Marvel’s series of Star Trek comics began in 1979 with an adaptation of Star Trek: The Motion Picture and continued for another two years. These tales take place during a second five-year mission of Kirk and the Enterprise that would have been featured in the never-produced Star Trek: Phase II TV series. Marvel’s license from Paramount prohibited them from using concepts introduced in the original series. They were only allowed to use the characters and concepts from Star Trek: The Motion Picture. The series lasted 18 issues and ended in 1981.
John Byrne revitalized the slumping title with his run. Originally, Byrne was slated to write with Sienkiewicz providing the art. Sienkiewicz left to do Moon Knight, and Byrne subsequently became writer, artist, and inker. Various editors were assigned to the comic; eventually Bob Budiansky became the regular editor. Byrne told Jim Shooter that he could not work with Budiansky, although they ultimately continued to work together. In 2006, Byrne said “that’s my paranoia. I look back and I think that was Shooter trying to force me off the book”. Byrne left following issue #293 (Aug. 1986) in the middle of a story arc, explaining he could not recapture the fun he had previously had on the series. One of Byrne’s changes was making the Invisible Girl into the Invisible Woman: assertive and confident. During this period, fans came to recognize that she was quite powerful, whereas previously, she had been primarily seen as a superpowered mother and wife in the tradition of television moms like those played by Donna Reed and Florence Henderson.
Fantastic Four #218 VF-NM $5Fantastic Four #220 VF $3Fantastic Four #232 VF-NM $9Fantastic Four #235 CGC 9.8 White Pages $89Fantastic Four #239 VF+ $3Fantastic Four #242 VF+ $3Fantastic Four #244 VF $29Fantastic Four #245 VF+$9Fantastic Four #248 Newstand VF+$4Fantastic Four #248 VF-NM $4Fantastic Four #249 Newstand VF+ $3Fantastic Four #249 VF-NM $3Fantastic Four #250 NM $6Fantastic Four #251 Newstand VF-NM $5Fantastic Four #251 VF-NM $4Fantastic Four #253 Newstand VF+ $4Fantastic Four #253 VF-NM $4Fantastic Four #254 Newstand VF+ $4Fantastic Four #254 VF-NM $4Fantastic Four #256 VF+ $3Fantastic Four #277 NM- $8Fantastic Four #286 Newsstand NM- $12Fantastic Four #286 NM $12Fantastic Four #292 Newsstand VF+ $9Fantastic Four #293 Newsstand VF+ $6Fantastic Four #299 VF+ $5Fantastic Four #303 VF-NM $2Fantastic Four #314 NM- $4Fantastic Four #316 VF-NM $3Fantastic Four #323 NM- $4Fantastic Four #324 VF-NM $3Fantastic Four #326 VF-NM $2
The Defenders had a rotating line-up from 1972 until 1986, with Dr. Strange and the Hulk being more or less constant members along with a number of other mainstays such as Valkyrie, Nighthawk, Hellcat, the Gargoyle, Beast, the Son of Satan and Luke Cage, and a large number of temporary members. The publication was retitled near the end of the run as The New Defenders but featured none of the original members and only Valkyrie, the Beast and the Gargoyle of the former long-term members. The concept was modified in the 1993–95 series Secret Defenders, in which Dr. Strange assembled different teams for each individual mission. Later, the original team were reunited in a short-lived series by Kurt Busiek and Erik Larsen. In the 2000s, Marvel published a new miniseries featuring the classic line-up. Writer Matt Fraction and artist Terry Dodson launched a new Defenders series in December 2011.
Doctor Strange: Master of the Mystic Arts, also known as Doctor Strange vol. 2, ran 81 issues (June 1974-February 1987). Doctor Strange #14 featured a crossover story with The Tomb of Dracula #44, another series which was being drawn by Gene Colan at the time.In Englehart’s final story, he sent Dr. Strange back in time to meet Benjamin Franklin. In 2010, Comics Bulletin ranked Englehart’s work on Doctor Strange with artists Brunner and Colan ninth on its list of the “Top 10 1970s Marvels.”
Jennifer Walters, the cousin of Bruce Banner (Hulk), is the small and somewhat shy daughter of Los Angeles County Sheriff William Morris Walters and Elaine (née Banner) Walters (who died in a car crash when Jennifer was seventeen). Operatives of Nicholas Trask, a crime boss who had crossed paths with her father, shot and seriously wounded her on a day that Bruce Banner happened to be in town for a visit. Since no other donors with her blood type were available, Banner provided his own blood for a transfusion; as they already shared the same blood type and DNA, his radioactive blood, combined with her anger transformed Jennifer into the green-skinned She-Hulk when the mobsters tried to finish her off at the hospital.
