Otto Messmer pursued the Sunday Felix comic strips until their discontinuance in 1943, when he began eleven years of writing and drawing Felix comic books for Dell Comics that were released every other month. Jack Mendelsohn was the ghostwriter of the Felix strip from 1948 to 1952. In 1954, Messmer retired from the Felix daily newspaper strips, and his assistant Joe Oriolo (the creator of Casper the Friendly Ghost) took over. The strip concluded in 1966.
Turok, Son of Stone, was illustrated by Rex Maxon. The writer-creator credit for the characters of Turok and Andar is disputed, with historians citing Matthew H. Murphy, Gaylord Du Bois and Paul S. Newman as the feature’s earliest writers.
The Western Publishing version of Turok was a Pre-Columbian era Native American (identified as Mandan in the first issue, on page 21 and 32 of Dell Four Color #596) who, along with his brother, Andar, became trapped in an isolated canyon valley populated by dinosaurs, which they refer to in general as “hoppers”, “monsters” and more often than not, beginning in Dell issue number 9, page 35 as “honkers”, as well as by their most obvious characteristics (tyrannosaurs are called “runners”, pterosaurs are called “flyers”, velociraptors are “screamers”, plesiosaurs are “sea demons”, Triceratops are “rammers”, etc.). The Du Bois stories involve Turok and Andar seeking a way out of the canyon. Du Bois was influenced by his visits to Carlsbad Caverns, New Mexico and developed the “Lost Valley” from his visits to the area.
After two appearances in Four Color #596 and #656, the title ran 27 issues (#3–29) published by Dell Comics (1956–62); then issues #30–125 (1962–80) from Gold Key Comics; and finally issues #126–130 (1981–82) under Western’s Whitman Comics imprint.
Crime Does Not Pay was published between 1942 and 1955 by Lev Gleason Publications. Edited and chiefly written by Charles Biro, the title launched the crime comics genre and was the first “true crime” comic book series. At the height of its popularity, Crime Does Not Pay would claim a readership of six million on its covers. The series’ sensationalized recountings of the deeds of gangsters such as Baby Face Nelson and Machine Gun Kelly were illustrated by artists Bob Wood, George Tuska, and others. Stories were often introduced and commented upon by “Mr. Crime”, a ghoulish figure in a top hat, and the precursor of “horror hosts” such as EC Comics‘ Crypt Keeper. According to Gerard Jones, Crime Does Not Pay was “the first nonhumor comic to rival the superheroes in sales, the first to open the comic book market to large numbers of late adolescent and young males.”
Shock SuspenStories was part of the EC Comics line in the early 1950s. The bi-monthly comic, published by Bill Gaines and edited by Al Feldstein, began with issue 1 in February/March 1952. Over a four-year span, it ran for 18 issues, ending with the December/January 1955 issue.
Front covers were by Feldstein, Wally Wood, Johnny Craig, George Evans and Jack Kamen. Kamen was the comic’s most prolific artist, usually doing the lead eight-page story in each issue. Other stories were illustrated by Craig, Evans, Wood, Graham Ingels, Jack Davis, Al Williamson, Joe Orlando, Reed Crandall, Bernard Krigstein and Frank Frazetta. Writing was handled by Gaines and Feldstein exclusively through the first 12 issues with the exception of a single story written by Craig. Over the last 6 issues other writers that contributed included Carl Wessler, Otto Binder, and Jack Oleck.
Issue 13 featured “Squeeze Play”, the only solo story Frank Frazetta drew for EC
EHT Comics 