Category: Marvel

Loki (2004)

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Loki has now claimed leadership of Asgard, and all must recognize that fact, even Thor. Finally winning the throne after a long sought out fight is not as sweet as he thought it would be. The ones that helped him now demand their due and the favors he promised them, including the death goddess Hela and seductress Lorelei. While he goes about his kingdom, he continually turns to his prisoners, Thor and Sif. Sif berates him for being jealous of her, and of cutting off her golden hair, only to bring about a greater love between her and Thor. While Balder reminds him that he has died and gone to Hel, while there, sees that there are parallel dimension incarnations of Thor, Loki, and Balder: Some different, yet all play the same roles. And Loki’s role is never to rule. Loki then turns to Karnilla, and agrees to free Balder into her care, in exchange for her to peer into a myriad other dimensions. There he sees confirmation of Balder’s words, all with Thor triumphant. Loki decides that Thor will indeed die at dawn by beheading. As he’s walking out of the dungeons, he runs into Fárbauti, his birth father. Loki decides to go against fate, and spare his brother as well as free him and Hela is revealed to be a failed illusion cast by Loki to convince him to kill his brother. Thor decides that when breaking free from his prison, he defeats his brother.

Civil War: Front Line (2006)

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Civil War: Front Line is an 11-issue, limited series tie-in to Marvel Comics‘s Civil War event which started in August 2006.

Part of the story is told from the perspective of two reporters embedded in the opposite camps of the war.Ben Urich follows the stories on Iron Man‘s side with the pro-registration heroes, while Sally Floyd investigates the anti-registration faction headed by Captain America. Writer Paul Jenkins was given carte blanche to have the stories reflect the current political landscape in the United States.

The other half of the series is told from the perspective of Speedball of the New Warriors. It shows Speedball’s struggles with survivor guilt, imprisonment, and relations to the victims of the Stamford disaster.

Fantastic Four (2010’s)

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In the storyline “Three”, which concluded in Fantastic Four #587 (cover date March 2011, published January 26, 2011), the Human Torch appears to die stopping a horde of monsters from the other-dimensional Negative Zone. The series ended with the following issue, #588, and relaunched in March 2011 as simply FF. The relaunch saw the team assume a new name, the Future Foundation, adopt new black-and-white costumes, and accept longtime ally Spider-Man as a member. In October 2011, with the publication of FF #11 (cover-dated Dec. 2011), the Fantastic Four series reached its 599th issue.

In November 2011, to commemorate the 50th anniversary of the Fantastic Four and of Marvel Comics, the company published the 100-page Fantastic Four #600 (cover-dated Jan. 2012), which returned the title to its original numbering and featured the return of the Human Torch. It revealed the fate of the character of Johnny Storm after issue #587, showing that while he did in fact die, he was resurrected to fight as a gladiator for the entertainment of Annihilus. Storm later formed a resistance force called Light Brigade and defeated Annihilus.

As part of Marvel NOW! Fantastic Four ended with #611, ending Jonathan Hickman’s long run on FF titles, and the title was relaunched in November 2012 with the creative team of writer Matt Fraction and artist Mark Bagley. In the new title with its numbering starting at #1, the entire Fantastic Four family explore space together, with the hidden intent for Reed Richards to discover why his powers are fading.

Elektra: Assassin (1986)

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Frank Miller and Bill Sienkiewicz were at the height of their popularity when this series was released, shortly on the heels of Miller’s hugely successful Batman: The Dark Knight Returns, and Miller & Sienkiewicz’s Marvel Graphic Novel Daredevil: Love and War.

As with Ronin and Born Again, Miller wrote the series with the full script method.

As with Daredevil: Love and War, Sienkiewicz illustrated Elektra: Assassin using watercolors as opposed to the traditional pencilling/inking method. His exaggerated art was unique amongst mainstream comics of the time, bringing to mind the illustration style of adult-oriented comics magazines like Heavy Metal.

Foom (1973)

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Jim Steranko, in his first-issue introduction, wrote that he had “dropped in at the Marvel bullpen to rap with [publisher] Stan Lee about the current comic scene” and that Lee told him about plans to start an in-house fan club. EC Comics had had its “EC Fan-Addict” club in the 1950s, and Marvel the Merry Marvel Marching Society beginning 1964; after the MMMS had run its course by 1969, Marvel licensed a small company in Culver City, California to produce the fanzine/product catalog Marvelmania, which lasted a year. Steranko, writing that he nostalgically “recalled the days of radio, with all the clubs and super-premiums that were perpetually offered over the air”, volunteered “my services as a designer, writer and comic historian”. Ken Bruzenak served as associate editor, with Marvel editor-in-chief Roy Thomas as consulting editor and Ed Noonchester, Joel Thingvall, and Gary Brown as staff.

Darkhold (1992)

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Once you get your hands on the Darkhold, you’ll be dying to read what’s inside! And when long-lost pages of the Book of Sins begin to resurface, cursing those who read them with vicious twists on their greatest desires, it’s up to Victoria Montesi and her Darkhold Redeemers, Sam Buchanan and Louise Hastings, to keep them out of the wrong hands! As the mysterious Darkhold Dwarf spreads chaos and the powerful pages wreak havoc, the Redeemers get a little help from Doctor Strange, Ghost Rider and their fellow Midnight Sons — but whose side is Modred the Mystic on? With demonic forces on the rise, can the Redeemers prevent the rebirth of Chthon?

 

Identity Disk (2004)

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The story opens with a younger Adrian Toomes, pre-Vulture, being captured by police as his wife takes his daughter from him. Years later, Deadpool, Bullseye, Juggernaut, Sandman, the Vulture, and Sabretooth are recruited by an agent working for underworld figure Tristram Silver, who knows a dark secret for each supervillain, (although at the time Juggernaut and, arguably, Deadpool, were not villains). The agent demonstrates that she can take any one of them down by killing the Sandman. She wants them to hunt down the Identity Disc, which contains every piece of information on Marvel’s Earthbound superheroes.

Heroes Reborn: The Return (1997)

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The “Heroes Reborn” was followed by “Heroes Return”, which consisted of a central, four-issue miniseries, Heroes Reborn: The Return, by writer Peter David and artist Salvador Larocca (December 1997). In the story, the Celestials take notice of Franklin’s pocket universe and initially demand that he eliminate one of the two universes, but eventually relent on the condition that all beings native to Earth-616 evacuate the pocket universe and never return.

Devil Dinosaur (1978)

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Devil Dinosaur and Moon-Boy are the creations of artist Jack Kirby who scripted and penciled all nine issues of the first series. Devil Dinosaur was created during Kirby’s third stint at Marvel (1975–1978). Having learned that DC Comics was working on an animated series featuring Kirby’s Kamandi, Marvel attempted to one-up their competitor by instructing Kirby to create a series similar to Kamandi, but incorporating a dinosaur co-star, since dinosaurs were hugely popular with young audiences of the time. The resulting Devil Dinosaur series was short lived, lasting only nine months (April – December 1978), and the proposed animated series never entered development. The original Devil Dinosaur series chronicled Devil and Moon-Boy’s adventures in their home, “Dinosaur World”. After the cancellation of Devil Dinosaur, the character’s appearances were relegated to one-shot comics, cameos, and supporting roles in other series.