Creepy was an American horror-comics magazine launched by Warren Publishing in 1964. Like Mad, it was a black-and-white newsstand publication in a magazine format and thus did not require the approval or seal of the Comics Code Authority. The anthology magazine was initially published quarterly but later went bimonthly. Each issue’s stories were introduced by the host character, Uncle Creepy. Its sister publications were Eerie and Vampirella.
From 1974 to 1976, James Warren‘s Warren Publishing published 16 issues of The Spirit (also known as The Spirit Magazine), a large black-and-white magazine consisting of reprints with original covers (primarily by Eisner), concluding with a separate 1975 color issue, The Spirit Special, which includes an afterword by Bill DuBay. Kitchen Sink picked up the series beginning in 1977 with issue 17, eventually concluding with issue 41 (June 1983). Issue 30 of the Kitchen Sink series (July 1981) features “The Spirit Jam“, with a script from Eisner and a few penciled pages, plus contributions from 50 artists, including Fred Hembeck, Trina Robbins, Steve Leialoha, Frank Miller, Harvey Kurtzman, Howard Cruse, Brian Bolland, Bill Sienkiewicz, John Byrne, and Richard Corben.
Concurrently, Milligan, Ewins and Brendan McCarthy worked on the anthology title, Strange Days for Eclipse Comics. Strange Days featured three strips, “Paradax“, “Freakwave“, and “Johnny Nemo“. Milligan, McCarthy and Ewins produced three issues of this psychedelic comic, it was not a great seller but it picked up a small, loyal readership. The most conventional strip, “Johnny Nemo”, had its own series, while the more quirky “Paradax” had a two-issue series published by Vortex Comics in 1987.
Vampirella is a vampire superheroine created by Forrest J Ackerman and costume designer Trina Robbins in Warren Publishing‘s black-and-white horror comics magazine Vampirella #1 (Sept. 1969). Writer-editor Archie Goodwin later developed the character from horror-story hostess, in which capacity she remained through issue #8 (Nov. 1970), to a horror-drama leading character. Vampirella was ranked 35th in Comics Buyer’s Guide‘s “100 Sexiest Women in Comics” list.
Comix International was a short-lived magazine comprised entirely of reprinted material (in color) from other Warren publications. With stories by Richard Corben, Reed Crandall, Wally Wood, Bernie Wrightson, and others. The name Comix International was originally to have been used for an underground title put together for Warren by Keith Green which never appeared.
When Staton became art director at First Comics, the publisher acquired the rights to the character from Charlton and launched a series. Cuti was asked to write the title, but his obligations to DC Comics prevented him from accepting. The series was initially written by Martin Pasko, who had previously worked with Staton on Plastic Man and Metal Men. After Pasko’s run, Staton and Paul Kupperberg wrote the series until Cuti took over as writer with issue #24.
As a direct-market publisher not distributed to newsstands, the First series was not obligated to seek Comics Code Authority approval and could address more mature topics than Code-approved comics. Where the Charlton series featured broad whimsical themes, the First Comics series engaged in more specific satire directed at targets including the X-Men, Steven Spielberg, and Scientology.
The first 10 issues each contained a one-page parody of the Hostess snack advertisements that ran in comics through the 1970s and 1980s. These parodies were written and drawn by different creators and featured characters from across the independent comics industry.
Scream is an American black and white illustrated comic magazine of the horror anthology genre. It was published by Skywald Publications and ran from August 1973 to March 1975, spanning a total of eleven issues.
The Hernandez brothers self-published the first issue of Love and Rockets in 1981, but since 1982 it has been published by Fantagraphics Books. The magazine temporarily ceased publication in 1996 after the release of issue #50, while Gilbert and Jaime went on to do separate series involving many of the same characters. However, in 2001 Los Bros revived the series as Love and Rockets Volume 2.
Love and Rockets contains several ongoing serial narratives, the most prominent being Gilbert’s Palomar stories and Jaime’s Hoppers 13(aka Locas) stories. It also contains one-offs, shorter stories, surrealist jokes, and more.
Palomar tells the story of a fictional village in Latin America and its inhabitants. Its vibrant characters and sometimes-fantastic events are sometimes compared to the magical realism literary style of authors such as Gabriel García Márquez. The series is also sometimes referred to as Heartbreak Soup, after the first story set in Palomar.
Hoppers 13 follows the tangled lives of a group of primarily chicano characters, from their teenage years in the early days of the California punk scene to the present day. (Hoppers, or Huerta, is a fictional city based on the Hernandezes’s home town of Oxnard, California.) The series is also often called Locas (Spanish for “crazy women”) because of the many quirky female characters depicted.
The Rocketeer’s first adventure appeared in 1982 as a backup feature in issues #2 and #3 of Mike Grell‘s Starslayer series from Pacific Comics. Two more installments appeared in Pacific’s showcase comic Pacific Presents #1 and 2. The fourth chapter ended in a cliffhanger that was later concluded in a special Rocketeer issue released by Eclipse Comics. The complete story was then collected by Eclipse in a single volume titled The Rocketeer. It was published in three versions: a trade paperback edition, a trade hardcover, and a signed, limited edition hardcover. Noted fantasy author Harlan Ellison, a fan of the Rocketeer and also an acquaintance of Dave Stevens, wrote the introduction to the collection; both Dave Stevens and Harlan Ellison signed the limited edition on a specially bound-in bookplate.
The story was continued in the Rocketeer Adventure Magazine. Two issues were published by Comico Comics in 1988 and 1989; the third installment was not published until 1995, six years later by Dark Horse Comics. All three issues were then collected by Dark Horse into a glossy trade paperback titled The Rocketeer: Cliff’s New York Adventure that quickly went out-of-print.
Heavy Metal is an American science fiction and fantasy comics magazine, published beginning in 1977. The magazine is known primarily for its blend of dark fantasy/science fiction and erotica and steampunk comics.
Unlike the traditional American comic books of that time bound by the restrictive Comics Code Authority, Heavy Metal featured explicit content. The magazine started out primarily as a licensed translation of the French science-fantasy magazine Métal hurlant, including work by Enki Bilal, Philippe Caza, Guido Crepax, Philippe Druillet, Jean-Claude Forest, Jean Giraud (a.k.a. Moebius), Chantal Montellier, and Milo Manara.
As cartoonist/publisher Kevin Eastman saw it, Heavy Metal published European art which had not been previously seen in the United States, as well as demonstrating an underground comix sensibility that nonetheless “wasn’t as harsh or extreme as some of the underground comix – but . . . definitely intended for an older readership.
EHT Comics 