Category: Marvel Bronze Age

Amazing Adventures (1970)

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Amazing Adventures was a split title featuring the Inhumans (initially both written and drawn by Jack Kirby, later drawn by Neal Adams) and the Black Widow (initially by writer Gary Friedrich and penciler John Buscema). The Widow was dropped after vol. 2, #8, and full-length Inhumans stories ran for two issues before that feature, too, was dropped.

Vol. 2, #11 (March 1972) introduced solo stories of erstwhile X-Men member the Beast, in which he was mutated into his modern-day blue-furred (originally grey-furred) form. The initial story was by writer Gerry Conway, penciler Tom Sutton, and inker Syd Shores. Steve Englehart became the feature’s writer with issue #12 and added Patsy Walker and her then-husband, “Buzz” Baxter, to the Beast’s supporting cast in issue #13.

In the fall of 1972, writers Englehart, Conway and Len Wein crafted a metafictional unofficial crossover spanning titles from both major comics companies. Each comic featured Englehart, Conway, and Wein, as well as Wein’s first wife Glynis, interacting with Marvel or DC characters at the Rutland Halloween Parade in Rutland, Vermont.

The Marvel No-Prize Book (1983)

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In late 1982 (cover dated January 1983), Marvel published a humorous one-shot comic featuring some of their most notorious goofs. Subtitled “Mighty Marvel’s Most Massive Mistakes”, the book was organized and spearheaded by Jim Owsley and had a cover which was deliberately printed upside-down. In the comic’s story Lee, with the help of artists Bob Camp and Vince Colletta, exposes and pokes fun at typos, misspellings and other errors.

Captain Marvel (1970’s)

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The first Captain Marvel was created by Stan Lee and Gene Colan in Marvel Super-Heroes #12 (December 1967). This character is an alien military officer, Captain Mar-Vell of the Kree Imperial Militia, who is sent to observe the planet Earth as it is developing technology to travel into space. Mar-Vell eventually wearies of his superiors’ malign intent and allies himself with Earth, and the Kree Empire brands him a traitor. From then on, Mar-Vell fights to protect Earth from all threats.

He was later revamped by Roy Thomas and Gil Kane. Having been exiled to the Negative Zone by the Supreme Intelligence, the only way Mar-Vell can temporarily escape is to exchange atoms with Rick Jones by means of special wristbands called Nega-Bands. He is also given superpowers and his Kree military uniform is replaced with a form fitting costume.

With the title’s sales still flagging, Marvel allowed Jim Starlin to conceptually revamp the character, although his appearance was little changed. Mar-Vell is freed from the Negative Zone and becomes a cosmic champion, the “Protector of the Universe” appointed by the cosmic entity Eon. Together, Mar-Vell and Rick continue to battle against evil, most notably battling the Death-worshipping Thanos. Mar-Vell became a close ally of the Titans, and one of their number, Elysius, became his lover.

The Black Panther V1 (1977)

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Though popular with college students, the overall sales of Jungle Action were low, and Marvel relaunched the Black Panther in a self-titled series, bringing in the character’s co-creator Jack Kirby—newly returned to Marvel after having decamped to rival DC Comics for a time— as writer, penciler, and editor. However, Kirby wanted to work on new characters and was unhappy at being assigned a series starring a character he had already worked with extensively. He left the series after only 12 issues and was replaced by Ed Hannigan (writer), Jerry Bingham (penciler), and Roger Stern(editor). Black Panther ran 15 issues (Jan. 1977 – May 1979). Due to the series’s cancellation, the contents of what would have been Black Panther#16-18 were published in Marvel Premiere #51-53.

Journey Into Mystery V2 (1972)

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A second Journey into Mystery ran 19 issues (October 1972 – October 1975). The title was one of four launched by Marvel Comics editor-in-chief Roy Thomas to form a line of science fiction and horror anthologies with more thematic cohesiveness than the company’s earlier attempts that decade, which had included the series Chamber of Darkness and Tower of Shadows. Whereas those titles generally presented original stories, these new books would instead adapt genre classics and other stories. With the four titles’ debuts set to be staggered over the course of four months, Marvel premiered Journey into Mystery vol. 2 (October 1972), Chamber of Chills (November 1972), Supernatural Thrillers (December 1972), and, with a late start, Worlds Unknown (May 1973).

