Danger Girl was created by J. Scott Campbell and Andy Hartnell. The series, started in March 1998 stars an eponymous group of three sexy female secret agents—Abbey Chase, Sydney Savage and Sonya Savage—who engage in adventures in the vein of other fictional characters like Charlie’s Angels, James Bond and Indiana Jones. They are led by a former British Secret Service Agent named Deuce and guided by teenage genius Silicon Valerie.
The God of Whispers has spread an omnipresent paranoia to every corner of the kingdom of Zhal; his spies hide in every hall spreading mistrust and fear. Adam Osidis, a dying knight from a disgraced house, must choose between joining a hopeless band of magic users in their desperat e bid to free their world of the evil God, or accepting his promise to give Adam everything his heart desires. Writer RICK REMENDER reteams with collaborators JEROME OPEÑA (Uncanny X-Force, Fear Agent) and MATT HOLLINGSWORTH (TOKYO GHOST, WYTCHES) to take you on a hard road through the strange fantasy world of Zhal. All men have surrendered their freedom for fear. Now, one last free man must choose.
Battle of the planets was revamped by Top Cow Productions with a new twelve-issue limited series starting in 2002. The series was originally planned as an ongoing comic, but low sales led to its cancellation at issue 12, which ended the series with a cliffhanger. A two-issue mini, Endgame (originally listed as Coup De Gras), was solicited in 2005, and was meant to tie up the loose ends, but never made it to print.
In early 2006, Wildstorm brought all its in-continuity comics since WildC.A.T.s #1 to an end. The universe’s finale came in the form of the crossover miniseries Captain Atom: Armageddon. Following the conclusion of this limited series, the entire Wildstorm line was relaunched with “Worldstorm.” A new Gen13 series began. The entire world had a “soft reset”; the surroundings were mostly familiar, but there were changes throughout.
In July 2001, Devil’s Due acquired the rights to G.I. Joe, and released a four-issue limited series through Image Comics, written by Josh Blaylock with John Larter and Steve Kurth as the artists. The title quickly became known to the fans as A Real American Hero vol. 2 (following from Marvel’s original series), or G.I. Joe Reinstated (the title of the first four-issue arc). Strong sales on the limited series led to it being upgraded to an ongoing series, with the publication of a fifth issue and a monthly schedule.
In 1992, when Larsen left Marvel to co-found Image Comics, he reworked the character for the new publication venture. This time, the Dragon was a massively muscled green amnesiac, who joined the Chicago police department after being discovered in a burning field. Initially debuting in a three-issue miniseries (with the first issue cover-dated July 1992), the Savage Dragon comic book met with enough success to justify a monthly series, launched in June 1993. To this day, Larsen continues to write and illustrate the series entirely by himself, and has maintained a reasonably consistent monthly schedule (save for occasional lapses) in comparison with the other original Image Comics titles.
Writer Brian K. Vaughan conceived Saga in his childhood, calling it “a fictional universe that I created when I was bored in math class. I just kept building it.” He was inspired by such influences as Star Wars,Flash Gordon and children’s books, and has also invoked the awe and wonder of first seeing the Silver Surfer, which seemed an “incredible and different” concept to him. It was not until his wife became pregnant with his second daughter, however, that he conceived of the protagonists, the winged Alana and the horned Marko, two lovers from warring extraterrestrial races who struggle to survive with their newborn daughter, Hazel, who occasionally narrates the series. It was also at this point that the central theme that Vaughan wanted for the book emerged. Vaughan explains, “I wanted to write about parenthood, but I wanted to Trojan-horse it inside some sort of interesting genre story, to explore the overlap between artistic creation and the creation of a child.”] Vaughan, who intended to return to writing a comics series following the 2010 conclusion of his previous series, Ex Machina, and who notes that the publication of Saga #1 coincided with the birth of his daughter, saw parallels between the caution advised by colleagues against launching a new book in the poor economy and those who cautioned against bringing a new child into the world.
King Spawn further expands the Spawn Universe with a growing presence of Hell, Heaven, and Heroes here on Earth.
A classic villain from Spawn’s past has begun asserting his powers on Earth by corrupting as many souls as possible. And only Spawn knows that he even exists. Continuing the dramatic battles from Spawn’s Universe #1.
A coming-of-age tale told through the eyes of a group of French orphans during World War II who are saved by a brave and daring American boy named Peter. As they travel together, they get tangled up in the French Resistance and their efforts against a growing German presence under the leadership of a fanatical hook-handed SS officer hellbent on wiping them out!
The Top Cow comics are primarily based on the same continuity as the games by Core Design, in which Lara’s plane crashes when she is twenty-one years old (rather than the latter games by Crystal Dynamics, the plane crash happening when she was only nine years old), but the exact details are changed. In the comic, Lara is accompanied by both her parents and her fiancé, the plane trip taken to celebrate her impending marriage (in the game series, Lara’s plane is chartered to take on a skiing holiday). Writers Dan Jurgens, John Nay Riber, and James Bonny worked on the series, which also featured the art of Andy Park, Michael Turner, Billy Tan, and Adam Hughes, amongst others.
EHT Comics 