Category: Marvel Bronze Age

The Thing (1983)

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The cancellation of Marvel Two-in-One led to the Thing’s first completely solo series, which ran for 36 issues. The Thing was originally written by John Byrne and later, Mike Carlin. The series also featured art by Ron Wilson and later by Paul Neary. It elaborated on Ben Grimm’s poor childhood on Yancy Street in its early issues, and chronicled the Thing’s later foray into the world of professional wrestling. It also featured a major storyline offshoot from Marvel’s Secret Wars event, in which the Thing elects to remain on the Beyonder‘s Battleworld after discovering that the planet enables him to return to human form at will. A full third of the series’ stories take place on Battleworld.

Amazing Adventures (1970)

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Amazing Adventures was a split title featuring the Inhumans (initially both written and drawn by Jack Kirby, later drawn by Neal Adams) and the Black Widow (initially by writer Gary Friedrich and penciler John Buscema). The Widow was dropped after vol. 2, #8, and full-length Inhumans stories ran for two issues before that feature, too, was dropped.

Vol. 2, #11 (March 1972) introduced solo stories of erstwhile X-Men member the Beast, in which he was mutated into his modern-day blue-furred (originally grey-furred) form. The initial story was by writer Gerry Conway, penciler Tom Sutton, and inker Syd Shores. Steve Englehart became the feature’s writer with issue #12 and added Patsy Walker and her then-husband, “Buzz” Baxter, to the Beast’s supporting cast in issue #13.

In the fall of 1972, writers Englehart, Conway and Len Wein crafted a metafictional unofficial crossover spanning titles from both major comics companies. Each comic featured Englehart, Conway, and Wein, as well as Wein’s first wife Glynis, interacting with Marvel or DC characters at the Rutland Halloween Parade in Rutland, Vermont.

The Marvel No-Prize Book (1983)

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In late 1982 (cover dated January 1983), Marvel published a humorous one-shot comic featuring some of their most notorious goofs. Subtitled “Mighty Marvel’s Most Massive Mistakes”, the book was organized and spearheaded by Jim Owsley and had a cover which was deliberately printed upside-down. In the comic’s story Lee, with the help of artists Bob Camp and Vince Colletta, exposes and pokes fun at typos, misspellings and other errors.

Captain Marvel (1970’s)

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The first Captain Marvel was created by Stan Lee and Gene Colan in Marvel Super-Heroes #12 (December 1967). This character is an alien military officer, Captain Mar-Vell of the Kree Imperial Militia, who is sent to observe the planet Earth as it is developing technology to travel into space. Mar-Vell eventually wearies of his superiors’ malign intent and allies himself with Earth, and the Kree Empire brands him a traitor. From then on, Mar-Vell fights to protect Earth from all threats.

He was later revamped by Roy Thomas and Gil Kane. Having been exiled to the Negative Zone by the Supreme Intelligence, the only way Mar-Vell can temporarily escape is to exchange atoms with Rick Jones by means of special wristbands called Nega-Bands. He is also given superpowers and his Kree military uniform is replaced with a form fitting costume.

With the title’s sales still flagging, Marvel allowed Jim Starlin to conceptually revamp the character, although his appearance was little changed. Mar-Vell is freed from the Negative Zone and becomes a cosmic champion, the “Protector of the Universe” appointed by the cosmic entity Eon. Together, Mar-Vell and Rick continue to battle against evil, most notably battling the Death-worshipping Thanos. Mar-Vell became a close ally of the Titans, and one of their number, Elysius, became his lover.

The Alien Legion V1 (1984)

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The franchise debuted with Marvel/Epic Comics’ The Alien Legion #1-20 (cover-dated April 1984 – June 1987). The 18-issue Alien Legion (Oct. 1987 – Aug. 1990), minus the “The”, followed, generally scripted by Chuck Dixon and penciled by Larry Stroman. Afterward came the three-issue Dixon-Stroman miniseries Alien Legion: On The Edge (Nov. 1990 – Jan. 1991); the two-issue Dixon-Stroman Alien Legion: Tenants of Hell (1991); the one-shot cover-titled Alien Legion: Grimrod and copyrighted Alien Legion: Jugger Grimrod (Aug. 1992), by Dixon and artist Mike McMahon; the single-issue Alien Legion: Binary Deep (Sept. 1993), by Dixon and Argentine artist Enrique Alcatena; and the three-issue miniseries Alien Legion: One Planet at a Time (April–July 1993), by Dixon and penciler Hoang Nguyen.