The first five issues of Journey into Mystery vol. 2 featured such adaptations as Robert E. Howard‘s “Dig Me No Grave”, by writer Thomas and pencilerGil Kane, in issue #1; Robert Bloch‘s “Yours Truly, Jack the Ripper” by Thomas and Ron Goulart and penciler Kane, in #2; and H. P. Lovecraft‘s “The Haunter of the Dark” by Goulart and penciler Gene Colan, in addition to anthological horror stories by writers including George Alec Effinger, Steve Gerber, Steve Englehart, and Steve Skeates, and pencilers such as Billy Graham, Jim Starlin, Ralph Reese, and P. Craig Russell. Most issues also included a reprinted story from Marvel’s 1950s predecessor, Atlas Comics. By issue #6, however, the magazine became a reprint title featuring science-fiction and giant-monster tales from the first Journey into Mystery series, as well as from the “pre-superhero Marvel” anthologies Amazing Adult Fantasy, Strange Tales, Strange Worlds, and Tales to Astonish.

Conan V1 (1980’s)

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Marvel Comics introduced a fairly faithful version of Conan in 1970 with Conan the Barbarian, written by Roy Thomas with art initially by Barry Windsor-Smith, then John Buscema and Ernie Chan (aka Ernie Chua). The highly successful Conan the Barbarian series spawned the more adult, black-and-white Savage Sword of Conan in 1974, by Thomas, Buscema, and Alfredo Alcala. Savage Sword of Conan soon became one of the most popular comic series in the 1970s.

The Marvel Conan stories were also adapted as a newspaper comic strip which appeared daily and Sunday from September 4, 1978, to April 12, 1981. Originally written by Roy Thomas and illustrated by John Buscema, the strip was continued by several different Marvel artists and writers.

Uncanny X-Men (1970’s)

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X-Men was relaunched in May 1975 with Giant-Size X-Men #1, by Len Wein and Dave Cockrum. The title featured a new, international team consisting of Scott Summers (Cyclops) of the United States, Ireland‘s Sean Cassidy (Banshee), the Japanese mutant Shiro Yoshida (Sunfire), and James “Logan” Howlett (Wolverine) from Canada, along with new characters Ororo Munroe (Storm) out of Kenya, the German Kurt Wagner (Nightcrawler), Piotr “Peter” Rasputin (Colossus) from Russia in The Soviet Union, and John Proudstar (Thunderbird), a Native American.

The series title was changed to The Uncanny X-Men with issue #114 (October 1978).

In 2010, Comics Bulletin ranked Claremont and Byrne’s run on The X-Men second on its list of the “Top 10 1970s Marvels”.

Kull the Conqueror (1971)

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Kull has been adapted to comics by Marvel Comics with three series between 1971 and 1985. The first was drawn by Marie Severin and her brother John Severin. He also appeared several times in The Savage Sword of Conan series and other anthology books. Another graphic novel, Kull: The Vale of Shadow, was published in 1989.

Worlds Unknown (1973)

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Worlds Unknown ran eight issues, cover-dated May 1973 to August 1974. The title was one of four launched by Marvel Comics editor-in-chief Roy Thomas to form a line of science fiction and horror anthologies with more thematic cohesiveness than the company’s earlier attempts that decade, which had included such series as Chamber of Darkness and Tower of Shadows. Whereas those titles generally presented original stories, these new books would instead adapt genre classics and other works.

Chamber of Chills (1972)

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The title was one of four launched by Marvel Comics editor-in-chief Roy Thomas to form a line of science fiction and horror anthologies with more thematic cohesiveness than the company’s earlier attempts that decade, which had included such series as Chamber of Darkness and Tower of Shadows. Whereas those titles generally presented original stories, these new books would instead adapt genre classics and other works.

With the four titles’ debuts set to be staggered over the course of four months, Marvel premiered Journey into Mystery vol. 2 (Oct. 1972),Chamber of Chills (Nov. 1972), Supernatural Thrillers (Dec. 1972), and, with a late start, Worlds Unknown (May 1973). The first issue features an original six-page story by science fiction novelist George Alec Effinger, “Moon of Madness, Moon of Fear”, penciled by P. Craig Russell (then credited as Craig Russell), and a slightly retitled adaptation of the Harlan Ellison short story “Delusions for a Dragon Slayer”, by writer Gerry Conway and artist Syd Shores; in-between was a story by writer Stan Lee and artist Russ Heath, “They Wait in Their … Dungeon”, reprinted from Menace #1 (March 1953), from Marvel’s 1950s forerunner, Atlas Comics.

The bimonthly series ran exclusively new material through issue #4, with one reprinted story added to the mix for the following two issues, and only one new story in issue #7, after which the series became all-reprint. Most of the reprinted stories were 1950s “pre-Code” horror stories, which the industry self-censorship organization the Comics Code Authority had forbidden on Code-approved comics until a loosening of the Code in 1971.