sub-Mariner.
Issue #14 (Oct. 1977), which featured Magneto and Dr. Doom, was billed as the final issue of the series, and its plotline was resolved in The Champions #16. The following year, SVTU continued with issue #15 (Nov. 1978), a reprint of Astonishing Tales #4-5. Issues #16 (May 1979) and #17 (June 1980) featured the Red Skull and the Hate-Monger. The irregular publishing frequency of the final three issues was due to a legal maneuver to prevent DC Comics from trademarking the term “super-villain”.
The series saw the death of the Sub-Mariner’s 1940s sweetheart Betty Dean and the death of her murderer, Dr. Dorcas. Steve Englehart created The Shroud, a character partly inspired by Batman, shortly before he started to work for DC Comics on Detective Comics.
The “Dark Phoenix Saga” in 1980 led to a change in the line-up of the team, with the death of Phoenix (Jean Grey), and Cyclops leaving the team to mourn for her. Comics writers and historians Roy Thomas and Peter Sanderson observed that “‘The Dark Phoenix Saga’ is to Claremont and Byrne what ‘the Galactus Trilogy‘ is to Stan Lee and Jack Kirby. It is a landmark in Marvel history, showcasing its creators’ work at the height of their abilities.” The storyline also saw the introduction of recurring antagonists the Hellfire Club, and its Inner Circle consisting of Sebastian Shaw, Emma Frost, Harry Leland, Donald Pierce, along with Mastermind, previously a member of Magneto’s Brotherhood. The new teenage mutant Kitty Pryde was introduced in #129 (Jan. 1980) and joined the X-Men in #139. The Dazzler, a disco-singing, roller-skating mutant, was introduced in #130 (Feb. 1980), but did not join the team, instead headlining her own solo title.
A new Brotherhood of Evil Mutants, led by Mystique, was introduced in the “Days of Future Past” storyline (#141-#142, Jan–Feb 1981) in which a time-travelling Kitty Pryde tried to avert a dystopian future caused by the Brotherhood assassinating Presidential candidate Senator Robert Kelly. Byrne plotted the story wanting to depict the Sentinels as a genuine threat to the existence of the mutant race. He then left the series after #143, being replaced by a returning Cockrum, who in turn was succeeded by Paul Smith and John Romita Jr.
The comic book Battlestar Galactica, based on the ABC television series of the same name, was published monthly by Marvel Comics from March 1979 through January 1981, and lasted 23 issues.
Although there were other attempts to adapt Battlestar Galactica into a comic book format, the Marvel series is considered by many to have been the most successful in terms of run, sales, and content.
This was accomplished against some notable odds. Although Roger McKenzie was most often the writer, and Walt Simonson the most regular artist, the book also had a heavy rotation of guest writers and artists.
Marvel Comics’ began its adaptation of Battlestar Galactica with Marvel Super Special #8, a magazine format comic written by Roger McKenzie and drawn by Ernie Colón which was released as a tie-in to the start of the series. Based on an early script of the three hour series premiere “Saga of a Star World”, this adaptation, which gave a relatively short treatment to the third hour, was also released in a tabloid format and then later as a paperback as well. The tabloid version was also printed by Whitman Comics. Its success led Marvel to print a regular monthly comic depicting the adventures of the ragtag fleet.
OMAC (Buddy Blank) was created in 1974 by Jack Kirby and published by DC Comics. The character was created towards the end of Kirby’s contract with the publisher, following the cancellation of his New Gods series and was reportedly developed strictly due to Kirby needing to fill his contractual quota of 15 pages a week.As envisioned by Kirby, OMAC is essentially Captain America set in the future, an idea Kirby had toyed with some years earlier while at Marvel Comics, but had never realized.
Set in the near future (“The World That’s Coming”), OMAC is a corporate nobody named Buddy Blank who is changed via a “computer-hormonal operation done by remote control” by an A.I. satellite called Brother Eye into the super-powered One-Man Army Corps (OMAC).
The character received an ongoing series, titled Frankenstein in the postal indicia and initially The Monster of Frankenstein (issues #1-5) and later The Frankenstein Monster as the cover logo, that ran 18 issues (Jan. 1973 – Sept. 1975).This series began with a four-issue retelling of the original novel, by writer Gary Friedrich and artist Mike Ploog. Several more issues continued his story into the 1890s, until he was placed in suspended animation and revived in modern times.
Created and designed by Jack Kirby, The New Gods first appeared in February 1971 in New Gods #1.
Kirby’s production assistant of the time, Mark Evanier, remarked that: “Folks forget but the New Gods saga was intended to be a limited series … There was no intention that these characters would go on forever. After Jack’s books started getting good sales figures, DC demanded that we keep them going and use guest stars like Deadman, which we were very much against doing. So Kirby had this novel he was forever stuck in the middle of – he could never get to the last chapter. … You can spot the issues where Jack kind of gave up trying to advance the story of Darkseid and Orion and was marking time. If those books had been intended from the start to run indefinitely, they would have been done very differently.”
New Gods #1 marks the first appearance of Orion, Highfather, and Metron, among others.
The Forever People are a fictional group of extraterrestrial superheroes published by DC Comics. They first appeared in Forever People #1 (February–March 1971), and were created by Jack Kirby as part of his “Fourth World” epic.
The Forever People lasted eleven issues. They mainly fought Darkseid’s forces such as Glorious Godfrey in issue #3. Issues #9 and 10 guest-starred Deadman; according to writer/artist Jack Kirby‘s assistant Mark Evanier, “We were ordered to put Deadman into New Gods, but we slipped him into Forever People instead, where he was a little less obtrusive. Jack didn’t like the character and didn’t want to do it. He didn’t feel he should be doing someone else’s character. … He doesn’t want to trample on someone else’s vision. Carmine [Infantino, DC Comics publisher and Deadman’s co-creator] said the character hadn’t sold and he wanted the Kirby touch on it.”
The galactic herald returns in this jam-packed one-shot! Silver Surfer recalls happier times with the Fantastic Four. With Norrin Radd becoming a distant memory with each passing day, will Surfer ever recover the man he once was? Surfer returns to his homeland Zenn-La to find absolute devastation. A new quest begins for Silver Surfer — one that involves finding his soulmate, Shalla Bal!
EHT Comics 