The Goon is written and drawn by Eric Powell. The series mixes both a comical and violent atmosphere with a supernatural slant, which pit the titular character against undead creatures/zombies, ghosts, ghouls, mutants, skunk-apes with an unnatural hunger for pies, giant squids, mob/gang leaders, extra-dimensional aliens, mad scientists and robots.
Star Wars: Legacy is set over 126 years after the film Return of the Jedi. The comics feature Cade Skywalker, a descendant of Luke Skywalker, who was trained as a Jedi, but abandoned the order. He apprenticed himself to the pirate Rav and lives among bounty hunters, smugglers and pirates. Cade also dropped his last name. The series begins with an attack on the Jedi Temple and the overthrow of the Galactic Alliance by the One Sith order.
After a great and furious struggle, Cade and his friends manage to kill the evil Sith emperor, Darth Krayt. However, even without their leader, the Sith remain a powerful danger.
Star Wars Infinities: A New Hope is a 2002 four-part story arc in the Star Wars Infinities series of comic books. It is an extended alternate ending of the 1977 film Star Wars in which Luke Skywalker‘s proton torpedoes fail to destroy the Death Star.
Published by Dark Horse Comics from 1998 to February 2006, the series was originally titled simply Star Wars, but acquired its Republic title at issue 46. The entire series comprises 83 issues. After issue 83, the series was replaced by Star Wars: Dark Times, which continued the Republic numbering on its inside covers. The Republic series is one of a number of comic book series set in the Star Wars Expanded Universe.
The events in Star Wars: Republic are set in roughly the same fictional timeframe as the Star Wars film prequel trilogy. Character development builds on the films, including appearances by more prominent characters such as Mace Windu and Yoda, as well as peripheral characters such as Ki-Adi-Mundi and Quinlan Vos.
After Renegade, Burden took Flaming Carrot to Dark Horse Comics, which published 14 more issues of Flaming Carrot, #18-31 (June 1988 to Oct. 1994). Dark Horse also published Flaming Carrot stories in its anthology Dark Horse Presents #20 (Aug. 1988) and its annual anthology San Diego Comic Con Comics #1.
The Story takes place in the futuristic Alien vs. Predator universe, where Earth has been overrun by Aliens, and the social elite have taken refuge in gigantic skyliners. Caryn Delacroix is the protagonist, with an unclear past regarding both the Aliens and Predators throughout most of the comic. An artificial intelligence serves as the primary antagonist, while the Xenomorphs and the Predator are many times in cooperation with Delacroix and her companions for parts of the series, in particular a Predator called “Big Mama”.
The first series in the line explores the adventures of Will Byers (Noah Schnapp) after he was transported to the horrific extra-dimensional Upside Down at the beginning of season 1. Viewers only saw Will reappear in that season’s finale when he was finally found by his mother Joyce (Winona Ryder), but obviously a lot happened in the interim. This four-issue Stranger Things miniseries — written by Jody Houser, illustrated by Stefano Martino, inked by Keith Champagne, colored by Lauren Affe, and lettered by Nate Piekos — will finally give fans a look at what happened to Will in the Upside Down.
Dark Horse Comics began their take on Conan in 2003. Their first comic series published was written by Kurt Busiek and Tim Truman and pencilled by Cary Nord and Tomas Giorello. This was followed by Conan the Cimmerian, written by Tim Truman and pencilled by Tomas Giorello, Richard Corben and José Villarrubia. This series is a fresh interpretation, based solely on the works of Robert E. Howard and on the Dale Rippke chronology, with no connection to the large Marvel run.
In this cyberpunk iteration of a possible future, computer technology has advanced to the point that many members of the public possess cyberbrains, technology that allows them to interface their biological brain with various networks. The level of cyberization varies from simple minimal interfaces to almost complete replacement of the brain with cybernetic parts, in cases of severe trauma. This can also be combined with various levels of prostheses, with a fully prosthetic body enabling a person to become a cyborg. The heroine of Ghost in the Shell, Major Motoko Kusanagi, is such a cyborg, having had a terrible accident befall her as a child that ultimately required that she use a full-body prosthesis to house her cyberbrain. This high level of cyberization, however, opens the brain up to attacks from highly skilled hackers, with the most dangerous being those who will hack a person to bend to their whims.
The base concept of The Mask was created by Mike Richardson in 1982. It first saw life as a single sketch he drew in 1985 for APA-5, an amateur press publication created by writer Mark Verheiden. After starting Dark Horse Comics, Richardson pitched his concept to Marvel Comics comic book writer/artist Mark Badger. The outcome was the Masque strip, that ran in the early issues of Dark Horse Presents. Badger’s strips became increasingly political, and Richardson ended the strip in order to bring the character back to his original concept.
Artist Chris Warner was hired to revamp the character based on Richardson’s original APA-5 drawing and created the definitive look for the character, that was given a new launch in 1989 in the pages of Dark Horse’s Mayhem anthology. Aspiring writer John Arcudi and artist Doug Mahnke were hired to create the new adventures, which became the first very popular use of the character, “a combination of Tex Avery and The Terminator“. The Mask stories from Mayhem #1-4 were later collected as the 1991 issue The Mask #0 and in a trade paperback collection as well.
EHT Comics 