Batman: The Killing Joke is a 1988 DC Comicsone-shotgraphic novel featuring the characters Batman and the Joker written by Alan Moore and illustrated by Brian Bolland. The Killing Joke provides an origin story for the supervillain the Joker, loosely adapted from the 1951 story “The Man Behind the Red Hood!“, which was written by Batman co-creator Bill Finger. The Joker’s origin is presented via flashback, while simultaneously depicting his attempt to drive Jim Gordon insane and Batman’s desperate attempt to stop him.
Created by Moore, Bolland, and Higgins as their own take on the Joker’s source and psychology, the story became famous for its origin of the Joker as a tragic character; a family man and failed comedian who suffered “one bad day” that finally drove him insane. Moore stated that he attempted to show the similarities and contrasts between Batman and the Joker. The story’s effects on the mainstream Batman continuity also included the shooting and paralysis of Barbara Gordon (a.k.a. Batgirl), an event that eventually leads her to develop the identity of Oracle, secret data broker for the DC Universe‘s superhero community and leader of the superhero team Birds of Prey.
In February 2014, DC announced that as part of the celebration of The New 52’s third anniversary, all ongoing titles published in September 2014 feature stories that tie in to The New 52: Futures End. DiDio stated “One of the things we wanted to do was not just look at it through the lens of the weekly series, but also take a month and flash forward, and see what the potential futures of all our characters might be in that month. So in that month, you’ll get a chance to see where, in the next five years, our characters might finish up or might end up being.” He added that like the “Villains Month” event in September 2013, these titles also feature 3Dlenticular covers, in addition to the 2D ones, saying, “The covers now will also have the ability to have a ‘flicker’ effect. That means that the images change and show the transformation going on… There is a level of change that is taking place with our characters during the course of this story.”
Futures End – Action Comics #1 NM $4
Futures End – Batgirl NM $8
Constantine #1 NM $6
Futures End Detective Comics #1 NM $4
Futures End – Green Arrow #1 NM $4
Futures End – Green Lantern #1 NM $4
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The title series began with Chuck Dixon’s one shot Black Canary/Oracle: Birds of Prey (cover date 1996 / published December 1995). Initially, the two heroines featured were Barbara Gordon (formerly “Batgirl“) and Dinah Lance (currently “Black Canary”). From the beginning, Canary was written as passionate and idealistic. In an interview with Comics Bulletin, Dixon described this choice as a fertile clash of values: “Dinah’s more idealistic approach is at the heart of this book.
Tales from the Dark Multiverse is an American superhero/anthology comic book limited series published by DC Comics, beginning on October 16, 2019. The series takes some of the most famous events in the DC Universe and puts a twist on them.
Following the Source Wall being shattered at the end of Dark Nights: Metal, the mysterious watcher known as Tempus Fuginaut (introduced in Sideways) begins trying to recruit several “heroes” from across the Dark Multiverse in the wake of a coming crisis.
Tales from the Dark Multiverse – Batman Knightfall NM $6
Tales from the Multiverse – Crisis on Infinite Earths NM $6
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Tales From the Dark Multiverse Infinite Crisis #1 NM $6
Tales from the Dark Multiverse – Dark Nights Metal NM $6
Tales From the Dark Multiverse The Death of Superman #1 NM $6
Tales from the Dark Multiverse – Wonder Woman War of the Gods NM $6
Batman: Urban Legends is an ongoing anthology series, published by DC Comics. It began publication in 2021. It features stories staring various allies of Batman either in multi-part or one offs.
On December 6, 2006, a new series was launched with the creative team of Geoff Johns (writer), Dale Eaglesham (pencils), and Alex Ross (cover art). The beginning of the new series showed JSA veterans the Flash, Green Lantern, and Wildcat choosing members of the new generation of superheroes to train. Continuing a major theme from the previous JSA title, this new series focused on the team being the caretakers of the superhero legacy from one generation to the next.
