In 1984, editor Len Wein assigned Swamp Thing to British writer Alan Moore. When Karen Berger took over as editor, she gave Moore free rein to revamp the title and the character as he saw fit. Moore reconfigured Swamp Thing’s origin to make him a true monster as opposed to a human transformed into a monster. In his first issue, he swept aside most of the supporting cast Pasko had introduced in his year-and-a-half run as writer, and brought the Sunderland Corporation to the forefront, as they hunted Swamp Thing and “killed” him in a hail of bullets. The subsequent investigation revealed that Swamp Thing was not Alec Holland’s consciousness transformed into a plant but actually a form of plant life that had absorbed Holland’s consciousness after exposure to his work, with Swamp Thing’s appearance being the plants’ attempt to duplicate Holland’s human form.
Tag: Swamp Thing
The House of Secrets (1971)
The House of Secrets was revived in 1969 after a 3 year absence. Now its horror and suspense tales were introduced by a host named Abel, who would also host the satirical comic Plop!. His brother Cain hosted House of Mystery. Swamp Thing first appeared in House of Secrets #92 (July 1971) in a stand-alone horror story set in the early 20th century written by Len Wein and drawn by Bernie Wrightson. The woman appearing on the cover of this issue was modeled after future comics writer Louise Simonson.
This revival, sporting many covers by Neal Adams, Bernie Wrightson, and Michael Kaluta, ran through issue #154 (Nov. 1978), with three months passing between #140 (April 1976) and #141 (July 1976). It was then ‘merged’ into The Unexpected with issue #189, through issue #199. The series was 68 ad-free pages, allowing all three portions to be full-length issues.
The House of Secrets also came to be the name of the actual edifice in which Abel lives. Writer Mike Friedrich and artist Jerry Grandenetti introduced the house and explained its origins. The Sandman series revealed it exists both in the real world of the DC Universe and in the Dreaming, as a repository for secrets of all kinds.
Swamp Thing V5 (2011)
Swamp Thing (Volume 5) is one of “The New 52” ongoing series published after Flashpoint. It tells the story of Alec Holland‘s transformation into Swamp Thing following his resurrection from death.
Swamp Thing (1990’s)
In 1991 DC sought to revive interest in Swamp Thing by bringing horror writer Nancy A. Collins on board to write the series. Starting with Swamp Thing Annual #6, Collins moved on to write Swamp Thing (vol. 2) #110–138, dramatically overhauling the series by restoring the pre-Alan Moore tone and incorporating a new set of supporting cast members into the book. Collins resurrected Anton Arcane, along with the Sunderland Corporation, as foils for the Swamp Thing. Her stories tended to be ecologically based and at one point featured giant killer flowers.
With issue #140 (March 1994), the title was handed over to Grant Morrison for a four-issue story arc, co-written by the then-unknown Mark Millar. As Collins had destroyed the status quo of the series, Morrison sought to shake the book up with a four-part storyline which had the Swamp Thing plunged into a nightmarish dreamworld scenario where he was split into two separate beings: Alec Holland and the Swamp Thing, which was now a mindless being of pure destruction. Millar then took over from Morrison with issue #144, and launched what was initially conceived as an ambitious 25-part storyline where the Swamp Thing would be forced to go upon a series of trials against rival elemental forces. Millar brought the series to a close with issue #171 in a finale where the Swamp Thing becomes the master of all elemental forces, including the planet.
Swamp Thing (1970’s)
The Swamp Thing character first appeared in House of Secrets #92 (June–July 1971). After the success of the short story in the House of Secrets comic, the original creators were asked to write an ongoing series, depicting a more heroic, more contemporary creature. InSwamp Thing #1 (October–November 1972) Wein and Wrightson updated the time frame to the 1970s and featured a new version character: Alec Holland, a scientist working in the Louisiana swamps on a secret bio-restorative formula “that can make forests out of deserts”. Holland is killed by a bomb planted by agents of the mysterious Mr. E (Nathan Ellery), who wants the formula. Splashed with burning chemicals in the massive fire, Holland runs from the lab and falls into the muck-filled swamp, after which a creature resembling a humanoid plant appears. Roy Thomas and Gerry Conway, who co-created Man-Thing for Marvel Comics a year and a half earlier, thought that this origin was too similar to that of their character, and Wein himself had written a Man-Thing story that was published with a June 1972 cover date, but he refused to change the origin in spite of some cajoling by Conway, who was his roommate at the time. Marvel, however, never took the issue to court, realizing the similarity of both characters to The Heap.
Swamp Thing Winter Special (2018)
Tom King and Jason Fabok pay tribute to the legendary creators of Swamp Thing, writer Len Wein and artist Bernie Wrightson, as they join forces for an earth-shattering Swamp Thing passion project!
In this squarebound one-shot, Swamp Thing is out of his element as he shepherds a lost boy through a blinding blizzard and other hazards of a strange, frozen tundra. In this touching and harrowing tale of survival, the pair must navigate countless threats throughout a bewildering terrain—with a bloodthirsty snow monster hot on their heels. But how long can they rely on each other? Separated from the Green and stripped of his powers in this dead world, Swamp Thing struggles to fight for their lives and deliver the boy to safety. Disoriented and decaying, Swamp Thing’s fading understanding of his surroundings forces the duo to confront their desperation and uncover the true identity of the snow monster that hunts them.
In addition, this special features the final Swamp Thing story from the monster’s co-creator, Len Wein. Originally intended as the start of a new series, it is presented here both in its original script form and with art by Kelley Jones.
































































































































































































