Jeff Lemire set out to create an intelligent horror story, not one driven by gore, but by exploring the nature of evil. Sorrentino described the central character, Norton Sinclair, as inheriting the worst from himself and Lemire—nihilism from Sorrentino and obsession from Lemire. Norton is based off a character Lemire originally created in 1996 for a short film during film school in Toronto. The Black Barn from the series was somewhat inspired by the Black Lodge from Twin Peaks, though Lemire assures readers he’s going somewhere very different with the concept. The story came from two separate stories that weren’t working on their own, but finally clicked when Lemire put them together.
Ten years after the world is plunged into an everlasting night that turns all living creatures into monstrous shades, the only way to survive is to stay close to artificial light. Enter Valentina “Val” Riggs, a skilled ferryman who transports people and goods along deadly unlit roads with her heavily illuminated eighteen wheeler.
The series is set in a matriarchal “alternate Asia” riven by war between the Arcanics, magical creatures who sometimes can pass for human, and the Cumea, an order of sorceresses who consume Arcanics to fuel their power. The main character, Maika, is an Arcanic who is set on learning more about, and avenging, her dead mother. According to Liu, among the series’s themes are the inner strength required to withstand constant dehumanization, as well as the power of friendship among women.
The first, triple-sized issue of Monstress received critical praise. Writing for Kotaku, Evan Narcisse called it “a gorgeous comic book about racism, war and slavery”, noting the intricate detail of Takeda’s manga-inspired art. In the A.V. Club, Caitlin Rosberg described the leading characters, all women, as “deeply flawed and showing layers of nuanced characterization that you don’t often see in comic books”, and appreciated the series’s “sense of in-between-ness—(…) neither traditionally Western nor manga, paced like a novel but drawn like a comic”.
It is a supernaturalscience fiction story that chronicles Nathan Cole, a man who makes daily trips to try and rescue those still living in the apocalyptic hellscape of Oblivion, a part of Philadelphia lost a decade ago along with 300,000 of its citizens.
Rob Liefeld told Wizard magazine in 1994 that he was inspired by Gene Roddenberry and Steven Spielberg to create Prophet. The character first appeared in Youngblood #2, released by Image Comics in July 1992. Prophet was originally intended to appear in the pages of Marvel Comics‘ X-Force. Liefeld explained to Wizard: “He was going to show up around #6 or #7 in my original plans, and the cover to Youngblood #2 originally had X-Force members looking on instead of Youngblood members. I soon decided that I was going to work on stuff that was creator-owned, so I pulled the character of Prophet and saved him for later.”
The storyline in Youngblood led directly into Prophet’s own title, which lasted eleven issues (including a zero issue). A second series, written by Chuck Dixon, premiered in 1995 and lasted eight issues. A one-shot was released in 2000 by Awesome Comics.
As with Superman: Red Son, Millar claims that the concept for the series occurred to him when he was a child. In this case, it came to him after his brother told him that there were no superheroes any more because they had all disappeared after a great war with their respective supervillains. It was modified from a pitch by Millar for a Secret Society of Super-Villains series.
1986, the year of the aforementioned war in which the supervillains took over and made their world “darker and grittier”, has real world significance to the world of comic books. It marks the publication of Batman: The Dark Knight Returns, Watchmen, and the completion of the 1985-86 Crisis on Infinite Earths series.
Prophet has starred in three ongoing series bearing his name; these monthlies debuted in 1993, 1995, and 2012, respectively. A fourth series, named Prophet: Earth War, began in January 2016.
The second series, written by Chuck Dixon and illustrated by Stephen Platt premiered in 1995 and lasted eight issues.
One-Shot. Published in 2003 by Semic of France, McFarlane allowed the creators (Jean-François Porchero and Alex Nikolavitch) to create an original Spawn tale without using Image comics. Spawn: Simony involves former Hellspawn and current Spawn mentor Cogliostro in a scheme to rid himself of his Hellspawn curse.
A cross between super-heroics and James Bond-style adventures, black-and-white is the story of Whitney Samsung and Reed Blackett, hired to defend Whitney and thereafter cast into the role of bodyguard/guardian as she refuses to listen to reason and throws herself headlong into trouble.
Following Edison Hark-a haunted, self-loathing Chinese-American detective-on the trail of a killer in 1936 Chinatown, THE GOOD ASIAN is Chinatown noir starring the first generation of Americans to come of age under an immigration ban, the Chinese, as they’re besieged by rampant murders, abusive police, and a world that seemingly never changes.
EHT Comics 