Fear and Loathing in Las Vegas (2016)

“What were we doing out here…? What was the meaning of this trip? Did I actually have a big red convertible out there on the street? Was I just roaming around these Mint Hotel escalators in a drug frenzy of some kind, or had I really come out here to Las Vegas to work on a story?” — Hunter S. Thompson, Fear and Loathing in Las Vegas

 

Black Hole (1995)

Black Hole written and drawn by Charles Burns was published as a 12-issue comic book limited series between 1995 and 2005. The first four issues were released by Kitchen Sink Press, before the publisher went out of business. Fantagraphics republished the first four issues and the remaining eight.

Set in the suburbs of Seattle during the 1970s, the story follows a group of teenagers who contract a mysterious sexually transmitted disease referred to as “the Bug, which causes them to develop bizarre unique physical mutations and subsequently become social outcasts, many of them running away from home to live in the nearby woodland.

Captain Marvel Adventures (1946)

Whiz Comics #2 (cover-dated Feb. 1940) was published in late 1939. The comic’s lead feature introduced audiences to Billy Batson, an orphaned boy who, by speaking the name of the ancient wizard Shazam, is struck by a magic lightning bolt and transformed into the adult superhero Captain Marvel. Shazam’s name was an acronym derived from  the six immortal elders who grant Captain Marvel his superpowers: Solomon, Hercules, Atlas, Zeus, Achilles and Mercury.

In addition to introducing the main character, his alter ego, and his mentor, Captain Marvel’s first adventure in Whiz Comics #2 also introduced his archenemy, the evil Doctor Sivana, and found Billy Batson talking his way into a job as an on-air radio reporter with station WHIZ. Captain Marvel was an instant success, with Whiz Comics #2 selling over 500,000 copies. By 1941, he had his own solo series, Captain Marvel Adventures, while he continued to appear in Whiz Comics, as well as periodic appearances in other Fawcett books, including Master Comics.

Grim (2022)

Jessica Harrow is dead. But her journey has only just begun! Discover the world of the afterlife, where Jessica has been recruited as a Reaper, tasked with ferrying countless souls to their final destination. But unlike the rest of the Reapers, she has no memory of what killed her and put her into this predicament. In order to unravel the mystery of her own demise, she’ll have to solve an even bigger one – where is the actual GRIM REAPER?

Glamourpuss (2008)

Glamourpuss is a Canadian independent comic book written and illustrated by Dave Sim which was published from April 2008 to July 2012 and ran for 26 issues. The comic was published bimonthly, with 24 pages of story and art, and back issues remaining available throughout the comic’s print run. The premise of the book is threefold: a parody of fashion magazines, a history of photorealism in comics, and a surreal super-heroine comic.

Real Heroes & True Comics (1941)

One of the first series of comics dedicated to educational topics was True Comics, published by Gworge J. Hecht’s Parents’ Magazine Press, beginning in 1941. Designed to convey not only information but also wholesome attitudes, the series covered a variety of materials, but many issues were devoted to patriotic stories from American history or to biographies of famous American (and occasionally non-Americans, such as Winston Churchill) from the past. The series also included stories of the exploits of the FBI, designed to heroize law enforcers and demonize criminal. These fact-based comics were enough of a commercial success that the series ran until 1950.

Web of Evil (1952)

From the people who brought you Captain Marvel comes horror. Web of Evil was an anthology horror comic published by Quality Comics, and was acquired by DC Comics when DC bought Quality in 1956. It rivaled EC’s horror comics, often considered the measuring stick for greatness in this genre. With its smart writing, consistently high-end artwork, and willingness to push-the-envelope with its, violent, graphic depiction of scenes of the macabre, Web Of Evil, as with several EC horror titles, ended up getting Quality Comics in hot water, metaphorically.

 

Seduction of the Innocent (1985)

In homage to the great pre-Code horror comics, Eclipse Comics presented its own Seduction of the Innocent, reprinting classics from now-forgotten National Comics and Toby Publishing.

Chamber of Chills (1951)

The first Chamber of Chills was a 10-cent horror anthology published bimonthly by Harvey Publications that ran 26 issues (cover-dated June 1951 – Dec. 1954).

Artists included Bob PowellLee Elias, Rudy Palais, Howard Nostrand, and Warren Kremer. Issue #7 is mentioned in Dr. Fredric Wertham‘s 1954 indictment of comic books Seduction of the Innocent (p. 389). Chamber ceased publication following the Senate Subcommittee on Juvenile Delinquency hearings of 1954. Harvey Comics then began concentrating on titles for young children, including Little Dot and Richie Rich.

Chamber of Chills was formerly Blondie Comics, taking over that comic’s numbering with issue #21. After issue #24 (Dec. 1951), the numbering was reset to #1. Chamber of Chills became Chamber of Clues with the February 1955 issue, and ceased publication two issues later, the last cover-dated April 1955.

X-Files – Topps (1995)

X-Files  was originally published by Topps Comics and ran for 41 issues from January 1995 to September 1998, coinciding with the second through fifth seasons of the television program.

In 1996, Topps published X-Files #0, an adaptation of the pilot episode, in order to test the market for a series adapting the episodes of the X-Files TV series. The issue was successful, and X-Files Season One ran for nine issues (August 1997 – July 1998). The series’s name was provisional, and Topps in fact intended to adapt every episode, but never got as far as season two. The series was written by Roy Thomas, who would create a first draft for each issue by working off of the episode’s script, then watch the actual episode and modify his work to account for changes made on the set.