Lady Death has reigned in Hell for 400 years when an unseen attacker torments her dreams and twists her realm while she is awake. He foe is the demonic Purgatori and she has a thrist for the blood of gods and immortals. She is a master deceiver and it take all lady Death’s cunning to bring out her foe so that they might battle face to face. But things are not as they seem and the pair are in fact puppets of a greater deceiver. Old friends and and enemies clash in this epic tale.
Meet Longshot. He’s a man without a past who possesses an uncanny lucky streak…and he’s on an existential quest through the Marvel Universe. But as Longshot deals with the quirkier aspects of American society, he must learn the secrets behind his enigmatic identity and accept his destiny as a hero. Along the way, he meets a crazed militiaman, demons from his mysterious otherworldly home, a daring stuntwoman named Ricochet Rita, ram-headed Quark, and Marvel heroes Spider-Man, She-Hulk and Dr. Strange. As Longshot digs deeper, he rediscovers more about himself – and must come to terms with his past along the way. Because only Longshot and his friends can stop the media-addled Mojo from taking over Earth and remaking it in his warped image.
The series sees Norrin Rad severed from Galactus and free to explore the universe with a human friend named Dawn Greenwood. Slott said, “The way I look at the Surfer is that he’s the embodiment of freedom. The character has really been two things since he became the Silver Surfer. He’s been a slave to Galactus, and he’s been a prisoner of Earth, trapped beyond that great barrier. There’s something about him where, the minute you take that barrier away, and the minute you take him away from Galactus, he’s the guy with the board who can go anywhere and do anything. It really is that kind of joy and freedom like you’re 16 and you just got the keys to the car. But imagine not just driving near your home – you can go anywhere in the universe. There’s something very exciting about that.”
All six original Doomsday + 1 stories plus the two-part Charlton Bullseye story were reprinted as the Fantagraphics comic-book series The Doomsday Squad #1–7 (Aug. 1986 – June 1987), with new covers by Byrne (#1–2), Neal Adams (#4), and Gil Kane (the remainder). This series included a new backup feature each issue, including “Dalgoda” by writer Jan Strnad and artist Dennis Fujitake, “Keif Llama” by writer-artist Matt Howarth, “Captain Jack” by writer Mike Kazaleh and artist Marc Schirmeister as well as Usagi Yojimbo by Stan Sakai and Lloyd Llewellyn by Daniel Clowes.
Moloch, alias Edgar William Jacobi, was an ex-nemesis of the Minutemen who played a macguffin role in the original series. This story reveals engrossing information about Moloch’s childhood, his turn to villainy, and new details surrounding his death.
Paul Pope introduced THB in 1994, the same year he began work for Kodansha, Japan’s best-known manga publisher. Pope eventually developed the manga Supertrouble for Kodansha, which mined the “cutie-pie” girl adventure vein that THB exists in. Pope has self-published some of his work through his own Horse Press, with other work such as One-Trick Ripoff coming from Dark Horse Comics and Heavy Liquid and 100% published under DC Comics‘ Vertigo imprint.
Pope’s work combines the precision and romance of the European artists he studies with the energy and page design of the manga tradition. His storytelling narratives continue to mature with well-paced, deftly-shaded combinations of science fiction, hardboiled crime stories and the Romeo and Juliet archetype. Pope’s two protagonist types are the silent, lanky outsider male of One-Trick Ripoff, Escapo and Heavy Liquid, or the resourceful, aggressive, humorous young teenage girls of THB.
Harbinger is a series published by Valiant Comics about a group of teenage super-powered outcasts known as Harbingers.
Harbinger initially featured writing and art by Jim Shooter and David Lapham. After Acclaim Entertainment purchased the rights to the Valiant catalog for $65 million in 1994, the characters were rebooted in Harbinger: Acts of God to make them more easily adaptable to video games. They continued to appear in many Valiant titles, most prominently the Unity 2000 series. Harbinger was one of the best selling Valiant titles with total sales in all languages of over five million comics.
Join him as he takes on the weird cases that only a talking duck can crack as the Marvel Universe’s resident private investigator! Let Sex Criminals’ CHIP ZDARSKY (a writer known mostly as an artist) and JOE QUINONES (an artist known mostly as a lover) guide you through his new world as he takes on THE BLACK CAT and MYSTERIOUS FORCES FROM OUTER SPACE! WAUGH!
One of Pacific Comics first titles, the original run of Captain Victory and the Galactic Rangers lasted thirteen issues, plus a special, through January, 1984. All were written, illustrated, and edited by Jack Kirby.
In the last issues of the Pacific series, Kirby crafted an origin story for Captain Victory which he tied into the New Gods comic book that he had written and drawn for DC Comics in the 1970s. It was suggested that Captain Victory was the son of Orion, of the New Gods. Orion was not specifically named, but a number of clues were planted, including equipment said to belong to Captain Victory’s father that was identical to the astro-harness ridden by Orion in the earlier series. Additionally, Captain Victory’s grandfather, Blackmaas, was illustrated only as a cast shadow, but a shadow that to many readers bore a resemblance to Orion’s father, Darkseid.
Volume 3, whose first 25 issues were written by Kurt Busiek and then by Busiek and Roger Stern, ran 89 issues (Feb. 1998 – Dec. 2004). Later writers included Joe Quesada, Frank Tieri, Mike Grell, and John Jackson Miller. Issue #41 (June 2001) was additionally numbered #386, reflecting the start of dual numbering starting from the premiere issue of volume one in 1968. The final issue was dual-numbered as #434.
EHT Comics 