After Renegade, Burden took Flaming Carrot to Dark Horse Comics, which published 14 more issues of Flaming Carrot, #18-31 (June 1988 to Oct. 1994). Dark Horse also published Flaming Carrot stories in its anthology Dark Horse Presents #20 (Aug. 1988) and its annual anthology San Diego Comic Con Comics #1.
The Story takes place in the futuristic Alien vs. Predator universe, where Earth has been overrun by Aliens, and the social elite have taken refuge in gigantic skyliners. Caryn Delacroix is the protagonist, with an unclear past regarding both the Aliens and Predators throughout most of the comic. An artificial intelligence serves as the primary antagonist, while the Xenomorphs and the Predator are many times in cooperation with Delacroix and her companions for parts of the series, in particular a Predator called “Big Mama”.
The first series in the line explores the adventures of Will Byers (Noah Schnapp) after he was transported to the horrific extra-dimensional Upside Down at the beginning of season 1. Viewers only saw Will reappear in that season’s finale when he was finally found by his mother Joyce (Winona Ryder), but obviously a lot happened in the interim. This four-issue Stranger Things miniseries — written by Jody Houser, illustrated by Stefano Martino, inked by Keith Champagne, colored by Lauren Affe, and lettered by Nate Piekos — will finally give fans a look at what happened to Will in the Upside Down.
The base concept of The Mask was created by Mike Richardson in 1982. It first saw life as a single sketch he drew in 1985 for APA-5, an amateur press publication created by writer Mark Verheiden. After starting Dark Horse Comics, Richardson pitched his concept to Marvel Comics comic book writer/artist Mark Badger. The outcome was the Masque strip, that ran in the early issues of Dark Horse Presents. Badger’s strips became increasingly political, and Richardson ended the strip in order to bring the character back to his original concept.
Artist Chris Warner was hired to revamp the character based on Richardson’s original APA-5 drawing and created the definitive look for the character, that was given a new launch in 1989 in the pages of Dark Horse’s Mayhem anthology. Aspiring writer John Arcudi and artist Doug Mahnke were hired to create the new adventures, which became the first very popular use of the character, “a combination of Tex Avery and The Terminator“. The Mask stories from Mayhem #1-4 were later collected as the 1991 issue The Mask #0 and in a trade paperback collection as well.
This is it! The all-new, all-exciting, bimonthly continuing series makes its triumphant return to the racks! Thrilling stories, brilliant art — this is the one, folks! The comic-book event of the decade! In fact, this is the comic-book series you’ll be telling your grandkids about.
It hurts. Night City hurts. The suffering runs deep and the deeper one falls, the longer the self-prescribed dreams play. Fortune, hope, love–all made possible by DMS technology. But not everyone desires a happy ending. A braindance repairman discovers the answer to pain . . . comes in a blackout.
The third comic series from Dark Horse based on CD Projekt Red’s video game Cyberpunk 2077.
Sin City – The Big Fat Kill is a five-issue limited series published by Dark Horse Comics in November 1994. The series, written and Illustrated by Frank Miller, is one of three from Sin City related in the film Sin City. In the film, Clive Owen plays Dwight, Brittany Murphy plays Shellie, Benicio del Toro plays Jack, Rosario Dawson plays Gail, Devon Aoki plays Miho, Alexis Bledel plays Becky, and Michael Clarke Duncan plays Manute.
A notable difference from the comic version is that Becky survives the final gunfight by hiding in a nook in the alley, leaving her alive for the final “epilogue” scene of the movie which ends when she meets The Salesman from The Customer is Always Right, who had been introduced in the movie’s prologue. He then offers her a cigarette just like he did in The Customer is Always Right, and Becky seems to sense why he’s there and tells her mother she loves her before hanging up.
In 1987, Dark Horse Comics acquired the rights to Godzilla and for the next 12 years published various comic books and trade paperbacks based on the character. These ran the gamut from back-up stories in anthology titles, to one-shots, to miniseries, to an ongoing series, as well as various reprints in the trade paperback format.
In 1992, an illustration of Godzilla (provided by Arthur Adams) was published in San Diego Comic Con Comics #1. Also that same year the one-shot issue Godzilla Color Special #1 was published. It would be reprinted as simply Dark Horse Classics: Godzilla #1 in 1998.
In this Dark Horse’s comic series, Thoth-Amon was finally given an origin. Thoth-Amon, the dark wizard began life as young Thoth, a street thief in Memphia, stealing for his father to barely earn a living with perpetual beatings the only sign of affection his father gave. The only person Thoth cared for was his sister, whom he vowed to take away from the cruel city one day.
Too many devils are looking to rule the underworld. Some of them have to head for higher ground. The gambler, the detective, the madman, the artist — four displaced devils each in search of a hell to call his own. But while each follows his own path, they all end up on the night train to New Orleans. Four devils are fighting for one town, and an unknown threat with a thirst for power is lurking amongst them, unwilling to give up his town. There’s always somethin’ hot goin’ down in the Big Easy, but forecasts are predicting an all-time high!
EHT Comics 