Avengers A.I. was an ongoing comic book series published by Marvel Comics that was released in July 2013, as part of the company’s Marvel NOW! initiative. The series takes place after the events of Age of Ultron, where the world has been colonized by A.I.s “who may or may not have positive feelings about the way humanity has been treating them for the past 100 years.” The series ended in April 2014.
Created by Frank Miller, Elektra first appeared in Daredevil #168 (January 1981). Miller originally intended this issue, which was essentially a filler story, to be Elektra’s only appearance, but she instead became a frequently appearing villain in Daredevil until her death in issue #181 (April 1982). She was resurrected shortly after, but the story contained a narrative note which indicated that Daredevil would never encounter her again.
After over a decade’s absence, she reappeared in Daredevil #324-327 (January–April 1994), and went on to a brief stint as a supporting character in Wolverine (in #100-106). Daredevil writer D. G. Chichester recounted that he and editor Ralph Macchio had
bandied about the idea [of bringing back Elektra] in a casual fashion now and again, but neither of us wanted to do it as a gimmick. On the rare occasion I thought I had a legitimate angle to use her, Ralph was cool to the idea. But as we geared up for what would become Fall From Grace, Ralph out of the blue said, “What about bringing back Elektra?” — and it was really the missing piece that clicked together all the loose pieces of the story in my head, and became the nexus for everything tying together as well as it did. In my mind, it’s always been her to whom the title refers.
This upset Frank Miller, who claimed that Marvel had previously promised him that the character would not be used in any publication. She has since appeared in two eponymous ongoing series and several mini-series.
Every thousand years, Dracula enters a chrysalis state for four days, leaving him in a vulnerable state. During this time the most powerful vampires from around the world gather in Transylvania to protect him. Now they are about to be joined by an eclectic team of vampire slayers that have gathered to take down the legendary Vampire King – including the best and most dangerous slayer of them all – Blade!
Blade Runner is a comic book adaptation of the film Blade Runner, published by Marvel Comics in 1982. It was written by Archie Goodwin with art by Al Williamson, Carlos Garzon with Dan Green and Ralph Reese.
This film adaptation includes one possible explanation of the title’s significance in story context: the narrative line, “Blade runner. You’re always movin’ on the edge.”
This was a reprint of issue 22 of the Marvel Comics Super Special series of titles, which by this time only printed Marvel’s movie adaptations, but without the feature content contained in the special.
Victor Von Doom – scientist, sorcerer, disfigured face, twisted soul – has been spending much of his time warning against a trillion-dollar global effort to create the first “artificial” black hole. Wrestling with visions of an entirely different life…a better future…DOCTOR DOOM finds himself at a crossroads. (what is he questioning?) A catastrophic act of terrorism kills thousands, and the prime suspect is… DOOM? Victor will have to push his unexplained thoughts aside and focus on remaining alive as the title of “Most Wanted Man” is thrust upon him….
Left with no homeland, no armies, no allies, indeed, nothing at all, will the reign of Doctor Doom come to an abrupt halt?
Wild Cards is a four-part comic book series covering events in the Wild Cards anthology. It recounts events previously published in print in novel format, and ties them all together in a story pitting Jay Ackroyd against the machinations of a mystery bomber.
First published in 1990 by Marvel Comics under the Epic Comics imprint Wild Cards ran from September to December of 1990.
One of Marvel’s revival Horror and Monster comics. It lasted for 38 issues, making it one of the longest running Monster Mags from Marvel in the 1970’s. The series contains stories from many comic legends including Jack Kirby, Steve Ditko, Gil Kane and Bernie Wrightson. Issues #6 contains a reprint of Tales to Astonish #13, which is the 1st appearance of Groot from Guardians of the Galaxy.
In 2019, a 5 part mini-series titled Silver Surfer: Black was released featuring art from Tradd Moore in collaboration with writing from Donny Cates. The series is an extension of a Guardians of the Galaxy storyline which the Surfer was sucked into a black hole and ejected into unfamiliar space territory. This run follows the Surfer as he traverses the spaceways on a journey back home.
Marvel Comics introduced a fairly faithful version of Conan in 1970 with Conan the Barbarian, written by Roy Thomas with art initially by Barry Windsor-Smith, then John Buscema and Ernie Chan (aka Ernie Chua). The highly successful Conan the Barbarian series spawned the more adult, black-and-white Savage Sword of Conan in 1974, by Thomas, Buscema, and Alfredo Alcala. Savage Sword of Conan soon became one of the most popular comic series in the 1970s.
The Marvel Conan stories were also adapted as a newspaper comic strip which appeared daily and Sunday from September 4, 1978, to April 12, 1981. Originally written by Roy Thomas and illustrated by John Buscema, the strip was continued by several different Marvel artists and writers.
The series was launched with an April 1985 cover dated issue by writer Louise Simonson and penciller Greg LaRocque and featured the return of Spider-Man’s alien black costume, which attempted to rebond with Peter Parker. Peter managed to rid himself of the costume again using church bells and the alien was presumed to have died after that. The first issue featured a cover painting by artist Charles Vess.
In issue #18 (September 1986), Peter Parker is pushed in front of an oncoming train. He thinks to himself that this should not have happened, as his spider-sense would have warned him of the danger. Writer David Michelinie has said that he wrote this as the first “teaser” appearance of the characterVenom, whom he was planning to introduce at a later date. Venom is an amalgam of reporter Eddie Brock and the alien costume. The costume could nullify Spider-Man’s spider-sense, and this was the first clue of a puzzle that Michelinie was planning to weave to introduce Venom.
Web of Spider-Man Annual #2 (1986) featured stories drawn by Arthur Adams and Mike Mignola. A followup to the Spider-Man vs. Wolverine one-shot appeared in issue #29. The “Kraven’s Last Hunt” storyline by writer J.M. DeMatteis and artists Mike Zeck and Bob McLeod began in issue #31 (October 1987).
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