The Forever People are a fictional group of extraterrestrial superheroes published by DC Comics. They first appeared in Forever People #1 (February–March 1971), and were created by Jack Kirby as part of his “Fourth World” epic.
The Forever People lasted eleven issues. They mainly fought Darkseid’s forces such as Glorious Godfrey in issue #3. Issues #9 and 10 guest-starred Deadman; according to writer/artist Jack Kirby‘s assistant Mark Evanier, “We were ordered to put Deadman into New Gods, but we slipped him into Forever People instead, where he was a little less obtrusive. Jack didn’t like the character and didn’t want to do it. He didn’t feel he should be doing someone else’s character. … He doesn’t want to trample on someone else’s vision. Carmine [Infantino, DC Comics publisher and Deadman’s co-creator] said the character hadn’t sold and he wanted the Kirby touch on it.”
In 1984, editor Len Wein assigned Swamp Thing to British writer Alan Moore. When Karen Berger took over as editor, she gave Moore free rein to revamp the title and the character as he saw fit. Moore reconfigured Swamp Thing’s origin to make him a true monster as opposed to a human transformed into a monster. In his first issue, he swept aside most of the supporting cast Pasko had introduced in his year-and-a-half run as writer, and brought the Sunderland Corporation to the forefront, as they hunted Swamp Thing and “killed” him in a hail of bullets. The subsequent investigation revealed that Swamp Thing was not Alec Holland’s consciousness transformed into a plant but actually a form of plant life that had absorbed Holland’s consciousness after exposure to his work, with Swamp Thing’s appearance being the plants’ attempt to duplicate Holland’s human form.
The House of Secrets was revived in 1969 after a 3 year absence. Now its horror and suspense tales were introduced by a host named Abel, who would also host the satirical comic Plop!. His brother Cain hosted House of Mystery. Swamp Thing first appeared in House of Secrets #92 (July 1971) in a stand-alone horror story set in the early 20th century written by Len Wein and drawn by Bernie Wrightson. The woman appearing on the cover of this issue was modeled after future comics writer Louise Simonson.
This revival, sporting many covers by Neal Adams, Bernie Wrightson, and Michael Kaluta, ran through issue #154 (Nov. 1978), with three months passing between #140 (April 1976) and #141 (July 1976). It was then ‘merged’ into The Unexpected with issue #189, through issue #199. The series was 68 ad-free pages, allowing all three portions to be full-length issues.
The House of Secrets also came to be the name of the actual edifice in which Abel lives. Writer Mike Friedrich and artist Jerry Grandenetti introduced the house and explained its origins. The Sandman series revealed it exists both in the real world of the DC Universe and in the Dreaming, as a repository for secrets of all kinds.
The House of Secrets #92 Signed by Bernie Wrightson FN+
Karen Berger became editor of the series with #292 (May 1981), her first for DC Comics. Under Berger, the series experimented with long-form storylines in the popular I…Vampire serial created by writer J. M. DeMatteis. “I… Vampire” revolved around the heroic vampire, Andrew Bennett, who sought to defeat his nemesis and former lover Mary, the Queen of Blood. This series began in #290 (March 1981) and would last until #319 (August 1983), two issues before the title ended with #321 (October 1983).
The Demon was created by Jack Kirby. The titular character, named Etrigan, is a demon from Hell who, despite his violent tendencies, usually finds himself allied to the forces of good, mainly because of the alliance between the heroic characters of the DC Universe and Jason Blood, a human to whom Etrigan is bound.
Jack Kirby created the Demon in 1972 when his Fourth World titles were cancelled.According to Mark Evanier, Kirby had no interest in horror comics, but created Etrigan in response to a demand from DC for a horror character. Kirby was annoyed that the first issue sold so well that DC required him to remain on it and abandon the Fourth World titles before he was done with them. Etrigan was inspired by a comic strip of Prince Valiant in which the titular character dressed as a demon. Kirby gave his creation the same appearance as Valiant’s mask.
Frank Miller‘s limited series The Dark Knight Returns (February–June 1986), which tells the story of a 55-year old Batman coming out of retirement in a possible future, reinvigorated the character. The Dark Knight Returns was a financial success and has since become one of the medium’s most noted touchstones. The series also sparked a major resurgence in the character’s popularity.