Justice Society of America #1 CGC 9.8 White Pages $89
Justice Society of America V3 #1 VF-NM $9
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Justice Society of America #11 VF+ $2
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Justice Society of America Kingdom Come Special – Superman VF-NM $6
The low sales of the various Justice League spinoff books by the mid-1990s prompted DC to revamp the League as a single team (all the various branch teams were disbanded) on a single title. A Justice League of America formed in the September 1996 limited seriesJustice League: A Midsummer’s Nightmare by Mark Waid and Fabian Nicieza. In 1997, DC Comics launched a new Justice League series titled JLA, written by Grant Morrison with art by Howard Porter and inker John Dell. Morrison stayed as writer for the series through issue #41, though several issues had fill-in writers. JLA #18-#21 and #33 were written by Mark Waid. Mark Millar, Devin Grayson and Mark Waid, and J.M. DeMatteis wrote issues #27, #32 and #35 respectively.
This series, in an attempt at a “back-to-basics” approach, used as its core the team’s original and most famous seven members (or their successors): Superman, Batman, Wonder Woman, Aquaman, Flash (Wally West), Green Lantern (Kyle Rayner), and the Martian Manhunter. Additionally, the team received a new headquarters, the “Watchtower“, based on the Moon. JLA quickly became DC’s best-selling title, a position it enjoyed off and on for several years.
Chuck Dixon, Doug Moench and Graham Nolan created the character of Bane for the Knightfall storyline. Both Dixon and Moench wrote the character’s first appearance in Vengeance of Bane, with art by Graham Nolan. They developed the concept of Bane after an initial idea by Batman editor Dennis O’Neil.
O’Neil had previously created Bane’s birthplace of Santa Prisca in The Question and the drug Venom in the storyline of the same name (published in the pages of Legends of the Dark Knight #16–20, and later reprinted as a trade paperback). In the pages of Azrael, O’Neil introduced Bane’s perception of Venom as both an addiction and the weakness responsible for his earlier defeats.
Since the beginning of The New 52, Scott Snyder has been the writer of the flagship Batman title. His first major story arc was “Night of the Owls“, where Batman confronts the Court of Owls, a secret society that has controlled Gotham for centuries. The second story arc was “Death of the Family“, where the Joker returns to Gotham and simultaneously attacks each member of the Batman family. The third story arc was “Batman: Zero Year“, which redefined Batman’s origin in The New 52. It followed Batman #0, published in June 2012, which explored the character’s early years. The final storyline before the Convergence (2015) event was Endgame, depicting the supposed final battle between Batman and the Joker when he unleashes the deadly Endgame virus onto Gotham City. The storyline ends with Batman and the Joker’s supposed deaths. Starting with #41, Commissioner James Gordon takes over Bruce’s mantle as a new, state-sanctioned, mecha Batman, debuting in the Free Comic Book Day special comic Divergence. However, Bruce Wayne is soon revealed to be alive, albeit now suffering almost total amnesia of his life as Batman and only remembering his life as Bruce Wayne through what he has learned from Alfred. Bruce Wayne finds happiness and proposes to his girlfriend, Julie, but Mr. Bloom heavily injures Jim Gordon and takes control of Gotham City and threatens to destroy the city by energizing a particle reactor to create a “strange star” to swallow the city. Bruce Wayne discovers the truth that he was Batman and after talking to a stranger who smiles a lot (it is heavily implied that this is the amnesic Joker) he forces Alfred to implant his memories as Batman, but at the cost of his memories as the reborn Bruce Wayne. He returns and helps Jim Gordon defeat Mr. Bloom and shut down the reactor. Gordon gets his job back as the commissioner, and the government Batman project is shuttered.
Batman: Beyond the White Knight takes place 12 years after the events which are described in the previous volume Batman: Curse of the White Knight, which ended with Bruce Wayne exposed as Batman to the general public and donating his entire fortune to the people of Gotham City, and then turning himself in to the police. Since that, the city has evolved into a futuristic megalopolis known as “Neo-Gotham”. Following the murder of his father Warren, young Terry McGinnis — under the orders of his employer Derek Powers — steals a technologically advanced Batsuit to become the new Batman and avenge his father’s death. At the same time, a middle-aged Bruce escapes from prison in an attempt to rid Neo-Gotham of Batman for good, all while a civil war slowly rages through the city and Powers transforms into the supervillain Blight.