Eerie (1951)

In 1951, Eerie #1, cover-dated May/June 1951, was published by Avon and saw a run of seventeen issues. The first issue of Eerie reprinted “The Strange Case of Henpecked Harry” from one-shot Eerie of 1947 as “The Subway Horror”, and issue 12 printed a Dracula story based on the Bram Stoker novel. Several covers featured large-breasted women in bondage. Artists Joe Orlando and Wallace Wood were associated with the series. The title saw a run of seventeen issues, ceasing publication with its August/September 1954 issue. Eerie then morphed into Strange Worlds with #18, October/November 1954.

Creepy V1 (1964)

Creepy was an American horror-comics magazine launched by Warren Publishing in 1964. Like Mad, it was a black-and-white newsstand publication in a magazine format and thus did not require the approval or seal of the Comics Code Authority. The anthology magazine was initially published quarterly but later went bimonthly. Each issue’s stories were introduced by the host character, Uncle Creepy. Its sister publications were Eerie and Vampirella.

Eerie (1966)

Eerie was an American magazine of horror comics introduced in 1966 by Warren Publishing. Like Mad, it was a black-and-white newsstand publication in a magazine format and thus did not require the approval or seal of the Comics Code Authority. Each issue’s stories were introduced by the host character, Cousin Eerie. Its sister publications were Creepy and Vampirella.

The first issue, in early 1966, had only a 200-issue run of an “ashcan” edition. With a logo by Ben Oda, it was created overnight by editor Archie Goodwin and letterer Gaspar Saladino to establish publisher Jim Warren’s ownership of the title when it was discovered that a rival publisher would be using the name. Warren explained, “We launched  Eerie because we thought Creepy ought to have an adversary. The Laurel and Hardy syndrome always appealed to me. Creepy and Eerie are like Boris Karloff and Peter Lorre.”