That year Dennis O’Neil took over as editor of the Batman titles and set the template for the portrayal of Batman following DC’s status quo-altering miniseries Crisis on Infinite Earths. O’Neil operated under the assumption that he was hired to revamp the character and as a result tried to instill a different tone in the books than had gone before. One outcome of this new approach was the “Year One” storyline in Batman #404–407 (February–May 1987), in which Frank Miller and artist David Mazzucchelli redefined the character’s origins. Writer Alan Moore and artist Brian Bolland continued this dark trend with 1988’s 48-page one-shotBatman: The Killing Joke, in which the Joker, attempting to drive Commissioner Gordon insane, cripples Gordon’s daughter Barbara, and then kidnaps and tortures the commissioner, physically and psychologically.
The Batman comics garnered major attention in 1988 when DC Comics created a 900 number for readers to call to vote on whether Jason Todd, the second Robin, lived or died. Voters decided in favor of Jason’s death by a narrow margin of 28 votes (see Batman: A Death in the Family). The following year saw the release of Tim Burton‘s Batman feature film, which firmly brought the character back to the public’s attention, grossing millions of dollars at the box office, and millions more in merchandising.
In the late 70’s conventional superheroes returned to the book, beginning behind the Spectre, first a three-issue run of Aquaman (issues #435–437, an early assignment for Mike Grell) and then a newly drawn 1940s Seven Soldiers of Victory script (issues #438–443). Aquaman was promoted to lead (issues #441–452), and backing him up were three-part story arcs featuring the Creeper (#445–447), the Martian Manhunter (#449–451), bracketed by issue-length Aquaman leads. He was awarded his own title and Superboy (#453–458) took over Adventure with Aqualad (#453–455) and Eclipso (#457–458) backups. Following this was a run as a Dollar Comic format giant-sized book (issues #459–466), including such features as the resolution of Return of the New Gods (cancelled in July–August 1978), “Deadman“, and the “Justice Society of America“.
After an appearance in Showcase #80 (February 1969), he received another series beginning May–June 1969 that lasted until February–March 1976. The Showcase appearance and the first three issues of Phantom Stranger consisted of reprints from both the 1950s title and the “Dr. 13: Ghost-Breaker” feature from the last nine issues of Star Spangled Comics at the same time, with new, brief framing sequences. These had Dr. Thirteen, certain that the Phantom Stranger was an impostor, determined to expose him.
Beginning with issue #4 (November-December 1969), the series began featuring all-new material, with stories produced by Robert Kanigher, Len Wein, Jim Aparo, Neal Adams, Tony DeZuniga and others. In these stories, while the Stranger’s past remained a mystery, the writers added a semi-regular cast of characters for him. A demonic sorceress named Tala would become his archenemy; an alchemist/sorcerer named Tannarak was first an enemy and would later assist him against the Dark Circle; and a blind psychic named Cassandra Craft would assist him. Doctor Thirteen, dropped along with the reprints, was given a back-up series here as of #12 (March-April 1971) which morphed into “The Spawn of Frankenstein” in #23 (January-February 1973).
The second volume originally ended with the forty-first issue in November 1975, cover dated March 1976. In January 2010, a forty-second issue was added to the second series during the Blackest Night event, effectively a one-shot.
Mort Weisinger retired from DC in 1970 and his final issue of Action Comics was issue #392 (September 1970). Murray Boltinoff became the title’s editor until issue #418. Metamorpho was the backup feature in issues #413-418 after which the character had a brief run as the backup in World’s Finest Comics. Julius Schwartz became the editor of the series with issue #419 (December 1972) which also introduced the Human Target by Len Wein and Carmine Infantino in the back-up feature. Green Arrow became a backup feature in #421 and ran through #458, initially rotating with the Human Target and the Atom. Between issues #423 (April 1973) and #424 (June 1973), the series jumped ahead by one month due to DC’s decision to change the cover dates of its publishing line.
A new version of the Toyman was created by Cary Bates and Curt Swan in issue #432 (February 1974). Martin Pasko wrote issue #500 (October 1979) which featured a history of the Superman canon as it existed at the time and was published in the Dollar Comics format.
Action Comics #393 FN $6
Action Comics #395 NM- $20
Action Comics #396 FN- $5
Action Comics #401 VF $18
Action Comics #404 VG-FN $9
Action Comics #405 VF+ $28
Action Comics #408 VF- $28
Action Comics #410 VG $7
Action Comic #412 FN $4
Action Comics #414 NM- $10
Action Comics #416 NM- $10
Action Comics #417 FN-VFN $8
Action Comics #419 CGC 9.0 Off-White to White Pages $249
The early 1970s were a time of change for the Man of Steel. As Clark Kent shifted from being a newspaper reporter to a TV newscaster, his alter ego saw the destruction of all remaining Kryptonite on Earth! This period also featured many new villains, including Terra-Man, and the dramatic reintroductions of such foes as Lex Luthor — in green and purple armor!
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