During the summer of 1973, Englehart and artists Bob Brown and Sal Buscema produced “The Avengers-Defenders Clash” storyline which crossed over between the two team titles. “The Celestial Madonna” arc linked Mantis’ origins to the very beginnings of the Kree-Skrull conflict in a time-spanning adventure involving Kang the Conqueror,and Immortus, who were past and future versions of each other.Mantis was revealed to be the Celestial Madonna,who was destined to give birth to a being that would save the universe.It was revealed that the Vision’s body had only been appropriated, and not created by Ultron, and that it originally belonged to the 1940s Human Torch. With his origins clear to him, the Vision proposed to the Scarlet Witch. The “Celestial Madonna” saga ended with their wedding, presided over by Immortus. The Beast and Moondragon joined the team soon after. George Pérez became the title’s artist with issue #141 (Nov. 1975) which saw the start of a seven-part story featuring the Squadron Supreme and the Serpent Crown. In 2010, Comics Bulletin ranked Englehart’s run on The Avengers eighth on its list of the “Top 10 1970s Marvels”.
The characters first appeared in Eclipse Magazine #2-8. It would later be reprinted in a color trade paperback, I Am Coyote. Afterwards, a new comic book series started at Marvel ComicsEpic Comics line, that ran 16 issues. It was notable for the first published work of Todd McFarlane. According to Epic editor-in-chief Archie Goodwin, artist Steve Leialoha‘s departure after issue #2 caused deadline problems that the series never fully recovered from, leading to its early cancellation.
Beware was an 8 issues series that ran from March, 1973 to May, 1974. The series contained reprints of Atlas comics with new covers by Bill Everet, John Romita & Gil Kane The title continued as Tomb of Darkness with issue #9 in July of 1974.
During his two years on the title, Roger Stern augmented the backgrounds of long-established Spider-Man villains, and with Romita Jr. created the mysterious supervillain the Hobgoblin in #238-239 (March–April 1983) Fans engaged with the mystery of the Hobgoblin’s secret identity, which continued throughout #244-245 and 249-251 (Sept.-Oct. 1983 and Feb.-April 1984). One lasting change was the reintroduction of Mary Jane Watson as a more serious, mature woman who becomes Peter’s confidante after she reveals that she knows his secret identity. Stern wrote “The Kid Who Collects Spider-Man” in The Amazing Spider-Man #248 (January 1984), a story which ranks among his most popular.
David Michelinie took over as writer in #290 (July 1987) that led to the marriage of Peter Parker and Mary Jane Watson in Amazing Spider-Man Annual #21. The “Kraven’s Last Hunt” storyline by writer J.M. DeMatteis and artists Mike Zeck and Bob McLeod crossed over into The Amazing Spider-Man #293 and 294. Issue #298 (March 1988) was the first Spider-Man comic to be drawn by future industry star Todd McFarlane, the first regular artist on The Amazing Spider-Man since Frenz’s departure. McFarlane revolutionized Spider-Man’s look. His depiction – large-eyed, with wiry, contorted limbs, and messy, knotted, convoluted webbing – influenced the way virtually all subsequent artists would draw the character. McFarlane’s other significant contribution to the Spider-Man canon was the design for what would become one of Spider-Man’s most wildly popular antagonists, the supervillainVenom. Issue #299 (April 1988) featured Venom’s first appearance (a last-page cameo) before his first full appearance in #300 (May 1988). The latter issue featured Spider-Man reverting to his original red-and-blue costume.
Other notable issues of the Michelinie-McFarlane era include #312 (Feb. 1989), featuring the Green Goblin vs. the Hobgoblin; and #315-317 (May–July 1989), with the return of Venom. In July 2012, Todd McFarlane’s original cover art for The Amazing Spider-Man #328 sold for a bid of $657,250, making it the most expensive American comic book art ever sold at auction.
Amazing Spider-Man #214 Newsstand CGC 9.8 White Pages $120
Luke Cage was created by Archie Goodwin and John Romita, Sr. shortly after Blaxploitation films emerged as a popular new genre. He debuted in his own series, Luke Cage, Hero for Hire, which was initially written by Goodwin and pencilled by George Tuska. Cage’s adventures were set in a grungier, more crime-dominated New York City than that inhabited by other Marvel superheroes of the time. The series was retitled Luke Cage, Power Man with issue #17.
As the Blaxploitation genre’s popularity faded, Cage became unable to support his own series and was paired with another superhero whose popularity was based on a declining film genre, the martial arts hero Iron Fist, in an effort to save both characters from cancellation. Though the series title would remain Power Man in the indicia for a while longer, with issue #50 (April 1978) the cover title became Power Man and Iron Fist. It would remain thus until the series’s cancellation with issue #125 (September 1986). The series’s final writer, James Owsley, attempted to shed Cage’s Blaxploitation roots by giving him a larger vocabulary and reducing usage of his catchphrase, “Sweet Christmas!”.
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