Additionally, Marvel/Epic published two spinoffs: Marvel Graphic Novel #25 (cover-titled Marvel Graphic Novel: The Alien Legion), released in 1986 and containing the story “A Grey Day To Die” by writers Potts and Zelenetz, penciler Cirocco, and the first series’ regular inker, Terry Austin; and the one-shot crossover with another series Law Dog and Grimrod: Terror at the Crossroads (1993)

The Black Panther V1 (1977)

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Though popular with college students, the overall sales of Jungle Action were low, and Marvel relaunched the Black Panther in a self-titled series, bringing in the character’s co-creator Jack Kirby—newly returned to Marvel after having decamped to rival DC Comics for a time— as writer, penciler, and editor. However, Kirby wanted to work on new characters and was unhappy at being assigned a series starring a character he had already worked with extensively. He left the series after only 12 issues and was replaced by Ed Hannigan (writer), Jerry Bingham (penciler), and Roger Stern(editor). Black Panther ran 15 issues (Jan. 1977 – May 1979). Due to the series’s cancellation, the contents of what would have been Black Panther#16-18 were published in Marvel Premiere #51-53.

Journey Into Mystery V2 (1972)

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A second Journey into Mystery ran 19 issues (October 1972 – October 1975). The title was one of four launched by Marvel Comics editor-in-chief Roy Thomas to form a line of science fiction and horror anthologies with more thematic cohesiveness than the company’s earlier attempts that decade, which had included the series Chamber of Darkness and Tower of Shadows. Whereas those titles generally presented original stories, these new books would instead adapt genre classics and other stories. With the four titles’ debuts set to be staggered over the course of four months, Marvel premiered Journey into Mystery vol. 2 (October 1972), Chamber of Chills (November 1972), Supernatural Thrillers (December 1972), and, with a late start, Worlds Unknown (May 1973).

The first five issues of Journey into Mystery vol. 2 featured such adaptations as Robert E. Howard‘s “Dig Me No Grave”, by writer Thomas and pencilerGil Kane, in issue #1; Robert Bloch‘s “Yours Truly, Jack the Ripper” by Thomas and Ron Goulart and penciler Kane, in #2; and H. P. Lovecraft‘s “The Haunter of the Dark” by Goulart and penciler Gene Colan, in addition to anthological horror stories by writers including George Alec Effinger, Steve Gerber, Steve Englehart, and Steve Skeates, and pencilers such as Billy Graham, Jim Starlin, Ralph Reese, and P. Craig Russell. Most issues also included a reprinted story from Marvel’s 1950s predecessor, Atlas Comics. By issue #6, however, the magazine became a reprint title featuring science-fiction and giant-monster tales from the first Journey into Mystery series, as well as from the “pre-superhero Marvel” anthologies Amazing Adult Fantasy, Strange Tales, Strange Worlds, and Tales to Astonish.

Machine Man V2 (1984)

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In October 1984 – January 1985, the Machine Man title was resurrected, in a four-issue miniseries written by Tom DeFalco with art by Herb Trimpe (breakdowns only, issues #1-3) and Barry Windsor-Smith (finishes only, issues #1-3 & full art for issue #4), with Windsor-Smith also coloring the entire miniseries & co-plotting issue #4 with DeFalco. This series turned out to be one of the most popular of all the Machine Man titles, tying with previous continuity, but with the action set in the distant cyberpunk future of 2020, starting with Machine Man’s reassembly.

The miniseries was first reprinted as a 96 page trade paperback in 1988 (ISBN 0-07135-458-6), with brand new cover art by Barry Windsor-Smith.

The miniseries was republished again in 1994 as two double-size books, with the name Machine Man 2020. Characters from this alternate future have made appearances in other Marvel books, namely Arno Stark, the mercenary Iron Man 2020.

In 1990, Machine Man guest-starred in Iron Man Annual #11 (part of the “Terminus Factor” storyline). That story created strong hints that the 2020 Machine Man may turn out not to be the true X-51, but instead a duplicate created by Sunset Bain.

Conan V1 (1980’s)

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Marvel Comics introduced a fairly faithful version of Conan in 1970 with Conan the Barbarian, written by Roy Thomas with art initially by Barry Windsor-Smith, then John Buscema and Ernie Chan (aka Ernie Chua). The highly successful Conan the Barbarian series spawned the more adult, black-and-white Savage Sword of Conan in 1974, by Thomas, Buscema, and Alfredo Alcala. Savage Sword of Conan soon became one of the most popular comic series in the 1970s.

The Marvel Conan stories were also adapted as a newspaper comic strip which appeared daily and Sunday from September 4, 1978, to April 12, 1981. Originally written by Roy Thomas and illustrated by John Buscema, the strip was continued by several different Marvel artists and writers.

What If…? – V1 (1977)

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What If, sometimes rendered as What If…?, is published by Marvel Comics whose stories explore how the Marvel Universe might have unfolded if key moments in its history hadn’t occurred as they did in mainstream continuity. What If comics have been published in eleven series (volumes).

The stories of the inaugural series (1977–1984) feature the alien Uatu the Watcher as a narrator. From the moon, Uatu, a member of an immortal race of “Watchers”, observes both the Earth and alternate realities. Most What If stories begin with Uatu describing an event in the mainstream Marvel Universe, then introducing a point of divergence in that event and then describing the consequences of the divergence. Uatu was used similarly in the second series (1989–1998) until a point where, in the Fantastic Four comic book, Uatu was punished for destroying another Watcher. This made the use of Uatu improbable so the character was phased out to its last appearance in issue #76. Without a framing device, the stories themselves became the focus.