Category: Comic Magazines

Penthouse Comix (1994)

Posted on by EHT Comics

Penthouse Comix began as a series of short segments in Penthouse Magazine. After 3 of these sections were printed (featuring artwork by Adam Hughes, Kevin Nowlan and Garry Leach), publisher Bob Guccione dictated that Penthouse Comix become its own stand-alone magazine, something which he envisioned competing in both US and European magazine markets. Guccione agreed to a budget that was designed to cherry pick art talent from both American comic book companies and non-US publishers and this resulted in Penthouse Comix offering a per-page rate among the highest ever paid to freelance comic book artists.

The first issue of the stand-alone Penthouse Comix was a 96-page, color, glossy magazine with cover price of $4.95 US. It appeared in spring 1994 and featured work by Adam Hughes, Garry Leach, Kevin Nowlan, Mike Harris, Arthur Suydam, Jordan Raskin, Horacio Altuna, and Milo Manara. Subsequent issues contained work by artists such as Roberto Baldazzini, Richard Corben, Tony Salmons, Bart Sears and Gray Morrow. The magazine’s early issues avoided hardcore sex in favor of “soft-core erotica” and satiric humor that poked fun at various popular genres and popular culture.

Famous Monsters of Filmland (1958)

Posted on by EHT Comics

Famous Monsters of Filmland was originally conceived as a one-shot publication by Warren and Ackerman, published in the wake of the widespread success of the Shock Theater package of old horror movies syndicated to American television in 1957. But the first issue, published in February 1958, was so successful that it required a second printing to fulfill public demand. Its future as part of American culture was immediately obvious to both men. The success prompted spinoff magazines such as Spacemen, Favorite Westerns of Filmland, Screen Thrills Illustrated, Creepy, Eerie, and Vampirella.

Lloyd Llewellyn (1986)

Posted on by EHT Comics

Lloyd Llewellyn (sometimes abbreviated LLLL) is a comic book by Daniel Clowes. The black-and-white series, published by Fantagraphics Books, ran for six issues from April 1986 to June 1987. A final “special” issue was published in December 1988.

The series’ title character is a detective who has humorous adventures inspired by film noir and stereotypical 1950s lounge culture. Llewellyn has a sidekick who goes by the name of Ernie Hoyle. The series’ police sergeant is called “Red” Hoerring. The series’ visual style is influenced by lowbrow art.

The story “The Nightmare” from Lloyd Llewellyn #6 foreshadowed the approach of Clowes’s next comic, Eightball, by breaking the conventions of the series’ crime setting and turning to social satire. Also in that issue, the author announces:

… And who knows … somewhere along that lonesome road we might see a new LLLL mag with a brand new format so dazzling, so breathtaking, so monumentally fantastic that I haven’t even thought of it yet!

Early issues of Eightball included several additional Lloyd Llewellyn episodes. The character also made various cameo appearances in other Eightball stories.

Foom (1973)

Posted on by EHT Comics

Jim Steranko, in his first-issue introduction, wrote that he had “dropped in at the Marvel bullpen to rap with [publisher] Stan Lee about the current comic scene” and that Lee told him about plans to start an in-house fan club. EC Comics had had its “EC Fan-Addict” club in the 1950s, and Marvel the Merry Marvel Marching Society beginning 1964; after the MMMS had run its course by 1969, Marvel licensed a small company in Culver City, California to produce the fanzine/product catalog Marvelmania, which lasted a year. Steranko, writing that he nostalgically “recalled the days of radio, with all the clubs and super-premiums that were perpetually offered over the air”, volunteered “my services as a designer, writer and comic historian”. Ken Bruzenak served as associate editor, with Marvel editor-in-chief Roy Thomas as consulting editor and Ed Noonchester, Joel Thingvall, and Gary Brown as staff.

Nexus V1 – Capital Comics (1981)

Posted on by EHT Comics

Nexus is a comic book series created by writer Mike Baron and penciler Steve Rude in 1981. The series is a combination of the superhero and science fiction genres, set 500 years in the future.

The series debuted as a three-issue black-and-white limited series (the third of which featured a 33 RPM flexi disc with music and dialogue from the issue), followed by an eighty-issue ongoing full-color series. The black-and-white issues and the first six color issues were published by Capital Comics; after Capital’s demise, First Comics took over publication.

On the creation of the series: Baron noted that they had originally pitched a series called Encyclopaedias to Capital Comics, but the company rejected this, saying they were looking for a superhero title. Over a drink at a restaurant, Baron outlined his ideas for Nexus to Rude.

Nexus was entirely Baron’s idea. He even came up with the lightning bolt for the costume. All that we needed then was a name… a few weeks passed. Baron calls, and, without preamble, just says “Nexus.” We finally had our name.”

Eerie (1966)

Posted on by EHT Comics

Eerie was an American magazine of horror comics introduced in 1966 by Warren Publishing. Like Mad, it was a black-and-white newsstand publication in a magazine format and thus did not require the approval or seal of the Comics Code Authority. Each issue’s stories were introduced by the host character, Cousin Eerie. Its sister publications were Creepy and Vampirella.

The first issue, in early 1966, had only a 200-issue run of an “ashcan” edition. With a logo by Ben Oda, it was created overnight by editor Archie Goodwin and letterer Gaspar Saladino to establish publisher Jim Warren’s ownership of the title when it was discovered that a rival publisher would be using the name. Warren explained, “We launched  Eerie because we thought Creepy ought to have an adversary. The Laurel and Hardy syndrome always appealed to me. Creepy and Eerie are like Boris Karloff and Peter Lorre.”

1984 (1978)

Posted on by EHT Comics

1984 was an American black and white science-fiction comic magazine published in New York City by Warren Publishing from 1978 to 1983. 1984 was edited by Bill Dubay. The title of the magazine was changed to 1994 starting with issue #11 in February, 1980 based on a request by the estate of George Orwell. The magazine ceased publication with issue #29 in February, 1983 due to the bankruptcy of Warren Publishing.

Similar to its sister publications Eerie and Vampirella, 1984 featured numerous recurring series and characters. This included the following:

  • Mutant World (Artist: Richard Corben; Writer; Jan Strnad)
  • Ghita of Alizarr (Drawn and written by Frank Thorne)
  • Idi Amin (Artist: Esteban Maroto; Writer: Bill Dubay)
  • Rex Havoc (Artist: Abel Laxamana; Writer: Jim Stenstrum)
  • The Starfire Saga (Artist: Rudy Nebres; Writer: Bill Dubay)
  • Young Sigmond Pavlov (Artist: Alex Niño; Writer: Bill Dubay)

Cages (1990)

Posted on by EHT Comics

Cages is a ten-issue comic book limited series by Dave McKean. It was published between 1990 and 1996, and later collected as a single volume.

Cages is a story about artists, belief, creativity and cats, illustrated in a stripped-down pen and ink style.

Popeye (1936)

Posted on by EHT Comics

Popeye Story book published in 1936 by King Features. Full color, oversized format 9 1/4-in. x 13-in. Bound in linen-like material. Published before the Feature Book series

Elfquest – Warp Graphics (1978)

Posted on by EHT Comics

Elfquest (or ElfQuest) is a cult hit comic book property created by Wendy and Richard Pini in 1978. It is a fantasy story about a community of elves and other fictional species who struggle to survive and coexist on a primitive Earth-like planet with two moons. Several published volumes of prose fiction also share the same setting. Elfquest was one of the first comic book series to have a planned conclusion. Over the years Elfquest has been self-published by the Pinis through their own company Warp Graphics, then Marvel Comics,[ then the Pinis again, more recently DC Comics and then Dark Horse Comics.